Collection: Prints and Drawings / Width [cm]: 46 - YCBA Collections Search Search Results

1. Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

Creator:: Samuel Palmer, 1805–1881
Date:: 1835 or 1836
Materials & Techniques:: Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper
Dimensions:: Sheet: 15 x 18 1/8 inches (38.1 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Mountains by the Traveller's Rest near Dolgelly

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor and gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Ploughing Team

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1905 or 1906
Materials & Techniques:: Charcoal on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Ploughing the Hillside

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1905
Materials & Techniques:: Black chalk on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Dorking Hen, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A Horse Affrighted by a Lion

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1777
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 19 inches (37.5 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. On the Washburn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1815
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 18 inches (28.6 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Deluge

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Reclining Nude

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 18 inches (26.7 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

12. The Accusation of Susanna

Creator:: George Romney, 1734–1802
Date:: ca. 1773
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

13. Prison Scene

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 18 1/4 inches (28.3 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

14. Five People Praying

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1760
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 x 18 1/4 inches (31.9 x 46.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Pluck'd Pigeons

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 18 1/4in. (27 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Hardraw Fall

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1818
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Self-portrait of Antonie van Dyck

Creator:: Jacques Christophe Le Blon, 1667–1741
Date:: 1738
Materials & Techniques:: Color printed mezzotint; progress proof on medium, slightly textured cream laid paper
Dimensions:: Sheet: 24 3/16 x 18 1/4in. (61.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 × 18 1/4 inches (32.5 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Twixt Dawn and Day

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1919
Materials & Techniques:: Aquatint on wove paper
Dimensions:: Sheet: 13 5/8 × 18 inches (34.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

20. View of the Palace and Village of Choisi, on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 16 3/4 × 26 3/4 inches (42.5 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 7 × 18 inches (17.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Landscape with Temple Ruins at Sunium

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Penand brown ink, gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Midsummers Day

Creator:: Print made by F. A. du Peyron, 1887–1930
Date:: 1928
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Plate: 6 7/8 x 11 3/4in. (17.5 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Margaret J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

24. Athenaeum

Creator:: Print made by R. F. Cahusac, active 1830
Date:: 1830
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Middle Temple Hall, London

Creator:: James Peller Malcolm, 1767–1815
Date:: 1800
Materials & Techniques:: Steel engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 20 7/8 inches (43.2 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Portrait of Richard Arkwright

Creator:: John Raphael Smith, 1752–1812
Date:: 1801
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 25 3/4 × 18 1/16 inches (65.4 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Honey-moon from Modern Love III: Modern Love Pl. 2

Creator:: John Goldar, 1729–1795
Date:: 1766
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 16 1/2 x 18in. (41.9 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Hadleigh Castle, Large Plate

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1832
Materials & Techniques:: Mezzotint and etching; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 18 inches (33 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Marriage A-La-Mode, Plate VI: The Death of the Countess

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/2 x 18 1/4in. (39.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 18 inches (8.9 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. North East View of Fort Louis in the Island of Martinique

Creator:: Samuel Alken, 1756–1815
Date:: 1796
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 12 1/8 x 18in. (30.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The British Neptune riding Triumphant, or the Carmignol's Dancing to the Tune of Rule Britannia

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Langley Park, Norfolk: Elevation

Creator:: John Sanderson, active 1730; died 1774
Date:: 1757
Materials & Techniques:: Pen and black, brown, and gray ink with gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 18 3/16 inches (28.7 x 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Royal Barracks, Fort Victoria Royal Hospital Entrance to St. George's Harbour, Bermuda

Creator:: Print made by unknown artist
Date:: ca. 1810
Materials & Techniques:: Color lithograph
Dimensions:: Sheet: 10 x 18 1/4in. (25.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Errand Boy

Creator:: Abraham Raimbach, 1784–1868
Date:: 1825
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 22 3/8 × 30 inches (56.8 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Cut Finger

Creator:: Abraham Raimbach, 1784–1868
Date:: 1819
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 21 5/16 × 30 1/4 inches (54.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Shakespeare's Church from the Meads

