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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms women
Remove constraint Subject Terms: womenSearch Results
1
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
2
- Grotesque Female Head
- undated
3
- Grotesque Female Head
- undated
4
- Grotesque Female Head
- undated
5
- Grotesque Female Head
- undated
6
- Grotesque Female Head
- undated
7
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
8
- The Woman and Tambourine
- 1807
9
- Dartmoor: The Source of the Tamar and the Torridge
- ca. 1813
10
- Rome from Monte Mario
- ca. 1818
11
- Apuleia in Search of Apuleius
- between 1813 and 1823
12
- Apuleia in Search of Apuleius
- between 1813 and 1823
13
- The Woman and Tambourine
- 1807
14
- The Drawing of the Clyde
- 1809
15
- The Deluge
- between 1813 and 1823
16
- Seated Woman Feeding an Animal
- undated
17
- Mythological Group of Women and Children
- undated
18
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
19
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
20
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
21
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
22
- "Enitharmon slept. ..." (Plate 10)
- 1794
23
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
24
- Plague (Plate 13)
- 1794
25
- "Shot from the heights of Enitharmon..." (Plate 17)
- 1794
26
- "The shrill winds wake!..." (Plate 6)
- 1794
27
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
28
- Famine (Plate 8)
- 1794
29
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
30
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
31
- "Fear & hope are -- Vision" (Plate 15)
- 1826
32
- "I found him beneath a Tree" (Plate 3)
- 1826
33
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
34
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
35
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
36
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
37
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
38
- 'O treacherous conscience!' (Page 27)
- ca. 1797
39
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
40
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
41
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
42
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
43
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
44
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
45
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
46
- The Little Black Boy (Plate 30)
- 1789
47
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
48
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
49
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
50
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
51
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
52
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
53
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
54
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
55
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
56
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
57
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
58
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
59
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
60
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
61
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
62
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
63
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
64
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
65
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
66
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
67
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
68
- The Divine Image (Plate 12)
- 1789
69
- Night (Plate 16)
- 1789
70
- The Ecchoing Green (Plate 10)
- 1789
71
- Infant Joy (Plate 14)
- 1789
72
- Fear & Hope Are -- Vision (Plate 15)
- 1793
73
- Songs of Innocence, Title Page (Plate 2)
- 1789
74
- I Found Him Beneath a Tree (Plate 3)
- 1793
75
- Infant Joy (Plate 28)
- 1789
76
- My Pretty Rose Tree (Plate 47)
- 1794
77
- The Little Girl Lost (Plate 20)
- 1789
78
- Holy Thursday (Plate 38)
- 1794
79
- The Fly (Plate 48)
- 1794
80
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
81
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
82
- Night the First. On Life, Death and Immortality; Title Page
- 1797
83
- 'We censure nature for a span too short' (Page 23)
- 1797
84
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
85
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
86
- Night the Third. Narcissa; Title Page
- 1797
87
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
88
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
89
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
90
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
91
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
92
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
93
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
94
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
95
- 'Disease invades the chastest temperence' (Page 10)
- 1797
96
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
97
- 'The present moment terminates our sight' (Page 13)
- 1797
98
- 'The longest night though longer far, would fail' (Page 15)
- 1797
99
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
100
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798