- Title:
- Ben Arthur, Scotland
- Part Of:
- Date:
- 1819
- Materials & Techniques:
- Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), Image: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in graphite, lower left: "69. I"; inscribed on verso in graphite, lower left: "69. I."; lower center: "Cotswold Gallery 1924, ex. G.E.Blood"
Collector’s mark: G. E. Blood (Lugt 265c)
Lettered above image: "M"; below image: "Drawn. & Etched by I.M.W. Turner Esq. R.A.P.P. | Engraved by T. Lupton | BEN ARTHUR. SCOTLAND | London. Pub. Jan.1. 1819. by I.M.W. Turner, Queen Anne Str West"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1977.14.8189
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:30614
- Export:
- XML
- IIIF Manifest:
- JSON
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) [YCBA Objects in the Exhibition] [Exhibition Description]
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) [YCBA Objects in the Exhibition]
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25) [YCBA Objects in the Exhibition]
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20) [YCBA Objects in the Exhibition]
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19) [YCBA Objects in the Exhibition]
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04) [YCBA Objects in the Exhibition]
Timothy J. Barringer, Unto this last : two hundred years of John Ruskin, Yale University Press, New Haven, CT, 2019, p. 187, fig. 93, NJ18.R895 .B37 2019 (LC) Oversize (YCBA) [YCBA]
Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 16, no. 30, NJ18 .T85 L44 1993 (YCBA) [YCBA]
Duncan Robinson, Fairest isle : the appreciation of British scenery, 1750-1850, , Yale Center for British Art, New Haven, 1989, p. 19, no. 153, ND1354.4 F35 (YCBA) [YCBA]