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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsWork Type watercolor
Remove constraint Work Type: watercolorSubject Terms men
Remove constraint Subject Terms: menSearch Results
1
- Arab Horsemen, Two Grey Horses
- 1965
2
- Under the Hammer
- between 1912 and 1913
3
- Over the Bank, Exmoor
- ca. 1895
4
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
5
- Gabriel Hunt
- undated
6
- Folkestone Harbour and Coast to Dover
- ca. 1829
7
- Teignmouth, Devonshire
- ca. 1813
8
- Rome from Monte Mario
- ca. 1818
9
- Howatke
- 1867
10
- Near Suez, evening, 15 January 1849 (43)
- 1849
11
- Opposite Beni Hassan
- 1867
12
- Seated Men
- 1867
13
- Studies of Camels and Egyptian Men
- 1867
14
- Silsilis
- 1854
15
- Howard Visiting a Prison
- undated
16
- Prison Scene
- undated
17
- The Two Friends
- undated
18
- Howard Visiting a Prison
- between 1790 and 1794
19
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
20
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
21
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
22
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
23
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
24
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
25
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
26
- "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
- 1794
27
- "Enitharmon slept. ..." (Plate 10)
- 1794
28
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
29
- Plague (Plate 13)
- 1794
30
- "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
- 1794
31
- "Shot from the heights of Enitharmon..." (Plate 17)
- 1794
32
- "The shrill winds wake!..." (Plate 6)
- 1794
33
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
34
- Title Page, The First Book of Urizen (Plate 1)
- 1794
35
- Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
- 1794
36
- Los Falls through Fire (Plate 21)
- 1794
37
- The First Book of Urizen, Plate 23 (Bentley 9)
- 1794
38
- Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
- 1794
39
- Chapter IX, "They lived a period of years..." (Plate 27)
- 1794
40
- The First Book of Urizen, Plate 28 (Bentley 27)
- 1794
41
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
42
- "In living creations appear'd..." (Plate 8)
- 1794
43
- Chapter III, "As the stars are apart from the earth..." (Plate 9)
- 1794
44
- The Shepherd, from Songs of Innocence
- ca. 1795
45
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
46
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
47
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
48
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
49
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
50
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
51
- 'O treacherous conscience!' (Page 27)
- ca. 1797
52
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
53
- "Her voice pierc'd Albions clay cold ear..." (Plate 95)
- 1804 to 1820
54
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
55
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
56
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
57
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
58
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
59
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
60
- The Little Black Boy (Plate 30)
- 1789
61
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
62
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
63
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
64
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
65
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
66
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
67
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
68
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
69
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
70
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
71
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
72
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
73
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
74
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
75
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
76
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
77
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
78
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
79
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
80
- A Welch Bard (Design 53)
- between 1797 and 1798
81
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
82
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
83
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
84
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
85
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
86
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
87
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
88
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
89
- The Divine Image (Plate 12)
- 1789
90
- The Ecchoing Green (Plate 10)
- 1789
91
- Infant Joy (Plate 14)
- 1789
92
- The Shepherd (Plate 4)
- 1789
93
- The Little Black Boy (Plate 6)
- 1789
94
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
95
- London (Plate 39)
- 1794
96
- The Human Abstract (Plate 46)
- 1794
97
- The Little Girl Lost (Plate 20)
- 1789
98
- Introduction (Plate 34)
- 1794
99
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
100
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820