III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
3
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
4
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
5
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
6
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
7
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
8
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
9
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
10
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
11
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
12
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
13
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
14
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
15
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
16
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
17
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
18
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
19
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
20
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
21
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
22
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
23
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
24
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
25
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
26
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
27
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
28
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
29
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
30
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
31
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
32
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
33
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
34
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
35
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
36
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
37
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
38
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
39
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
40
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
41
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
42
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
43
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
44
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
45
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
46
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
47
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
48
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
49
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
50
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
51
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
52
Print made by William Blake, 1757–1827
Frontispiece, "What is Man!" (Plate 2)
1826
53
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
54
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
55
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
56
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
57
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
58
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
59
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
60
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
61
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 25)
1794
62
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
63
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
64
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
65
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
66
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
67
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
68
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
69
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
70
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
71
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
72
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
73
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
74
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
75
Print made by William Blake, 1757–1827
Pity
ca. 1795
76
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
77
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
78
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
79
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
80
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
81
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
82
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
83
Robert Smirke, 1752–1845
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
84
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
85
unknown artist
Mrs. Yates in the Character of Medea
after 1771
86
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
87
Print made by Benjamin Fawcett, 1808–1893
Scene Illustration: Milton's 'L'Allegro'
between 1860 and 1885
88
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
89
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
90
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
91
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
92
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
93
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
94
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
95
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
96
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
97
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
98
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
99
Print made by Ralph Hudson, active ca. 1820
The Pilgrim's Progress Illustrated, Uncut Panorama