Creator:: Nathaniel Sparks, 1880–1957
Date:: undated
Materials & Techniques:: Etching and drypoint on Japanese paper
Dimensions:: Sheet: 13 × 18 1/4 inches (33 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

38. Longitudinal Section of Westminster Hall

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Harkaway

Creator:: Charles Hunt, 1803–1877
Date:: 1839
Materials & Techniques:: Aquatint, printed in color, varnish over color on horse
Dimensions:: Sheet: 14 1/16 x 17 15/16in. (35.7 x 45.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner

A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/8 × 9 inches (28.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

Creator:: John S. Muller, ca. 1715–1792
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace

A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/8 × 16 inches (25.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Squadron of Ships Sailing before the Wind

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 18 1/16 inches (31.8 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Set of four - Fox-hunting: Full Cry

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1813
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 14 1/4 x 18 1/8in. (36.2 x 46cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Battle of Blenheim MDCCIV, Part the Second

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 3/4 × 12 5/8 inches (27.3 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A View of the Rt. Hon'ble the Lord of Burlington's House at Chiswick; taken from the Road

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 16 1/4 inches (26 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/2 × 17 1/8 inches (26.7 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Attack of Two Bastions, the Breaches being Made by the Miner

Creator:: Remi Parr, 1743–after 1750
Date:: 1760 to 1770
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

Creator:: Print made by John Couse, active 1753–1764
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A View of the Palace of Triano towards the Flower Garden

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 9 3/4 × 16 1/4 inches (24.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Creator:: Print made by Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Plate 2. The Repast

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1813
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 18in. (34.6 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge

Creator:: John Couse, active 1753–1764
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir

The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir

Creator:: Print made by unknown artist
Date:: 1687
Materials & Techniques:: Line engraving with hand coloring on wove paper
Dimensions:: Plate: 11 1/8 × 9 1/8 inches (28.3 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford

Creator:: Nathaniel Parr, active 1742–1751
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Evening, or Sun setting

Creator:: Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Royal George, a first Rate Man of War carrying 100 Guns and 780 Men

Creator:: James Cole, fl.1720–1743
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Battle of Prague in Bohemia;...

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving
Dimensions:: Plate: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Set of four - Fox-hunting. Going to Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Set of four- Fox-hunting. The Death

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Battle of Ramillies MDCCVI

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 5/8 × 12 1/2 inches (27 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford

A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Prospect of the Library of Trinity College, Dublin

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Place given up to Plunder;...

Creator:: Remi Parr, 1743–after 1750
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Battle of Culloden, near Inverness in Scotland...

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Vol. 6, Plate XXVII: The Painted Chamber

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The East Elevation of Windsor Castle, as built by Edward III

Creator:: Thomas Langley, 1702–1751
Materials & Techniques:: Engraving, hand colored
Dimensions:: Sheet: 12 11/16 x 17 15/16in. (32.2 x 45.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

75. Porta S. Giovanni, Rome

Creator:: William Leighton Leitch, 1804–1883
Date:: 1837
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 18in. (22.9 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Tree of Life

Creator:: Print made by John Hoyland, 1934–2011
Date:: 1996
Materials & Techniques:: Screen print on thick, smooth, white wove paper
Dimensions:: Sheet: 30 3/4 x 22 inches (78.1 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

77. Borgo da Vico, Como

Creator:: John Webber, 1752–1793
Date:: before 1775
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 18 inches (28.3 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Rivals: Extremes Meet

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Harpies Attacking the Daughters of Pandarus

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Shooting [set of six]: 6. Packing up

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Racing [set of four]: 3. Training Ground at Newmarket

Creator:: James Pollard, 1792–1867
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 8 1/2 x 18 1/4in. (21.6 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Racing [set of four]: 2. A View of the Road to Newmarket Races

Creator:: James Pollard, 1792–1867
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 8 1/2 x 18 1/4in. (21.6 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

84. The Highland Ferry, Scotland

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/8 x 18 1/8 inches (31.4 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

85. Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826

Creator:: Unknown artist (Company style)
Date:: 1826
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 18 1/8 inches (29.5 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Babe Rainbow

Creator:: Sir Peter Blake, born 1932
Date:: 1968
Materials & Techniques:: Screenprint on tin
Dimensions:: Sheet: 26 × 18 inches (66 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

87. Common Sense Versus Precedent

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 17 15/16 inches (30.4 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The (Modern) Deluge

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Strong Case for Shortening the Hours of Labour

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. [Shooting] Stephen Hemsted Esq're. / of Ilsley, Berks. / From a Picture in the possession of Lewis Buckle Esq'r.

