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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms women
Remove constraint Subject Terms: womenSearch Results
1
- A London Church
- 1924
2
- Figures at Mass, Poland
- ca. 1904
3
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
4
- Grotesque Female Head
- undated
5
- Grotesque Female Head
- undated
6
- Grotesque Female Head
- undated
7
- Grotesque Female Head
- undated
8
- Grotesque Female Head
- undated
9
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
10
- The Woman and Tambourine
- 1807
11
- Dartmoor: The Source of the Tamar and the Torridge
- ca. 1813
12
- Rome from Monte Mario
- ca. 1818
13
- Apuleia in Search of Apuleius
- between 1813 and 1823
14
- Apuleia in Search of Apuleius
- between 1813 and 1823
15
- The Woman and Tambourine
- 1807
16
- The Drawing of the Clyde
- 1809
17
- The Deluge
- between 1813 and 1823
18
- Howatke
- 1867
19
- Val di Roppa, Corfu, 22 May 1868
- 1868
20
- Opposite Beni Hassan
- 1867
21
- Three Lamenting Women
- undated
22
- Figures Mourning at the Bier of a Woman
- undated
23
- Sketches of a Prostrate Woman
- undated
24
- Three Young Witches
- undated
25
- The Accusation of Susanna by the Elders
- undated
26
- David Playing the Harp
- undated
27
- Lear Awakened by Cordelia
- between 1774 and 1775
28
- Seated Woman Feeding an Animal
- undated
29
- Mythological Group of Women and Children
- undated
30
- David before Saul
- undated
31
- Study of Three Women
- undated
32
- Howard Visiting a Prison
- undated
33
- Prison Scene
- undated
34
- Group of Figures, Possibly Women and Children Playing
- undated
35
- Lear Awakened by Cordelia
- ca. 1774
36
- Sketches for "The Accusation of Susanna"
- undated
37
- The Witches' Cavern
- between 1792 and 1793
38
- Bacchanalian Scene (Possibly Antediluvian)
- undated
39
- The Accusation of Susanna
- ca. 1773
40
- Seated Woman: Three Studies
- undated
41
- Women Dancing
- undated
42
- Prison Scene
- undated
43
- Prison Scene
- undated
44
- Howard Visiting a Prison
- undated
45
- Prison Scene
- undated
46
- Howard Visiting a Prison
- undated
47
- Witches' Cavern: MacBeth's Second Visit
- undated
48
- The Banquet Scene
- ca. 1792
49
- Men Going out to Fight, with a Crowd of Cowering Women Behind
- undated
50
- Women and Children
- undated
51
- Two Sisters
- undated
52
- Howard Visiting a Prison
- undated
53
- Group of Four Women Embracing
- between 1789 and 1790
54
- Three Studies of a Standing Woman, Possibly Lady MacBeth
- undated
55
- Ladies in Waiting
- undated
56
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
57
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
58
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
59
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
60
- "Enitharmon slept. ..." (Plate 10)
- 1794
61
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
62
- Plague (Plate 13)
- 1794
63
- "Shot from the heights of Enitharmon..." (Plate 17)
- 1794
64
- "The shrill winds wake!..." (Plate 6)
- 1794
65
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
66
- Famine (Plate 8)
- 1794
67
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
68
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
69
- "Fear & hope are -- Vision" (Plate 15)
- 1826
70
- "I found him beneath a Tree" (Plate 3)
- 1826
71
- Spring, from Songs of Innocence
- ca. 1795
72
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
73
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
74
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
75
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
76
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
77
- 'O treacherous conscience!' (Page 27)
- ca. 1797
78
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
79
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
80
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
81
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
82
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
83
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
84
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
85
- The Little Black Boy (Plate 30)
- 1789
86
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
87
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
88
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
89
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
90
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
91
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
92
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
93
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
94
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
95
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
96
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
97
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
98
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
99
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
100
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798