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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsGenre literary theme
Remove constraint Genre: literary themeSubject Terms trees
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1
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
2
- The Lonely Tower
- 1879
3
- Opening the Fold
- 1880
4
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
5
- The Sepulchre
- between 1880 and 1883
6
- The Vine
- 1852
7
- The Lonely Tower
- 1879
8
- The Sleeping Shepherd
- 1857
9
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
10
- Apuleia in Search of Apuleius
- between 1813 and 1823
11
- The Deluge
- between 1813 and 1823
12
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
13
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
14
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
15
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
16
- Title Page, The First Book of Urizen (Plate 1)
- 1794
17
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
18
- Chapter II, "Muster around the bleak desarts..." (Plate 4)
- 1794
19
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
20
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
21
- "My son! my Son!" (Plate 10)
- 1826
22
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
23
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
24
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
25
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
26
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
27
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
28
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
29
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
30
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
31
- Aged Ignorance (Plate 13)
- 1826
32
- "I found him beneath a Tree" (Plate 3)
- 1826
33
- Water (Plate 4)
- 1826
34
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
35
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
36
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
37
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
38
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
39
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
40
- My Son! My Son! (Plate 10)
- 1793
41
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
42
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
43
- A Welch Bard (Design 53)
- between 1797 and 1798
44
- Frontispiece (Plate 1)
- ca. 1788
45
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
46
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
47
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
48
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
49
- The Little Black Boy (Plate 30)
- 1789
50
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
51
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
52
- Infant Joy (Plate 14)
- 1789
53
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
54
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
55
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
56
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
57
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
58
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
59
- On Anothers Sorrow (Plate 24)
- 1789
60
- Spring (Plate 26)
- 1789
61
- Laughing Song (Plate 28)
- 1789
62
- Introduction (Plate 3)
- 1789
63
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
64
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
65
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
66
- The Author Writing (Design 105)
- between 1797 and 1798
67
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
68
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
69
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
70
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
71
- A Widower and Children (Design 35)
- between 1797 and 1798
72
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
73
- The Divine Image (Plate 12)
- 1789
74
- The Little Boy Lost (Plate 20)
- 1789
75
- Nurse's Song (Plate 22)
- 1789
76
- The Lamb (Plate 8)
- 1789
77
- A Dream (Plate 4)
- 1789
78
- Songs of Innocence, Title Page (Plate 2)
- 1789
79
- Songs of Experience, Frontispiece (Plate 32)
- 1794
80
- Title Page, The First Book of Urizen (Plate 1)
- 1794
81
- Alas! (Plate 9)
- 1826
82
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
83
- The Shepherd, from Songs of Innocence
- ca. 1795
84
- Spring, from Songs of Innocence
- ca. 1795
85
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
86
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
87
- Gulliver Bound by the Lilliputians
- undated
88
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
89
- Falstaff Carrying Dead Hotspur
- undated
90
- Launce Teaching His Dog Crab
- undated
91
- Enter Malvolio, Crossgartered..
- 1863
92
- Design for Love's Labour's Lost
- 1839
93
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
94
- Alcibiades and Timon
- undated
95
- Falstaff Dragging the Body of Hotspur
- 1825
96
- The Murder of Banquo
- ca. 1830
97
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
98
- Miss Crockatt as Julia de Roubigné
- 1786
99
- Sylvio and Dorinda
- between 1752 and 1768
100
- Sylvio and Dorinda
- between 1680 and 1703