Creator:: William Ward, 1766–1826
Date:: 1814
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 26 x 18in. (66 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Inside of St. Paul's Cathedral from the West End to the Choir

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Battle of Minden in Westphalia...

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving
Dimensions:: Plate: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. A Sea Engagement between the English and Algerines

Creator:: Print made by Paul Fourdrinier, 1698–1758
Date:: ca. 1743
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Colrosse

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/2 x 18in. (29.2 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Gilpin Whigs Return to Rochester without their Candidate

Creator:: Print made by unknown artist
Date:: ca. 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 x 18in. (17.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down

A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Assault on the Main Body of the Palace;...

Creator:: Remi Parr, 1743–after 1750
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Royal Palace of Windsor

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

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1. Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

2. Mountains by the Traveller's Rest near Dolgelly

3. The Ploughing Team

4. Ploughing the Hillside

5. Dorking Hen, Lateral View

6. Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

7. A Horse Affrighted by a Lion

8. Tygers at Play

9. On the Washburn

10. The Deluge

11. Reclining Nude

12. The Accusation of Susanna

13. Prison Scene

14. Five People Praying

15. Pluck'd Pigeons

16. Hardraw Fall

17. Self-portrait of Antonie van Dyck

18. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

19. 'Twixt Dawn and Day

20. View of the Palace and Village of Choisi, on the Banks of the Seine

21. View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf

22. Landscape with Temple Ruins at Sunium

23. Midsummers Day

24. Athenaeum

25. The Middle Temple Hall, London

26. Portrait of Richard Arkwright

27. The Honey-moon from Modern Love III: Modern Love Pl. 2

28. Hadleigh Castle, Large Plate

29. Marriage A-La-Mode, Plate VI: The Death of the Countess

30. Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures

31. North East View of Fort Louis in the Island of Martinique

32. The British Neptune riding Triumphant, or the Carmignol's Dancing to the Tune of Rule Britannia

33. Langley Park, Norfolk: Elevation

34. Royal Barracks, Fort Victoria Royal Hospital Entrance to St. George's Harbour, Bermuda

35. The Errand Boy

36. The Cut Finger

37. Shakespeare's Church from the Meads

38. Longitudinal Section of Westminster Hall

39. Harkaway

40. A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner

41. A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

42. A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace

43. A Squadron of Ships Sailing before the Wind

44. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

45. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

46. Set of four - Fox-hunting: Full Cry

47. The Battle of Blenheim MDCCIV, Part the Second

48. A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford

49. A View of the Rt. Hon'ble the Lord of Burlington's House at Chiswick; taken from the Road

50. A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

51. The Attack of Two Bastions, the Breaches being Made by the Miner

52. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

53. A View of the Palace of Triano towards the Flower Garden

54. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

55. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

56. Plate 2. The Repast

57. The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

58. A View of the Town House or Guild Hall of Paris And from thence on both sides ye River Seine to St. Mary's Bridge & to ye Wooden Bridge call'd Pont Rouge

59. The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir

60. A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

61. The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford

62. Evening, or Sun setting

63. The Royal George, a first Rate Man of War carrying 100 Guns and 780 Men

64. The Battle of Prague in Bohemia;...

65. Set of four - Fox-hunting. Going to Cover

66. Set of four- Fox-hunting. The Death

67. The Battle of Ramillies MDCCVI

68. A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford

69. A Prospect of the Library of Trinity College, Dublin

70. The Place given up to Plunder;...

71. The Battle of Culloden, near Inverness in Scotland...

72. A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences

73. Vol. 6, Plate XXVII: The Painted Chamber

74. The East Elevation of Windsor Castle, as built by Edward III