<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Creator Smith, John Thomas, 1766–1833

Remove constraint Creator: Smith, John Thomas, 1766–1833

Search Results

1. Hogarth Sitting to Roubiliac for His Bust

Hogarth Sitting to Roubiliac for His Bust
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Family Cooking Under A Tree

A Family Cooking Under A Tree
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 7 3/8 inches (27.6 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Hogarth Engraving His Master's Shop-bill the Sign of the Angel
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Hogarth Declaring His Love to Miss Thornhill

Hogarth Declaring His Love to Miss Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Smock Exposed

The Smock Exposed
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Reconcilation

The Reconcilation
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Hogarth Drawing Sarah Malcolm

Hogarth Drawing Sarah Malcolm
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Hogarth at Old Slaughter's Hobbing with Highmore the Painter
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Eleventh Hour

The Eleventh Hour
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Man Beside a Stile

Man Beside a Stile
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 9 1/2 inches (22.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Specimens of Sculpture from St. Stephen's Chapel - Plate I

Specimens of Sculpture from St. Stephen's Chapel - Plate I
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Dimensions:
Sheet: 11 7/16 x 9 11/16in. (29.1 x 24.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

24. Geometrical View of St. Stephen's Chapel, as it appeared before the alterations in 1806 and after Mr. Sandby's view, which was taken about 1755

Geometrical View of St. Stephen's Chapel, as it appeared before the alterations in 1806 and after Mr. Sandby's view, which was taken about 1755
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

25. Views of the Four sides of a cellar under the Old House of Lords. East end of the Princes Chamber, South side of the Princes Chamber.

Views of the Four sides of a cellar under the Old House of Lords. East end of the Princes Chamber, South side of the Princes Chamber.
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Dimensions:
Sheet: 12 7/16 x 10in. (31.6 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

26. Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed

Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed
Creator:
John Thomas Smith, 1766–1833
Date:
1806
Dimensions:
Sheet: 9 1/8 x 6 7/8in. (23.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

27. Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side

Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 3 1/8 inches (9.2 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Vale of Health - Hampstead

Vale of Health - Hampstead
Creator:
John Thomas Smith, 1766–1833
Date:
1830
Materials & Techniques:
Watercolor, graphite, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Houses on the South Side of Leadenhall Street

Houses on the South Side of Leadenhall Street
Creator:
John Thomas Smith, 1766–1833
Date:
1796
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Houses on the South Side of Leadenhall Street

Houses on the South Side of Leadenhall Street
Creator:
John Thomas Smith, 1766–1833
Date:
1796
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Houses on the South SIde of a Street called London Wall

Houses on the South SIde of a Street called London Wall
Creator:
John Thomas Smith, 1766–1833
Date:
1812
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Winchester Street, London Wall

Winchester Street, London Wall
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. North East View of Parts of the Chapel and Granary of Leadenhall

North East View of Parts of the Chapel and Granary of Leadenhall
Creator:
John Thomas Smith, 1766–1833
Date:
1812
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion

Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion
Creator:
John Thomas Smith, 1766–1833
Date:
1812
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 5/8 × 9 3/8 inches (29.5 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Sacred Architecture: the South Entrance of Dukes Place

Sacred Architecture: the South Entrance of Dukes Place
Creator:
John Thomas Smith, 1766–1833
Date:
1814
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 13 x 10 7/16in. (33 x 26.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The South Entrance of Duke's Place

The South Entrance of Duke's Place
Creator:
John Thomas Smith, 1766–1833
Date:
1814
Materials & Techniques:
Hand colored etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 1/4 × 11 inches (33.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. J.M.W. Turner in Print Room of British Museum

J.M.W. Turner in Print Room of British Museum
Creator:
John Thomas Smith, 1766–1833
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Domestic Architecture, A Magnificent Mansion Lately Standing in Hart Street, Crutched Friars

Domestic Architecture, A Magnificent Mansion Lately Standing in Hart Street, Crutched Friars
Creator:
John Thomas Smith, 1766–1833
Date:
1812
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 11/16 × 9 3/8 inches (29.7 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The S.W. View of Little Dean's Yard

The S.W. View of Little Dean's Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

