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Creator Parr, Remi, 1743–after 1750

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1. Plan of the Cathedral of St. Pauls

Plan of the Cathedral of St. Pauls
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 x 12 3/4in. (48.3 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Chapter House, St. Pauls

The Chapter House, St. Pauls
Creator:
Remi Parr, 1743–after 1750
Date:
unknown
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/8 x 10in. (18.7 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A View of the Foundling Hospital

A View of the Foundling Hospital
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A View of the Foundling Hospital

A View of the Foundling Hospital
Creator:
Remi Parr, 1743–after 1750
Date:
1753
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Front View of the Royal Palace of Kensington

A Front View of the Royal Palace of Kensington
Creator:
Nathaniel Parr, active 1742–1751
Date:
1753
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Front View of the Royal Palace at Kensington

A Front View of the Royal Palace at Kensington
Creator:
Nathaniel Parr, active 1742–1751
Date:
1751
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A Front View of the Royal Palace of Kensington

A Front View of the Royal Palace of Kensington
Creator:
Nathaniel Parr, active 1742–1751
Date:
1751
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The East Prospect of the Cathedral of St. Pauls

The East Prospect of the Cathedral of St. Pauls
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 5/8 x 14 1/4in. (49.8 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The South Prospect of the Cathedral of St. Paul's London

The South Prospect of the Cathedral of St. Paul's London
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 5/8 x 19 3/4in. (34.6 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The West Prospect of the Cathedral of St. Pauls

The West Prospect of the Cathedral of St. Pauls
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/8 x 13 5/8in. (48.6 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Chelsey Colledge

Chelsey Colledge
Creator:
Nathaniel Parr, active 1742–1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 1/4 x 9 1/4in. (18.4 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Assault on the Main Body of the Palace;...

The Assault on the Main Body of the Palace;...
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side...

A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side...
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Representations of the Most Considerable Actions in the Siege of a Place...

The Representations of the Most Considerable Actions in the Siege of a Place...
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Hand-colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 18 1/16 inches (31.8 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Quirinal, or Palace of the Pope on Mount Cavallo at Rome

The Quirinal, or Palace of the Pope on Mount Cavallo at Rome
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Triumphal Arch in the Garden of Versailles...

The Triumphal Arch in the Garden of Versailles...
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
between 1768 and 1779
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Place given up to Plunder;...

The Place given up to Plunder;...
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Calm

A Calm
Creator:
Print made by Nathaniel Parr, active 1742–1751
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

22. Fresh Gale

Fresh Gale
Creator:
Print made by Nathaniel Parr, active 1742–1751
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in gouache on medium, slightly textured, beige laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

23. How Sallies are defended and repulsed;...

How Sallies are defended and repulsed;...
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Hand-colored engraving
Dimensions:
Plate: 9 3/4 × 17 inches (24.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Attack of Two Bastions, the Breaches being Made by the Miner

The Attack of Two Bastions, the Breaches being Made by the Miner
Creator:
Remi Parr, 1743–after 1750
Date:
1760 to 1770
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. An Attack & Lodgement on the Covert Way; i.e., the part which lies between the Ditch & the Glacis...

An Attack & Lodgement on the Covert Way; i.e., the part which lies between the Ditch & the Glacis...
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Blind-Mans Buff

No cover image available
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Sliding on Ice

No cover image available
Creator:
Remi Parr, 1743–after 1750
Date:
ca. 1743
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection