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Collection
Prints and Drawings
115
Paintings and Sculpture
11
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
75
Hastings, Thomas Capt., 1778–1854
25
Brandard, Robert, 1805–1862
13
Allen, James Baylis, 1803–1876
10
Wallis, Robert, 1794–1878
7
Willmore, James Tibbits, 1800–1863
7
Creswick, Thomas, 1811–1869
6
Radclyffe, William, 1780–1855
6
Finden, Edward Francis, 1791–1857
5
Smith, William R., active 1819–1851
5
D'Oyly, Charles, 1781–1845
4
Fisher, S., active 1831–1844
4
Miller, William, 1796–1882
4
Cooke, William Bernard, 1778–1855
3
Cooke, William John, 1797–1865
3
CROTCH, William Dr., 1775–1847
2
Cadell, Robert, 1788–1849
2
Finden, W. (William), 1787–1852
2
Goodall, Edward, 1795–1870
2
Martin, John, 1789–1854
2
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1791
666
1834
316
1800
211
1826
187
1827
177
1835
171
1814
166
1836
161
1802
151
1825
139
1830
134
1833
[remove]
126
1820
124
1767
120
1793
110
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102
1784
92
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26
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25
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24
1764
23
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23
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23
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23
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22
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22
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22
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22
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22
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21
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20
1806
20
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20
1700
19
1760
19
1788
19
1798
19
1855
19
1746
17
1852
17
On-site Access
Accessible in the Study Room
115
Not on view
9
On view
2
Image Use
Free to Use
126
Image Available
Available
125
Unavailable
1
Classification
Prints
75
Drawings & Watercolors
39
Paintings
11
Drawing & Watercolors-Architectural
1
Creator Gender
male
126
Collective Title
Rivers of France
36
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
18
Picturesque Views in England and Wales
14
Byron's Life and Works
7
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
7
Turner's Annual Tour, The Loire
7
Scott's Poetical Works
5
The Keepsake
4
Tilt's Illustrations to Scott's Poetical Works
3
Turner's Annual Tour- The Seine
3
Views of Calcutta and its Environs
3
Rogers's Poems
1
The Watering Places of Great Britain, and Fashionable Directory, 1833
1
Period
19th century
126
Materials & Techniques
line engraving
68
wove paper
67
graphite
37
brown ink
15
chine collé
13
watercolor
12
oil paint
11
painting (technique)
11
etching (printing process)
9
panel (wood)
8
gouache
5
gray wash
4
pen
4
brown wash
3
canvas
3
engraving (printing process)
3
white gouache
3
scratching out
2
black ink
1
board
1
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Materials & Techniques
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123
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153
Work Type
intaglio print
75
drawing
40
watercolor
14
painting
11
Genre
landscape
[remove]
126
architectural subject
45
marine art
34
cityscape
13
literary theme
8
sporting art
6
animal art
4
religious and mythological subject
4
genre subject
2
historical subject
1
military art
1
Subject Terms
river
50
landscape
30
landscape (representation)
26
architectural subject
24
castle
18
château
15
bridge
13
trees
10
church
9
gate
8
cityscape
7
landscape (environment)
7
sea
7
hills
6
men
6
palace
6
park
6
sporting art
6
marine art
5
water
5
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Subject Terms
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Associated Places
France
37
Europe
36
Loire
32
United Kingdom
24
England
19
Pays de la Loire
13
Amboise
12
Centre
12
Château d'Amboise
12
Indre-et-Loire
12
Germany
7
Blenheim Palace
6
Blenheim Park
6
Champtoceaux
6
Glyme
6
Oxfordshire
6
The Grand Bridge
6
Woodstock
6
Woodstock Gate
6
Scotland
