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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsGenre religious and mythological subject
Remove constraint Genre: religious and mythological subjectSubject Terms trees
Remove constraint Subject Terms: treesSearch Results
1
- The Vine
- 1852
2
- The Morning of Life
- 1860-1861
3
- The Vine
- 1852
4
- The Vine
- 1852
5
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
6
- The Vine
- 1852
7
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
8
- Christ and the Woman of Samaria
- 1819
9
- Apuleia in Search of Apuleius
- between 1813 and 1823
10
- Apuleia in Search of Apuleius
- between 1813 and 1823
11
- Glaucus and Scylla
- between 1813 and 1823
12
- Glaucus and Scylla
- between 1813 and 1823
13
- Glaucus and Scylla
- 1813 to 1823
14
- Jason
- 1807
15
- Procris and Cephalus
- 1812
16
- The Deluge
- between 1813 and 1823
17
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
18
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
19
- Title Page, The First Book of Urizen (Plate 1)
- 1794
20
- "My son! my Son!" (Plate 10)
- 1826
21
- Aged Ignorance (Plate 13)
- 1826
22
- "I found him beneath a Tree" (Plate 3)
- 1826
23
- Alas! (Plate 9)
- 1826
24
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
25
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
26
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
27
- A Welch Bard (Design 53)
- between 1797 and 1798
28
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
29
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
30
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
31
- The Divine Image (Plate 12)
- 1789
32
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
33
- Infant Joy (Plate 14)
- 1789
34
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
35
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
36
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
37
- A Widower and Children (Design 35)
- between 1797 and 1798
38
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
39
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
40
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
41
- The Little Boy Lost (Plate 20)
- 1789
42
- Spring (Plate 26)
- 1789
43
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
44
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
45
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
46
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
47
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
48
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
49
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
50
- Water (Plate 4)
- 1826
51
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
52
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
53
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
54
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
55
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
56
- Frontispiece (Plate 1)
- ca. 1788
57
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
58
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
59
- Florence, from the Chiesa al Monte
- 1820
60
- Florence, from the Chiesa al Monte
- 1820
61
- Florence, from the Chiesa al Monte
- 1820
62
- Classical Scene: Minerva as the Goddess of Arts and Sciences
- undated
63
- The Rape of Persephone
- undated
64
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
65
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
66
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
67
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
68
- Apollo and Daphne
- between 1770 and 1799
69
- Adam and Eve
- undated
70
- Cain and Abel
- undated
71
- The Rising of the Waters
- undated
72
- The Rescue of Lot
- 1833
73
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
74
- The Baptism of Christ
- undated
75
- Christ with Three Figures
- undated
76
- The Woman at the Well
- undated
77
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
78
- Madonna with a Rabbit
- undated
79
- An Allegory of Love
- Undated
80
- Lot and His Family
- ca. 1718
81
- A Large Christmas Card
- 1895
82
- Venus, after Masters of Tarrochi
- undated
83
- The Arts
- undated
84
- Hope Nursing Love
- 1771
85
- Capuchins of Our Lady of Médoux
- undated
86
- The Holy Tree of Metereeah
- 1856
87
- The Death of Ananias
- after 1855
88
- The Miraculous Draught of Fishes
- after 1855
89
- The Miraculous Draught of Fishes
- after 1855
90
- Cupid in Masquerade
- undated
91
- A Bacchanian Scene
- undated
92
- Nymphs Bathing
- undated
93
- Pomona - The Goddess of Orchards
- undated
94
- St. John in the Wilderness
- undated
95
- The Holy Family
- undated
96
- A Satyr Family
- undated
97
- A Satyr Family
- undated
98
- Bacchus
- undated
99
- Flora and Putti
- undated
100
- Pyramus and Thisbe
- undated