Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
11
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
12
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
13
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
14
John Constable, 1776–1837
Salisbury Cathedral From the Meadows
1829
15
John Constable, 1776–1837
Old Sarum at Noon
1829
16
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
17
Print made by William Hogarth, 1697–1764
Plate 1, The Fellow 'Prentices at their Looms
1747
18
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
19
Print made by Joseph Mallord William Turner, 1775–1851
Calm
1812
20
Print made by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
21
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
22
Edward Lear, 1812–1888
Platycercus Brownii / Brown's Parrakeet
1832
23
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta
1866
24
Edward Lear, 1812–1888
Calder Bridge
1836
25
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
26
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
27
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
28
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
29
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
30
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
31
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
32
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
33
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
34
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
35
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
36
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
37
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
38
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
39
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
40
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
41
Isaac Cruikshank, 1764–1811
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
1784
42
C. W. Wing, active 1826–1838
The Chain Pier and Marine Parade Brighton from the Old Steine
43
Richard Newton, 1777–1798
English Channel/ Both Sides of the Water
1793
44
Richard Newton, 1777–1798
Tricks upon Travellers
1795
45
"Yerenrag" (J. F. Garneray), 1755–1837
Lere vue d'Aigleville, Colonie du Texas ou Champ d'Aslie
ca. 1830
46
Print made by Matthew Darly, active 1754–1778
Hats
1773
47
William O'Keefe, active 1794–1807
Hell Broke Loose, Billy and his Gang, Working the Swine
48
John Nixon, ca. 1760–1818
Maiden Speeches in the New Parliament of 1796 (Plate II)
1796
49
John Nixon, ca. 1760–1818
Maiden Speeches in the New Parliament of 1796 (Plate I)
1797
50
James Sayer, 1748–1823
The Repeal of the Test Act a Vision
1790
51
John Doyle ('H.B.'), 1797–1868
Beauty and The Beast
1840
52
Print made by Charles William Cain, 1893–1962
Shortened Canvas
undated
53
Print made by Sir David Young Cameron, 1865–1945
Upper Green, Charterhouse
between 1894 and 1910
54
Willey Reveley, 1760–1799
Views in the Levant: A Ruined Byzantine Church
ca. 1785
55
Charles Williams, active 1796–1830
A Peep into Totenham Street or Dillitanti Performers in Training
1802
56
unknown artist
The Northern Bugga Bo
1791
57
Isaac Cruikshank, 1764–1811
Opening the Sluices, Or, - Hollands Last Shift
1794
58
unknown artist
Essex-Calve-Lry for Internal Defence
1794
59
unknown artist
The Gagger Gagged!!
1792
60
unknown artist
Billy in the Dumps or How to Manage Affairs on the Next Meeting of Parliament
1794
61
Edmund J. Sullivan, 1869–1933
Mother Shopping
July 9, 1932
62
Print made by Robert Brandard, 1805–1862
Bligh Sands
between 1859 and 1861
63
Print made by James McBey, 1883–1959
The Carpenter of Hesdin
1917
64
Print made by James McBey, 1883–1959
The Passing Gondola
1925
65
Print made by Thomas Abiel Prior, 1809–1886
The Golden Bough
1875
66
Isaac Cruikshank, 1764–1811
The Present State of Europe, Or - John Bull on his Last Legs
1795
67
unknown artist
The Night Mare
1795
68
John Cawse, 1779–1862
Dutch Policy or the Fruits of the Expedition!!!
1799
69
Print made by William Dent, active 1784–1793
Beauties of a Gracious Speech, Or, Nuptial Introduction to John Bull, Or coming York over us
1792
70
unknown artist
The Windsor Boar and Sow Driving to Manbey's Market
ca. 1798
71
unknown artist
Liberty and Equality
1792
72
Print made by Edmund Blampied, 1886–1966
The End of the Day
1919
73
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1820
74
Print made by Sir David Young Cameron, 1865–1945
Berwick-on-Tweed
1906
75
Print made by Richard Earlom, 1743–1822
Sensibility
1789
76
Robert Pollard, 1755–1838
A Portrait of the East Indiaman built at Mr. Bayley's Ship Yard, Ipswich, Launched Aug. 1817
1817
77
Paul Fourdrinier, 1698–1758
A Perspective of the Engine made use of for Sawing off under water
1745
78
Isaac Cruikshank, 1764–1811
Sketches from Nature!!! ___ The Sultan Retiring ___Fashionable Pasttime ___ The Discovery____Confidence Betrayed
1796
79
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
80
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
81
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
82
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
83
Richard Newton, 1777–1798
The Tar and the Jordan!
ca. 1797
84
Richard Newton, 1777–1798
Retort Courteous or the Disloyal Address returned without Ceremony
1797
85
unknown artist
The Frolick, - or - A New-Market-Race
1788
86
John Cawse, 1779–1862
Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal
1800
87
Charles Ansell, ca.1752–active 1790
The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure
1798
88
James Gillray, 1756–1815
The Battle of Bow-Street
1788
89
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
90
John Doyle ('H.B.'), 1797–1868
Vacation Amusements. No. 4 Cultivating the Fine Arts.--- Etching, & c. or HB's Ascendancy in danger! (from: Caricature, vol. 6)
1840
91
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
92
unknown artist
All Alive, or the Political Churchyard
1783
93
Print made by unknown artist
The Restricted Regency
1789
94
unknown artist
The Royal Duel
1789
95
Isaac Cruikshank, 1764–1811
How to Gain a Compleat Victory. and. Say. You. Got. Safe. Out. Of. The. Enemy's. Reach
1791
96
unknown artist
A Scene at Cheltenham
1788
97
unknown artist
The Fair Quaker of Cheltenham
1788
98
Print made by Isaac Cruikshank, 1764–1811
The Irish Bull broke Loose
1799
99
Attributed to Henry Kingsbury, active 1750–1780
The Battle Royal Between the Prig Major and Big Bess
1788
100
Isaac Cruikshank, 1764–1811
The First Interview, or the Presentation of the Prussian Pearl