5
more
Associated Places
»
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
7
Art in Focus : The British Castle - A Symbol in Stone (Yale Center for British Art, 2017-04-07 - 2017-08-06)
2
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
2
Samuel Palmer 1805-1881 Vision and Landscape (British Museum, 2005-10-21 - 2006-01-22)
2
Samuel Palmer 1805-1881 Vision and Landscape (The Metropolitan Museum of Art, 2006-03-07 - 2006-05-28)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Francis Danby ARA (Bristol Museum and Art Gallery, 1988-11-05 - 1989-01-21)
1
Francis Danby ARA (Tate Britain, 1989-02-15 - 1989-04-09)
1
Great British Paintings from American Collections: Holbein to Hockney (Yale Center for British Art, 2001-09-27 - 2001-12-30)
1
In a New Light: 500 Years of British Art (Yale Center for British Art, 2025-04-01 - 2026-01-30)
1
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Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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126
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Date
1833
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Genre
landscape
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1
Francis Danby, 1793–1861
Boat Building near Dinan, Brittany
ca. 1838
Not on view
2
Joseph Mallord William Turner, 1775–1851
Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
exhibited 1834
On view
3
Ramsay Richard Reinagle, 1775–1862
A Wooded Landscape
1833
Not on view
4
Joseph Francis Gilbert, 1792–1855
Chichester Cathedral
1833
Not on view
5
William Daniell, 1769–1837
Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off
1833
On view
6
Thomas Creswick, 1811–1869
View from Mr. Southey's House, Keswick
ca. 1838
Not on view
7
Thomas Creswick, 1811–1869
Waterloo
ca. 1838
Not on view
8
Thomas Creswick, 1811–1869
The Summer Bower, Derwent Water
ca. 1838
Not on view
9
Thomas Creswick, 1811–1869
The Well of St. Keyne
ca. 1838
Not on view
10
Thomas Creswick, 1811–1869
St. Michael's Mount, Cornwall
ca. 1838
Not on view
11
Thomas Creswick, 1811–1869
Dolwyddelan
ca. 1838
Not on view
12
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
13
Samuel Palmer, 1805–1881
The Weald of Kent
between 1833 and 1834
14
Joseph Mallord William Turner, 1775–1851
The Fortified Rock of Monaco from the East
ca. 1838
15
James Ward, 1769–1859
The Old Double Bridge, Bury St. Edmunds
1833
16
William Callow, 1812–1908
Versailles
1833
17
Print made by James Tibbits Willmore, 1800–1863
Montjen
1833
18
Print made by Robert Brandard, 1805–1862
St. Florent
1833
19
Print made by James Tibbits Willmore, 1800–1863
Clairmont
1833
20
Print made by William Miller, 1796–1882
Dryburgh Abbey
1833
21
Print made by Robert Brandard, 1805–1862
Château Hamelin
1833
22
Capt. Thomas Hastings, 1778–1854
From Our House in East Cowes, Sunday Evening, 12 May 1833
1833
23
Capt. Thomas Hastings, 1778–1854
In Padmore Garden, May 1833
1833
24
Capt. Thomas Hastings, 1778–1854
Ventnor Down, 6 June 1833
1833
25
Capt. Thomas Hastings, 1778–1854
Crewkerne Abbey, 24 May 1833
1833
26
Capt. Thomas Hastings, 1778–1854
Entrance of Bradley Vale, 29 May 1833
1833
27
Capt. Thomas Hastings, 1778–1854
In Bradley Vale, 30 May 1833
1833
28
Capt. Thomas Hastings, 1778–1854
In Bradley Vale, 29 May 1833
1833
29
Capt. Thomas Hastings, 1778–1854
In Bradley Vale, May 1833
1833
30
Capt. Thomas Hastings, 1778–1854
In Bradley Vale, May 1833
1833
31
Capt. Thomas Hastings, 1778–1854
Holne Chase Bridge and River, 30 May 1833
1833
32
Capt. Thomas Hastings, 1778–1854
Holne Chase, May 1833
1833
33
Capt. Thomas Hastings, 1778–1854
Holne Chase Bridge
1833
34
Capt. Thomas Hastings, 1778–1854
Holne Chase, 30 May 1833
1833
35
Capt. Thomas Hastings, 1778–1854
Holne Bridge, 30 May 1833
1833
36
Capt. Thomas Hastings, 1778–1854
Holne Chase, 30 May 1833
1833
37
Capt. Thomas Hastings, 1778–1854
Appuldercombe, 6 June 1833
1833
38
Capt. Thomas Hastings, 1778–1854
East Cowes, May 1833
1833
39
Capt. Thomas Hastings, 1778–1854
East Cowes, 7 PM, 11 May 1833
1833
40
Capt. Thomas Hastings, 1778–1854
Sketch of Trees and Hills above the Barton Farm House, Isle of Wight
1833
41
Capt. Thomas Hastings, 1778–1854
Holne Chase near Ashburton, 30 May 1833
1833
42
Print made by William Bernard Cooke, 1778–1855
Crichtoun Castle
1833
43
Print made by Edward Goodall, 1795–1870
Datur Hora Quieti
1833
44
Print made by James Baylis Allen, 1803–1876
Château of Amboise
1833
45
Print made by Robert Brandard, 1805–1862
Rietz, near Saumur
1833
46
Print made by James Tibbits Willmore, 1800–1863
Montjen
1833
47
Print made by James Tibbits Willmore, 1800–1863
Montjen
1833
48
Print made by Robert Brandard, 1805–1862
St. Florent
1833
49
Print made by James Tibbits Willmore, 1800–1863
Clairmont
1833
50
Print made by William Finden, 1787–1852
The Drachenfels
1833
51
Print made by James Baylis Allen, 1803–1876
Château of Amboise
1833
52
Print made by James Baylis Allen, 1803–1876
Château of Amboise
1833
53
Print made by Robert Brandard, 1805–1862
St. Florent
1833
54
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
55
Print made by Robert Brandard, 1805–1862
Château Hamelin
1833
56
Print made by Edward Francis Finden, 1791–1857
The Castellated Rhine
1833
57
Print made by W. R. Smith, active 1819–1851
Amboise
1833
58
Print made by W. R. Smith, active 1819–1851
Amboise
1833
59
Print made by W. R. Smith, active 1819–1851
Amboise
1833
60
Print made by W. R. Smith, active 1819–1851
Amboise
1833
61
Print made by James Baylis Allen, 1803–1876
Château of Amboise
1833
62
Print made by Robert Brandard, 1805–1862
Château Hamelin
1833
63
Joseph Murray Ince, 1806–1859
The Horse Guards From the Bridge, St. James's Park
1833
64
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
65
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
66
Print made by James Tibbits Willmore, 1800–1863
Montjen
1833
67
Print made by Robert Brandard, 1805–1862
Rietz, near Saumur
1833
68
Print made by Robert Brandard, 1805–1862
St. Florent
1833
69
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
70
Print made by James Tibbits Willmore, 1800–1863
Clairmont
1833
71
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1833
72
Print made by Robert Brandard, 1805–1862
Château Hamelin
1833
73
Print made by James Baylis Allen, 1803–1876
Château of Amboise
1833
74
Print made by Robert Brandard, 1805–1862
Château Hamelin
1833
75
Capt. Thomas Hastings, 1778–1854
Ruins of Crewkerne Abbey, May 1833
1833
76
Capt. Thomas Hastings, 1778–1854
In Ugbrooke Park, May 1833
1833
77
Capt. Thomas Hastings, 1778–1854
In Crewkerne Church Yard, June 1833
1833
78
Capt. Thomas Hastings, 1778–1854
In Bradley Vale, 29 May 1833
1833
79
Capt. Thomas Hastings, 1778–1854
Holne Chase on the Dart, 30 May 1833
1833
80
John Martin, 1789–1854
The Rescue of Lot
1833
81
Print made by William Radclyffe, 1780–1855
Blenheim, Oxfordshire
1833
82
Print made by Robert Wallis, 1794–1878
Ehrenbreitstein
1833
83
Print made by Robert Wallis, 1794–1878
Ehrenbreitstein
1833
84
Print made by Robert Wallis, 1794–1878
Ehrenbreitstein
1833
85
Print made by William Radclyffe, 1780–1855
Blenheim, Oxfordshire
1833
86
Print made by Thomas Higham, 1796–1844
Ely Cathedral, Cambridgeshire
1833
87
Print made by William Radclyffe, 1780–1855
Blenheim, Oxfordshire
1833
88
Print made by William Radclyffe, 1780–1855
Blenheim, Oxfordshire
1833
89
Print made by William Bernard Cooke, 1778–1855
Tantallon Castle
1833
90
Print made by William Radclyffe, 1780–1855
Blenheim, Oxfordshire
1833
91
Sir Charles D'Oyly, 1781–1845
Town and Port of Calcutta
between 1833 and 1838
92
Sir Charles D'Oyly, 1781–1845
General View of Calcutta, from the Entrance to the Water Gate of Fort William
between 1833 and 1838
93
Sir Charles D'Oyly, 1781–1845
View of Part of Chowringhee - Calcutta
between 1833 and 1838
94
Sir Charles D'Oyly, 1781–1845
Water View near Calcutta
between 1833 and 1838
95
Print made by S. Fisher, active 1831–1844
Coventry, Warwickshire
1833
96
Print made by Robert Wallis, 1794–1878
Ehrenbreitstein
1833
97
John Martin, 1789–1854
Dover
1833
98
Print made by William Finden, 1787–1852
The Drachenfels
1833
99
Print made by James Baylis Allen, 1803–1876
Château of Amboise
1833
100
Print made by Robert Brandard, 1805–1862
Rietz, near Saumur
1833
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