40. Near Ranelagh, Chelsea

Near Ranelagh, Chelsea
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Sheet: 4 1/2 x 4 3/4in. (11.4 x 12.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Leadenhall Chapel

Leadenhall Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1812
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 7/8 x 9 1/2in. (30.2 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Near Chelsea Bridge

Near Chelsea Bridge
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 x 5 1/8in. (12.7 x 13cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Interior of Sir Paul Pindar's, Bishopsgate

Interior of Sir Paul Pindar's, Bishopsgate
Creator:
John Thomas Smith, 1766–1833
Date:
1810
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/4 x 12in. (37.5 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Views of a Cellar under the old House of Lords and Views of the Princes Chamber

Views of a Cellar under the old House of Lords and Views of the Princes Chamber
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Cotton Garden, Westminster

Cotton Garden, Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Various Views of Westminster Hall and St. Stephen's Hall

Various Views of Westminster Hall and St. Stephen's Hall
Creator:
John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Water Front of the Buildings on the Eastern Side of New Palace Yard

The Water Front of the Buildings on the Eastern Side of New Palace Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Buildings on the Eastern Side of New Palace Yard

Buildings on the Eastern Side of New Palace Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Old Palace Yard from the South and Two Yards of the Tower now the Parliament Office

Old Palace Yard from the South and Two Yards of the Tower now the Parliament Office
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1805
Materials & Techniques:
Aquatint and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. East Entrance to the Cell in the South West Tower of London

East Entrance to the Cell in the South West Tower of London
Creator:
John Thomas Smith, 1766–1833
Date:
1811
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. S.E. View of the Entrances to the Little Sanctuary and to Theaing Lane

S.E. View of the Entrances to the Little Sanctuary and to Theaing Lane
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Views of New Palace Yard and the Speaker's Court

Views of New Palace Yard and the Speaker's Court
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Old Palace Yard from the South

Old Palace Yard from the South
Creator:
John Frederick Lewis, 1804–1876
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. A Doorway in one of the Cellars Under the Old House of Lords

A Doorway in one of the Cellars Under the Old House of Lords
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Old Palace Yard from the South

Old Palace Yard from the South
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. View of New Palace Yard and Speaker's Court

View of New Palace Yard and Speaker's Court
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Northeast and East Views of the Old Houses of Parliament

Northeast and East Views of the Old Houses of Parliament
Creator:
John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Buildings on the Eastern Side of New Palace Yard

Buildings on the Eastern Side of New Palace Yard
Creator:
William Dorset Fellows, 1807–1878
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Part of the Old Palace of Whitehall from the Water

Part of the Old Palace of Whitehall from the Water
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. South East View of the Princes Chamber

South East View of the Princes Chamber
Creator:
John Thomas Smith, 1766–1833
Date:
1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Part of the East Side of the House of Lords

Part of the East Side of the House of Lords
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. View of the old House of Lords, the Prince's Chamber and the Bishop's robing-room...

View of the old House of Lords, the Prince's Chamber and the Bishop's robing-room...
Creator:
John Thomas Smith, 1766–1833
Date:
1809
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Inside of the Painted Chamber as it was in the Year 1800

Inside of the Painted Chamber as it was in the Year 1800
Creator:
John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Original Entrance (1698) Bagnigge Wells Gardens (about 1800)

Original Entrance (1698) Bagnigge Wells Gardens (about 1800)
Creator:
Alexander Carse, c. 1770–1843
Date:
betwen 1800 and 1843
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. A Picturesque View of St. James's Park taken from the Mall

A Picturesque View of St. James's Park taken from the Mall
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Houses lately standing on the North Side of Long Land, Smithfield

Houses lately standing on the North Side of Long Land, Smithfield
Creator:
John Thomas Smith, 1766–1833
Date:
1813
Materials & Techniques:
Hand colored etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Water-Front of the Buildings on the Eastern Side of New Palace Yard

The Water-Front of the Buildings on the Eastern Side of New Palace Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Northwest View of the Tower now the Parliament Office

Northwest View of the Tower now the Parliament Office
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Views of the East Side of the House of Lords etc.

