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Collection Prints and Drawings

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George Romney Birth of Man
George Romney, 1734–1802
Birth of Man
undated
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
William Blake "I want! I want!" (Plate 11)
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
William Blake "Fear & hope are -- Vision" (Plate 15)
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake What is Man!, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake Frontispiece, "What is Man!" (Plate 2)
Print made by William Blake, 1757–1827
Frontispiece, "What is Man!" (Plate 2)
1826
William Blake "At length for hatching ripe he breaks the shell" (Plate 8)
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake A Circular Dance (Design 23)
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake Los with the child Orc and Enitharmon (Plate 18)
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
William Blake Praying Child and Howling Dog (Plate 25)
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 25)
1794
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
William Blake Praying Child and Howling Dog (Plate 24)
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
William Blake Los with the child Orc and Enitharmon (Plate 18)
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
William Blake "To the Christians..." (Plate 77)
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake Songs of Experience, Frontispiece (Plate 32)
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
Julius Caesar Ibbetson Title page for "The Guardian"
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
Richard Westall Greatheart's Battle with Grim
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
James Northcote Study for Burying the Royal Children
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
James Gillray Shakespeare Sacrificed; or, The Offering to Avarice
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Robert Thew King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
Robert Smirke Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
Robert Smirke, 1752–1845
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
Henry William Bunbury The Battle of the Cataplasm
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
unknown artist Mrs. Yates in the Character of Medea
unknown artist
Mrs. Yates in the Character of Medea
after 1771
Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
Benjamin Fawcett Scene Illustration: Milton's 'L'Allegro'
Print made by Benjamin Fawcett, 1808–1893
Scene Illustration: Milton's 'L'Allegro'
between 1860 and 1885
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
George Cruikshank Mr. Wood Offers to Adopt Little Jack Sheppard
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
William Skelton Richard III: Act IV, Scene III, Tower of London
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
Johann Jacobus Haid Mr. Garrick in "The Farmer's Return"
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
Henry Thomas Alken The School-Boy
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
Mary Hoare Antigonus Disposing of Perdita
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
Ralph Hudson The Pilgrim's Progress Illustrated, Uncut Panorama
Print made by Ralph Hudson, active ca. 1820
The Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
Ralph Hudson Pilgrim's Progress Illustrated, Uncut Panorama
Print made by Ralph Hudson, active ca. 1820
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820