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Francis Danby Hampstead Heath, Sunset
Francis Danby, 1793–1861
Hampstead Heath, Sunset
ca. 1845
Not on view
John Constable Hampstead Heath looking towards Harrow
John Constable, 1776–1837
Hampstead Heath looking towards Harrow
1821 to 1822
Not on view
George Morland Partridge Shooting
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
Francis Towne Old Walton Bridge
Francis Towne, 1740–1816
Old Walton Bridge
1785
Not on view
George Morland Pheasant Shooting
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
Sir John Lavery On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
Sir John Lavery, 1856–1941
On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
1890
Not on view
George Chinnery A Man Carrying Faggots
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
Walter Richard Sickert Portrait of Carolina dell'Acqua
Walter Richard Sickert, 1860–1942
Portrait of Carolina dell'Acqua
1903
Not on view
George Smith A View Supposedly Near Arundel, Sussex, with Figures in a Lane
George Smith, 1714–1776
A View Supposedly Near Arundel, Sussex, with Figures in a Lane
mid-18th century
Not on view
Joseph Stannard Buckenham Ferry, on the River Yare, Norfolk
Joseph Stannard, 1797–1830
Buckenham Ferry, on the River Yare, Norfolk
1826
Not on view
John Vanderbank A Scene from Don Quixote (Vol.II, Ch.XXIII)
John Vanderbank, 1694–1739
A Scene from Don Quixote (Vol.II, Ch.XXIII)
between 1730 and 1736
Not on view
Glynn Williams "Stop"
Glynn Williams, born 1939
"Stop"
1988
Not on view
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Probably made as the basis for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
George Stubbs Tiger Skeleton, Lateral View (Finished Study for Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
George Stubbs Tiger Skeleton, Lateral View
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
William Hogarth Self-portrait
William Hogarth, 1697–1764
Self-portrait
1749
William Hogarth An Election Entertainment, Plate I
William Hogarth, 1697–1764
An Election Entertainment, Plate I
1755-58
William Hogarth Chairing the Members, Plate IV
William Hogarth, 1697–1764
Chairing the Members, Plate IV
1758
William Hogarth The Bruiser
William Hogarth, 1697–1764
The Bruiser
1763
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
Edward Lear Siracusa, 12. June 1847
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
George Romney Glade in a Forest
George Romney, 1734–1802
Glade in a Forest
undated
George Romney River God
George Romney, 1734–1802
River God
undated
Niccoló Schiavonetti Rustic Benevolence
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
Sir David Young Cameron Joannis Darius
Print made by Sir David Young Cameron, 1865–1945
Joannis Darius
1900
Peter Simon King Henry IV: Part I, Act III, Scene i, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene i, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1795
Thomas Girtin View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
1803
Sir David Young Cameron The North Porch, Harfleur
Print made by Sir David Young Cameron, 1865–1945
The North Porch, Harfleur
1904
Sir David Young Cameron The Canongate Tollbooth
Print made by Sir David Young Cameron, 1865–1945
The Canongate Tollbooth
1906
William Nutter The Farm-Yard
Print made by William Nutter, 1754–1802
The Farm-Yard
1790
William Nutter The Ale-House Door, "Come my Dear! I'll pledge you!"
William Nutter, 1754–1802
The Ale-House Door, "Come my Dear! I'll pledge you!"
1790
Francis Dodd The Garden Door
Print made by Francis Dodd, 1874–1949
The Garden Door
1909
William Faithorne the Younger Thomas Shadwell, Esquire, Poet Laureat & Historiographer
Print made by William Faithorne the Younger, ca. 1669–1703
Thomas Shadwell, Esquire, Poet Laureat & Historiographer
between 1690 and 1703
Sir Frank William Brangwyn Pottery, Rouen
Print made by Sir Frank William Brangwyn, 1867–1956
Pottery, Rouen
1919
William Evan Charles Morgan The Source
William Evan Charles Morgan, 1903–1979
The Source
1927
John Dixon The Right Honorable Charles Townsend, Esquire, Late Chancellor of the Exchequer
John Dixon, ca. 1740–1811
The Right Honorable Charles Townsend, Esquire, Late Chancellor of the Exchequer
1770
Johann Jacobus Haid Mr. Garrick in "The Farmer's Return"
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
R. F. Tringham The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth
R. F. Tringham
The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth
ca.1762
William Daniell An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs
Print made by William Daniell, 1769–1837
An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs
1802
Wilson Lowry The Inside of a Smelting House at Broseley, Shopshire
Wilson Lowry, 1762–1824
The Inside of a Smelting House at Broseley, Shopshire
1788
Francis Chesham A View of the Mouth of a Coal Pit near Broseley in Shropshire
Francis Chesham, 1749–1806
A View of the Mouth of a Coal Pit near Broseley in Shropshire
1788
Francis Chesham A View of the Iron Bridge, in Coalbrook Dale, Shropshire
Francis Chesham, 1749–1806
A View of the Iron Bridge, in Coalbrook Dale, Shropshire
1788
James Fittler A View of the Iron Bridge
James Fittler, 1758–1835
A View of the Iron Bridge
1788
Isaac Cruikshank Cool Arguments!!!
Isaac Cruikshank, 1764–1811
Cool Arguments!!!
1794
John Horsburgh Napoleon's Logemont, Quai Conti
Print made by John Horsburgh, 1791–1869
Napoleon's Logemont, Quai Conti
1834
Francois Vivares A View of Hopping Mill, Ware
Francois Vivares, 1709–1780
A View of Hopping Mill, Ware
1745
James Mason Matlock High-Torr
James Mason, 1710–1783
Matlock High-Torr
1766
Abraham Raimbach The Errand Boy
Abraham Raimbach, 1784–1868
The Errand Boy
1825
Abraham Raimbach The Cut Finger
Abraham Raimbach, 1784–1868
The Cut Finger
1819
Edward Rooker The Summit of Cader Idris Mountain
Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
William Byrne Carnarvon Castle
William Byrne, 1743–1805
Carnarvon Castle
1775
B. Winkles Interior of Westminster Hall as Prepared for the Banquet
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
James Basire Plate IX: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
James Basire Plate X: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
John Carter New East Front, St Stephen's Chapel
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
unknown artist North East View of Henry VII Chapel Westminster
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
Lionel Edwards The Lodge Gate
Lionel Edwards, 1878–1966
The Lodge Gate
1922
Samuel Bellin David Cox
Print made by Samuel Bellin, 1799–1894
David Cox
undated
Albert Louden Untitled
Albert Louden, born 1942
Untitled
undated
W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792