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Collection Prints and Drawings
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1
- The Ferry
- ca. 1840
2
- Arab Horsemen, Two Grey Horses
- 1965
3
- Over the Bank, Exmoor
- ca. 1895
4
- The Bayhorse, Tattersall’s
- 1921
5
- Sale at Ward's Repository, No. 2
- ca. 1918
6
- Under the Hammer
- between 1912 and 1913
7
- Crocks
- ca. 1924
8
- Timber Hauling
- ca. 1917
9
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
10
- The Horse Mart (with further sketches in the margin)
- ca. 1918
11
- Ploughing the Hillside
- ca. 1905
12
- The Meet
- 1898-1899
13
- Found!
- 1898-1899
14
- The Flying Pack
- 1898-1899
15
- Who-o-p!
- 1898-1899
16
- Figures at Mass, Poland
- ca. 1904
17
- The Homeward Star
- begun ca. 1880
18
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
19
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
20
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
21
- Human Figure, Lateral View
- 1795 to 1806
22
- Labourers
- 1789
23
- Grotesque Male Head
- undated
24
- The First Stage of Cruelty
- ca. 1750
25
- Grotesque Male Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Male Head
- undated
28
- Grotesque Male Head
- undated
29
- Grotesque Male Head
- undated
30
- Grotesque Male Head
- undated
31
- Hudibras Vanquished by Trulla
32
- Grotesque Male Head
- undated
33
- Grotesque Male Head
- undated
34
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
35
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
36
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
37
- Gabriel Hunt
- undated
38
- Christ and the Woman of Samaria
- 1819
39
- The Deluge
- between 1813 and 1823
40
- Lake of Thun, Switzerland
- 1808
41
- Rome from Monte Mario
- ca. 1818
42
- Folkestone Harbour and Coast to Dover
- ca. 1829
43
- Teignmouth, Devonshire
- ca. 1813
44
- Opposite Beni Hassan
- 1867
45
- Howatke
- 1867
46
- Val di Roppa, Corfu, 22 May 1868
- 1868
47
- Silsilis
- 1854
48
- Near Suez, evening, 15 January 1849 (43)
- 1849
49
- Seated Men
- 1867
50
- Studies of Camels and Egyptian Men
- 1867
51
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
52
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
53
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
54
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
55
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
56
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
57
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
58
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
59
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
60
- Night the First. On Life, Death and Immortality; Title Page
- 1797
61
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
62
- 'We censure nature for a span too short' (Page 23)
- 1797
63
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
64
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
65
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
66
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
67
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
68
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
69
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
70
- 'The longest night though longer far, would fail' (Page 15)
- 1797
71
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
72
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
73
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
74
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
75
- A Widower and Children (Design 35)
- between 1797 and 1798
76
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
77
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
78
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
79
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
80
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
81
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
82
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
83
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
84
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
85
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
86
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
87
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
88
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
89
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
90
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
91
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
92
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
93
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
94
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
95
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
96
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
97
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
98
- 'Disease invades the chastest temperence' (Page 10)
- 1797
99
- 'The present moment terminates our sight' (Page 13)
- 1797
100
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798