Creator Gender: male / Image Available: Available / Height [cm]: 41

1. April 1950 (goblets)

Creator:: Ben Nicholson, 1894–1982
Date:: 1950
Materials & Techniques:: Oil and pencil on wood
Dimensions:: Mount: 16 x 19 1/2 inches (40.6 x 49.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Louise P. Stanton
On View:: Not on view

2. Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course

Creator:: George Stubbs, 1724–1806
Date:: ca. 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 16 inches (30.5 x 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Limekiln, Possibly at Briton Ferry in South Wales

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795-96
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 15 7/8 inches (28.9 x 40.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Shirley Heights

Creator:: John R. Skeaping, 1901–1980
Date:: 1978
Materials & Techniques:: Bronze
Dimensions:: Overall: 16 x 21 x 5 3/4 inches (40.6 x 53.3 x 14.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Sylvia Darning

Creator:: Harold Gilman, 1876–1919
Date:: 1917
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/4 x 18 1/4 inches (41.3 x 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Prisoner

Creator:: Joseph Wright of Derby, 1734–1797
Date:: 1787 to 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 18 1/2 inches (40.6 x 47 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. La Rue Pecquet, Dieppe

Creator:: Walter Richard Sickert, 1860–1942
Date:: ca. 1907
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/4 x 13 inches (41.3 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

8. Portrait of Thomas Cholmondeley, first Lord Delamere, on His Hunter (study for "The Cheshire Hunt at Tatton Park")

Creator:: Henry Calvert, 1798–1869
Date:: ca. 1839
Materials & Techniques:: Oil on panel
Dimensions:: 16 x 12 inches (40.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Going Out

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1932
Materials & Techniques:: Oil on panel
Dimensions:: 16 x 20 inches (40.6 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Study of Poppies

Creator:: James Inskipp, 1790–1868
Date:: 1832
Materials & Techniques:: Oil and graphite on board
Dimensions:: 16 x 9 inches (40.6 x 22.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. St. James's Park

Creator:: George Morland, 1763–1804
Date:: between 1788 and 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 19 inches (40.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953

Creator:: Paul-Lucien Dessau, 1909–1999
Date:: 1953
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/8 x 13 inches (41 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. A River Landscape, possibly a View from the West End of Rochester Bridge

Creator:: John Inigo Richards, 1730/31?–1810
Date:: ca. 1805
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/16 x 19 7/8 inches (40.8 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. The Berkeley Hunt, 1842: The Chase

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 24 inches (40.6 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. The Berkeley Hunt, 1842: The Death

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 24 inches (40.6 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. A Boat Race on the River Isis, Oxford

Creator:: John Whessell, 1760–ca. 1823
Date:: 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 22 1/4 inches (40.6 x 56.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Street in Oban, Night

Creator:: Sir James Guthrie, 1859–1930
Date:: ca. 1893
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 12 inches (40.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz
On View:: Not on view

18. The Balcony, Yokohama

Creator:: Edward Atkinson Hornel, 1864–1933
Date:: 1894
Materials & Techniques:: Oil on canvas laid down on panel
Dimensions:: 16 x 19 7/8 inches (40.6 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz
On View:: Not on view

19. Seascape

Creator:: George Grosvenor Thomas, 1856–1923
Date:: between 1890 and 1895
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 20 inches (40.6 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz
On View:: Not on view

20. A Shepherdess

Creator:: William Kennedy, 1859–1918
Date:: between 1890 and 1895
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 20 inches (40.6 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz
On View:: Not on view

21. An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze

Creator:: Dominic Serres, 1722–1793
Date:: 1770
Materials & Techniques:: Oil on panel
Dimensions:: 16 x 25 inches (40.6 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. A Winter Landscape

Creator:: George Smith, 1714–1776
Date:: 1752
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 25 1/2 inches (40.6 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. A View Near Arundel, Sussex, with Ruins by Water

Creator:: George Smith, 1714–1776
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/8 x 19 5/8 inches (41 x 49.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Cambrian Road, Richmond

