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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsGenre literary theme
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1
- Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
- ca. 1941
2
- Oberon and Titania
- 1837
3
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
4
- Standing Figure, Probably for Lady Macbeth
- undated
5
- Paradise Lost Sketchbook
- ca. 1793
6
- Daphnis and Chloe
- undated
7
- Prospero and Miranda
- ca. 1787
8
- Miranda, Prospero, and Caliban: The Tempest
- undated
9
- Lear Awakened by Cordelia
- between 1774 and 1775
10
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
11
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
12
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- undated
13
- Titania's Attendants Chasing Bats
- undated
14
- Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
- undated
15
- Lear Awakened by Cordelia
- ca. 1774
16
- Sketchbook Drawing
- ca. 1793
17
- MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
- undated
18
- The Witches' Cavern
- between 1792 and 1793
19
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
20
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
21
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
22
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
23
- Unidentified Subjects
- undated
24
- Tempest, Version A
- undated
25
- Sketch for Canidia and the Youth
- undated
26
- John Henderson as Falstaff
- 1780
27
- Witches' Cavern: MacBeth's Second Visit
- undated
28
- MacBeth: Banquet Scene
- undated
29
- MacBeth: Banquet Scene
- undated
30
- MacBeth at the Witches' Cave: Second Visit
- undated
31
- MacBeth: Banquet Scene
- undated
32
- MacBeth: Banquet Scene
- undated
33
- MacBeth: Banquet Scene
- undated
34
- Witches' Cavern: MacBeth's Second Visit
- undated
35
- The Banquet Scene
- ca. 1792
36
- Birth of Man
- undated
37
- Sketchbook Drawing
- ca. 1793
38
- Sketchbook Drawing
- ca. 1793
39
- Sketchbook Drawing
- ca. 1793
40
- Sketchbook Drawing
- ca. 1793
41
- Sketchbook Drawing
- ca. 1793
42
- Sketchbook Drawing
- ca. 1793
43
- Sketchbook Drawing
- ca. 1793
44
- Sketchbook Drawing
- ca. 1793
45
- Sketchbook Drawing
- ca. 1793
46
- Sketchbook Drawing
- ca. 1793
47
- Sketchbook Drawing
- ca. 1793
48
- Sketchbook Drawing
- ca. 1793
49
- Sketchbook Drawing
- ca. 1793
50
- Sketchbook Drawing
- ca. 1793
51
- Sketchbook Drawing
- ca. 1793
52
- Sketchbook Drawing
- ca. 1793
53
- Sketchbook Drawing
- ca. 1793
54
- Sketchbook Drawing
- ca. 1793
55
- Sketchbook Drawing
- ca. 1793
56
- Sketchbook Drawing
- ca. 1793
57
- Sketchbook Drawing
- ca. 1793
58
- Sketchbook Drawing
- ca. 1793
59
- Sketchbook Drawing
- ca. 1793
60
- Three Studies of a Standing Woman, Possibly Lady MacBeth
- undated
61
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
62
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
63
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
64
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
65
- Title Page, The First Book of Urizen (Plate 1)
- 1794
66
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
67
- Spring, from Songs of Innocence
- ca. 1795
68
- The Shepherd, from Songs of Innocence
- ca. 1795
69
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
70
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
71
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
72
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
73
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
74
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
75
- 'O treacherous conscience!' (Page 27)
- ca. 1797
76
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
77
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
78
- "Her voice pierc'd Albions clay cold ear..." (Plate 95)
- 1804 to 1820
79
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
80
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
81
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
82
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
83
- Thel's Motto (Plate 1)
- 1789
84
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
85
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
86
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
87
- The Little Black Boy (Plate 30)
- 1789
88
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
89
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
90
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
91
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
92
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
93
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
94
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
95
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
96
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
97
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
98
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
99
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
100
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798