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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsExhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
Remove constraint Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)Search Results
1
- The Crescent Moon
- undated
2
- Prison Scene
- undated
3
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
4
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
5
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
6
- "In thoughts perturb'd they rose..." (Plate 11)
- 1794
7
- The First Book of Urizen, Plate 23 (Bentley 9)
- 1794
8
- The Baffled Devils Fighting (Plate 3)
- 1827
9
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
10
- Rev. John Caspar Lavater
- 1800
11
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
12
- 'The present moment terminates our sight' (Page 13)
- 1797
13
- 'The longest night though longer far, would fail' (Page 15)
- 1797
14
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
15
- 'We censure nature for a span too short' (Page 23)
- 1797
16
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
17
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
18
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
19
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
20
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
21
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
22
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
23
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
24
- Night the Third. Narcissa; Title Page
- 1797
25
- 'Where sense runs savage broke from reason's chain' (Page 46)
- 1797
26
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
27
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
28
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
29
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
30
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
31
- The Christian Triumph; Title Page
- 1797
32
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
33
- 'Disease invades the chastest temperence' (Page 10)
- 1797
34
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
35
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
36
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
37
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
38
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
39
- Title Page, For Children. The Gates of Paradise (Plate 2)
- 1793
40
- My Son! My Son! (Plate 10)
- 1793
41
- Fear & Hope Are -- Vision (Plate 15)
- 1793
42
- The Traveller Hasteth in the Evening (Plate 16)
- 1793
43
- Songs of Innocence, Title Page (Plate 2)
- 1789
44
- Introduction (Plate 3)
- 1789
45
- The Shepherd (Plate 4)
- 1789
46
- The Little Black Boy (Plate 6)
- 1789
47
- Spring (Plate 12)
- 1789
48
- The Little Boy Lost (Plate 16)
- 1789
49
- Water (Plate 4)
- 1793
50
- I Found Him Beneath a Tree (Plate 3)
- 1793
51
- Earth (Plate 5)
- 1793
52
- Air (Plate 6)
- 1793
53
- Help! Help! (Plate 12)
- 1793
54
- Aged Ignorance (Plate 13)
- 1793
55
- I Want! I Want! (Plate 11)
- 1793
56
- Does Thy God O Priest Take such Vengeance as This? (Plate 14)
- 1793
57
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
58
- Infant Joy (Plate 28)
- 1789
59
- Earth's Answer (Plate 35)
- 1794
60
- What is Man!, Frontispiece (Plate 1)
- 1793
61
- Fire (Plate 7)
- 1793
62
- London (Plate 39)
- 1794
63
- A Little Girl Lost (Plate 44)
- 1794
64
- The Chimney Sweeper (Plate 45)
- 1794
65
- The Human Abstract (Plate 46)
- 1794
66
- My Pretty Rose Tree (Plate 47)
- 1794
67
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
68
- The Lamb (Plate 18)
- 1789
69
- The Little Girl Lost (Plate 20)
- 1789
70
- Introduction (Plate 34)
- 1794
71
- Holy Thursday (Plate 38)
- 1794
72
- The Fly (Plate 48)
- 1794
73
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
74
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
75
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
76
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
77
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
78
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
79
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
80
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
81
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
82
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
83
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
84
- Frontispiece. Albion's Angel (Plate 1)
- 1793
85
- Title Page. America, A Prophecy (Plate 2)
- 1793
86
- Title Page, The Book of Thel (Plate 2)
- 1789
87
- Dante Striking against Bocca Degli Abati (Plate 7)
- 1827
88
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
89
- The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
- 1827
90
- The Pit of Disease: The Falsifiers (Plate 6)
- 1827
91
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
92
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
93
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
94
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
95
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
96
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
97
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
98
- From a Globe of Blood Rises Enitharmon (Plate 11)
- 1794
99
- Frontispiece (Plate 1)
- ca. 1788
100
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788