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1913 to 1914
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 20 inches (40.6 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

25. Alexander van Aken

Creator:: Attributed to Thomas Hudson, 1707–1779
Date:: ca. 1770
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 13 3/4 inches (40.6 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

26. The Berkeley Hunt, 1842: The Meet

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 24 inches (40.6 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. The Berkeley Hunt, 1842: Full Cry

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 24 inches (40.6 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. The Sea Brought Them, 6/28/00

Creator:: John Hoyland, 1934–2011
Date:: 2000
Materials & Techniques:: Acrylic on canvas
Dimensions:: 16 x 12 inches (40.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Samuel and Gabrielle Lurie
On View:: Not on view

29. Evening

Creator:: Albert Houthuesen, 1903–1979
Date:: 1965
Materials & Techniques:: Oil on canvas board
Dimensions:: Frame: 25 1/2 x 29 1/2 inches (64.8 x 74.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:: Not on view

30. Boats, Tree, Tupanan 17.9.00

Creator:: John Hoyland, 1934–2011
Date:: 2000
Materials & Techniques:: Acrylic on canvas
Dimensions:: 16 x 32 inches (40.6 x 81.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Samuel and Gabrielle Lurie
On View:: Not on view

31. Tennis at Hertingfordbury

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1910
Materials & Techniques:: Oil on canvas
Dimensions:: 15 15/16 x 20 inches (40.5 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

32. Landscape with cottage and church

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1771 and 1772
Materials & Techniques:: Oil on canvas with some black chalk
Dimensions:: 16 1/4 x 19 7/16 inches (41.3 x 49.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. Shipping in a Calm

Creator:: Peter Monamy, 1681–1749
Date:: between 1700 and 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 12 1/4 inches (40.6 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. Girl in a Dark Dress

Creator:: Lucian Freud, 1922–2011
Date:: 1951
Materials & Techniques:: Oil on canvas
Dimensions:: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Anonymous loan
On View:: Not on view

35. Constable Study IV, December 2011

Creator:: Mark Leonard, born 1954
Date:: December, 2011
Materials & Techniques:: Gouache and synthetic resin on panel
Dimensions:: 12 x 12 inches (30.5 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Friends of British Art Fund
On View:: Not on view

36. Interior with Nude

Creator:: Keith Vaughan, 1912–1977
Date:: 1949
Materials & Techniques:: oil on canvas
Dimensions:: Overall: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Professor William Kelly Simpson, BA 1947, MA 1948, PhD 1954
On View:: Not on view

37. Untitled Abstract

Creator:: Roger Furse, 1903–1972
Date:: 1962
Materials & Techniques:: Oil on canvas
Dimensions:: Overall: 16 3/16 × 20 1/8 × 1 7/8 inches (41.1 × 51.1 × 4.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Gregory F.W. Todd, Yale BA 1976, in memory of Joan Castle Sitwell
On View:: Not on view

38. Cottage by a country lane

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: ca. 1820
Materials & Techniques:: Oil on panel
Dimensions:: 12 7/8 × 10 1/8 inches (32.7 × 25.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

39. Ballet Scene from "On the Sands"

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1910
Materials & Techniques:: Oil on canvas
Dimensions:: 16 × 20 inches (40.6 × 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

40. Things that Grow, 1/4/99

Creator:: John Hoyland, 1934–2011
Date:: 1999
Materials & Techniques:: Acrylic on canvas
Dimensions:: 16 x 12 inches (40.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Samuel and Gabrielle Lurie
On View:: Not on view

41. Spirit Side (7/1/96)

Creator:: John Hoyland, 1934–2011
Date:: 1996
Materials & Techniques:: Acrylic on canvas
Dimensions:: 16 x 12 inches (40.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Samuel and Gabrielle Lurie
On View:: Not on view

42. Girl on Horseback with a Boy and a Dog

Creator:: Joseph Edgar Boehm, 1834–1890
Date:: 1865
Materials & Techniques:: Bronze
Dimensions:: Overall: 16 x 15 1/4 x 8 1/2 inches (40.6 x 38.7 x 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

43. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 x 10 3/4 inches (41.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 20 1/2 inches (39.4 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/8 inches (40.6 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Collared Parrakeet (Plate 40)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph printed in black, plate trimmed
Dimensions:: Sheet: 16 x 11 1/2in. (40.6 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

55. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Job and His Family Restored to Prosperity

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Title Page, Illustrations of The Book of Job

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Job and His Family

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Satan before the Throne of God

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Job's Sons and Daughters Overwhelmed by Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Messengers Tell Job of His Misfortunes

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Satan Going Forth from the Presence of the Lord and Job's Charity

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Job's Despair

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Vision of Eliphaz

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Job's Evil Dreams

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Wrath of Elihu

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 5/8 inches (38.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Lord Answering Job out of the Whirlwind

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Behemoth and Leviathan

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Vision of Christ

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Every One also Gave Him a Piece of Money

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Satan Smiting Job with Sore Boils

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Job's Comforters

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. When the Morning Stars Sang Together

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Fall of Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Job's Sacrifice

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 inches (38.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Job and His Daughters

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Creator Gender male

Image Available Available

Height [cm] 41

Search Results

1. April 1950 (goblets)

2. Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course

3. A Limekiln, Possibly at Briton Ferry in South Wales

4. Shirley Heights

5. Sylvia Darning

6. The Prisoner

7. La Rue Pecquet, Dieppe

8. Portrait of Thomas Cholmondeley, first Lord Delamere, on His Hunter (study for "The Cheshire Hunt at Tatton Park")

9. Going Out

10. Study of Poppies

11. St. James's Park

12. Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953

13. A River Landscape, possibly a View from the West End of Rochester Bridge

14. The Berkeley Hunt, 1842: The Chase

15. The Berkeley Hunt, 1842: The Death

16. A Boat Race on the River Isis, Oxford

17. Street in Oban, Night

18. The Balcony, Yokohama

19. Seascape

20. A Shepherdess

21. An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze

22. A Winter Landscape

23. A View Near Arundel, Sussex, with Ruins by Water

24. Cambrian Road, Richmond

25. Alexander van Aken

26. The Berkeley Hunt, 1842: The Meet

27. The Berkeley Hunt, 1842: Full Cry

28. The Sea Brought Them, 6/28/00

29. Evening

30. Boats, Tree, Tupanan 17.9.00

31. Tennis at Hertingfordbury

32. Landscape with cottage and church

33. Shipping in a Calm

34. Girl in a Dark Dress

35. Constable Study IV, December 2011

36. Interior with Nude

37. Untitled Abstract

38. Cottage by a country lane

39. Ballet Scene from "On the Sands"

40. Things that Grow, 1/4/99

41. Spirit Side (7/1/96)

42. Girl on Horseback with a Boy and a Dog

43. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

44. Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)

45. Human Skeleton, Lateral View

46. Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)

47. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

48. Tiger Body, Lateral View

49. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

50. Tiger Body, Lateral View

51. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

52. Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)

53. Hogarth Painting the Comic Muse

54. Collared Parrakeet (Plate 40)

55. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

56. Job and His Family Restored to Prosperity

57. 'One radiant mark, – the death-bed of the just' (Page 41)

58. Night the Third. Narcissa; Title Page

59. 'Where sense runs savage broke from reason's chain' (Page 46)

60. 'As if the sun could envy, check'd his beam' (Page 49)

61. Title Page, Illustrations of The Book of Job

62. Job and His Family

63. Satan before the Throne of God

64. Job's Sons and Daughters Overwhelmed by Satan

65. The Messengers Tell Job of His Misfortunes

66. Satan Going Forth from the Presence of the Lord and Job's Charity

67. Job's Despair

68. The Vision of Eliphaz

69. Job's Evil Dreams

70. The Wrath of Elihu

71. The Lord Answering Job out of the Whirlwind

72. Behemoth and Leviathan

73. The Vision of Christ