Views of the East Side of the House of Lords etc.
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. South West View of the Tower, now the Parliament Office

South West View of the Tower, now the Parliament Office
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Foundation Plan of the Ancient Palace of Westminster

Foundation Plan of the Ancient Palace of Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Near Battle Bridge, Middlesex

Near Battle Bridge, Middlesex
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Cotton Garden, Westminster

Cotton Garden, Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. A Doorway in one of the Cellars Under the Old House of Lords

A Doorway in one of the Cellars Under the Old House of Lords
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Specimens of Painting from St. Stephens Chapel

Specimens of Painting from St. Stephens Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Armorial Bearings from St. Stephen's Chapel

Armorial Bearings from St. Stephen's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Armorial Bearings from St. Stephen's Chapel

Armorial Bearings from St. Stephen's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Near Palmer's Green, Edmonton, Outer Suburb - North

Near Palmer's Green, Edmonton, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Houses lately Standing on the North Side of Long Lane, Smithfield

Houses lately Standing on the North Side of Long Lane, Smithfield
Creator:
John Thomas Smith, 1766–1833
Date:
1813
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. View of Part of Duke Street, West Smithfield

View of Part of Duke Street, West Smithfield
Creator:
John Thomas Smith, 1766–1833
Date:
1813
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The Residence of George Stevens, F.R.S. and Copy of a Letter of his dated 1774

The Residence of George Stevens, F.R.S. and Copy of a Letter of his dated 1774
Creator:
Charles John Smith, 1803–1838
Materials & Techniques:
Engraving and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Residence of George Stevens, F.R.S.

The Residence of George Stevens, F.R.S.
Creator:
John Thomas Smith, 1766–1833
Date:
1836
Materials & Techniques:
Wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Near Jack Straw's Castle, Hampstead Heath

Near Jack Straw's Castle, Hampstead Heath
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Views of the East Side of the House of Lords, the East End of the Princes Chamber

Views of the East Side of the House of Lords, the East End of the Princes Chamber
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Duke de Sully's House in the Strand; Durham House, Strand; Guard Room, Scotland Yard; Part of the Old Palace of Whitehall from the Water

Duke de Sully's House in the Strand; Durham House, Strand; Guard Room, Scotland Yard; Part of the Old Palace of Whitehall from the Water
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. A Geometrical View of the East End of St. Stephan's Chapel

A Geometrical View of the East End of St. Stephan's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. A Geometrical View of St. Stephen's Chapel

A Geometrical View of St. Stephen's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. S.E. View of the Porch of an Old House in Hanover Court near Grub Street

S.E. View of the Porch of an Old House in Hanover Court near Grub Street
Creator:
John Thomas Smith, 1766–1833
Date:
1809
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Inside View of the Watch Tower Discovered near Ludgate Hill, May 1, 1792

Inside View of the Watch Tower Discovered near Ludgate Hill, May 1, 1792
Creator:
John Thomas Smith, 1766–1833
Date:
1813
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street

Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
Creator:
John Thomas Smith, 1766–1833
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Inside View of the Poultry Compter

Inside View of the Poultry Compter
Creator:
John Thomas Smith, 1766–1833
Date:
1811
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Studies from the Bust of Samuel Johnson

Studies from the Bust of Samuel Johnson
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 4 1/2 inches (14.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman and Frances Carey in Memory of Diana Vincent-Daviss

93. In Bury Street, Edmonton, Outer Suburb - North

In Bury Street, Edmonton, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. On Scotland's Green, Ponder's - End, Outer Suburb - North

On Scotland's Green, Ponder's - End, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Near Edmonton Church, Outer Suburb - North

Near Edmonton Church, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. In Bury Street, Edmonton Outer Suburb - North

In Bury Street, Edmonton Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. In Green Street, Enfield Highway, Outer Suburb North

In Green Street, Enfield Highway, Outer Suburb North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. In Green Street, Enfield Highway, Outer Suburb North

In Green Street, Enfield Highway, Outer Suburb North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Dr. Johnson's House in 8 Bolt Court, Fleet Street

Dr. Johnson's House in 8 Bolt Court, Fleet Street
Creator:
John Thomas Smith, 1766–1833
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. A South View of Westminster from Mill-bank; where the King's Scholars-pond Sewer empties itself into the Thames

A South View of Westminster from Mill-bank; where the King's Scholars-pond Sewer empties itself into the Thames
Creator:
Thomas Hall, active early 19th century
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection