Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Width [cm]: 41

1. A Lake in Norway

Creator:: Francis Danby, 1793–1861
Date:: ca. 1825
Materials & Techniques:: Brown wash with gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 16 5/16 inches (30.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. View from Rook's Hill, Kent

Creator:: Samuel Palmer, 1805–1881
Date:: 1843
Materials & Techniques:: Watercolor with gouache and pen and brown ink and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 20 5/8 x 16 1/4 inches (52.4 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Human Skeleton, Anterior View (Finished Study for Table I)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Fowl Skeleton, Lateral View (Finished Study for Table V)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
Dimensions:: Sheet: 22 1/4 x 16 inches (56.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper; pinholes at reference points near head
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Human Skeleton, Posterior View (Finished Study for Table II)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Human Figure, Anterior View, Undissected (Finished Study for Table VI)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Human Figure, Anterior View (Intended for a Plate That was Never Published)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: soft-ground etching on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Human Figure, Anterior View (Outline figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Human Figure, Posterior View (Outline drawing for key figure to Table XII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 1/8 inches (53.3 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Human Figure, Posterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 16 inches (53.7 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Human Figure, Lateral View (For the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. A Rake's Progress, Plate V: He Marries

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Date:: 1741
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Four Times of Day, Plate II: Noon

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Etching and engraving, second state
Dimensions:: Sheet: 19 3/8 x 16 1/16in. (49.2 x 40.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Mer de Glace, Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Alcove, Isleworth

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. East Gate, Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Ben Arthur, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching printed in brown ink, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Isis

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Ville de Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Entrance of Calais Harbour

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. River Wye

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Peat Bog, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Crypt of Kirkstall Abbey

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Water Mill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/4 inches (26.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Junction of Severn and Wye

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Basle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Flint Castle, Vessels Unloading

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Holy Island Cathedral

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Lake of Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Hindoo Worshipper

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and aquatint, printed in brown ink First Published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Hind Head Hill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Junction of Severn and Wye

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Water Mill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Calm

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Crypt of Kirkstall Abbey

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Jason

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Pembury Mill, Kent

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Original Sketch of a Picture for W. Leader, Esq.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Scene in the Campagna

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Barnard Castle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 19 1/2 x 16 inches (49.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Mrs. Faber

Creator:: John Faber the Younger, ca. 1695–1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Louise, Duchess of Portsmouth

Creator:: Print made by Paul van Somer II, ca. 1649–1714
Date:: ca. 1680
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Study of Figures and Busts on the Pediments of Temples

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink, gray ink and graphite on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 20 9/16 × 16 1/4 inches (52.2 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. View of Ruins at Tivoli

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash, blue wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. View of Sigacik (Ancient Teos)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.2 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Scutari

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 21 1/4 inches (37.7 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Unfinished View of the Palatine in Rome

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 21 1/4 inches (37.7 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Statue of the Marquis of Hastings in Tank Square - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, white gouache, gray wash, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Sheet: 8 1/4 × 15 inches (21 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Temptation of Adam

Creator:: James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Etching
Dimensions:: Sheet: 28 3/4 x 16 1/8in. (73 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Cupboard in the Hall of the Embassadors

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, brown ink and black wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Six Capitals of Columns in the Court of Lions in the Alambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Column of the Court of Lions

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Coat of Arms Design

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Tree Study

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Garonne River

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Castle of Las Navas de Tolosa, Spain

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Saint-Hilaire, Bord du Loiret

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Castle of Sax

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Barcelona, Spain

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Graphite, with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Evening

Creator:: Print made by John Boydell, 1720–1804
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Night

Creator:: Print made by John Boydell, 1720–1804
Date:: 1756
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 1/4 inches (39.7 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Morning

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Mill near the Grand Chartreuse, Dauphiny

Creator:: Print made by Henry Dawe, 1790–1848
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Landcape View of a Watermill

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 11 1/16 × 16 5/16 inches (28.1 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Pan and Syrinx

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Okehampton Castle on the River Okement

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Mezzotint and etching, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Near Oropesa

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Mount Vesuvius

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Bridge of Snow

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Gressenberg

Creator:: Henry Swinburne, 1743–1803
Date:: 1779
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. View from the Gallows Hill

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. View of Maison From Le Mesnil-le-Roi

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 5/16 inches (28.1 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. From Rouen Down the Seine

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Distant, Panoramic View, of a City and its Surrounding Coast

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 5/16 inches (28.1 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. View of the Cascine Near Florence

Creator:: Henry Swinburne, 1743–1803
Date:: 1787
Materials & Techniques:: Watercolor, with pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Coastal Landscape Scene

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Watercolor and gouache, graphite, pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Width [cm] 41

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1. A Lake in Norway

2. View from Rook's Hill, Kent

3. Human Skeleton, Anterior View (Finished Study for Table I)

4. Fowl Skeleton, Lateral View (Finished Study for Table V)

5. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

6. Human Figure, Lateral View

7. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

8. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

9. Human Skeleton, Lateral View

10. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

11. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

12. Fowl Body, Lateral View

13. Fowl Body, Lateral View

14. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

15. Human Skeleton, Posterior View (Finished Study for Table II)

16. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

17. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

18. Human Figure, Anterior View, Undissected (Finished Study for Table VI)

19. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

20. Human Figure, Anterior View (Intended for a Plate That was Never Published)

21. Human Figure, Anterior View (Outline figure)

22. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

23. Human Figure, Posterior View (Outline drawing for key figure to Table XII)

24. Human Figure, Posterior View

25. Human Figure, Lateral View (For the key figure to Table XIII)

26. A Rake's Progress, Plate V: He Marries

27. The Enraged Musician

28. The Four Times of Day, Plate II: Noon

29. Mer de Glace, Valley of Chamouni, Savoy

30. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

31. The Alcove, Isleworth

32. Dumblain Abbey, Scotland

33. Bonneville, Savoy

34. East Gate, Winchelsea, Sussex

35. Ben Arthur, Scotland

36. Dumbarton Rock

37. Isis

38. Ville de Thun, Switzerland

39. The Source of the Arveron in the Valley of Chamouni, Savoy

40. Entrance of Calais Harbour

41. River Wye

42. Peat Bog, Scotland

43. Crypt of Kirkstall Abbey

44. Water Mill

45. Junction of Severn and Wye

46. Little Devil's Bridge over the Russ above Altdorft, Switzerland

47. Basle

48. Flint Castle, Vessels Unloading

49. Holy Island Cathedral

50. Lake of Thun, Switzerland

51. The Hindoo Worshipper

52. Hind Head Hill

53. Windmill and Lock

54. Junction of Severn and Wye

55. Water Mill

56. Calm

57. Crypt of Kirkstall Abbey

58. Jason

59. Pembury Mill, Kent

60. Original Sketch of a Picture for W. Leader, Esq.

61. Procris and Cephalus

62. Scene in the Campagna

63. Barnard Castle

64. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

65. Mrs. Faber

66. Louise, Duchess of Portsmouth

67. Study of Figures and Busts on the Pediments of Temples

68. View of Ruins at Tivoli

69. View of Sigacik (Ancient Teos)

70. Scutari

71. Unfinished View of the Palatine in Rome

72. Statue of the Marquis of Hastings in Tank Square - Calcutta

73. Temptation of Adam