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1
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
2
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
3
- Herne's Oak from 'The Merry Wives of Windsor,' V, v
- ca. 1857
- Not on view
4
- The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
- between 1798 and 1801
- Not on view
5
- Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
- ca. 1799
- Not on view
6
- Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
- 1863
- Not on view
7
- Cymon and Iphigenia
- ca. 1766
- Not on view
8
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
9
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
10
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
11
- Alas! (Plate 9)
- 1826
12
- Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
- 1794
13
- Praying Child and Howling Dog (Plate 25)
- 1794
14
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
15
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
16
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
17
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
18
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
19
- "Fear & hope are -- Vision" (Plate 15)
- 1826
20
- Aged Ignorance (Plate 13)
- 1826
21
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
22
- Infant Joy (Plate 14)
- 1789
23
- The Little Boy Lost (Plate 20)
- 1789
24
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
25
- "I want! I want!" (Plate 11)
- 1826
26
- Frontispiece, "What is Man!" (Plate 2)
- 1826
27
- "I found him beneath a Tree" (Plate 3)
- 1826
28
- Night the First. On Life, Death and Immortality; Title Page
- 1797
29
- 'We censure nature for a span too short' (Page 23)
- 1797
30
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
31
- 'The present moment terminates our sight' (Page 13)
- 1797
32
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
33
- "To the Christians..." (Plate 77)
- 1804 to 1820
34
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
35
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
36
- A Circular Dance (Design 23)
- between 1797 and 1798
37
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
38
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
39
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
40
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
41
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
42
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
43
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
44
- A Widower and Children (Design 35)
- between 1797 and 1798
45
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
46
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
47
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
48
- What is Man!, Frontispiece (Plate 1)
- 1793
49
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
50
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
51
- Songs of Innocence, Title Page (Plate 2)
- 1789
52
- Songs of Experience, Frontispiece (Plate 32)
- 1794
53
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
54
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
55
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
56
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
57
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
58
- Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
- 1794
59
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
60
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
61
- On Anothers Sorrow (Plate 24)
- 1789
62
- Laughing Song (Plate 28)
- 1789
63
- The Little Girl Found (Plate 6)
- 1789
64
- The Lamb (Plate 8)
- 1789
65
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
66
- The Ecchoing Green (Plate 10)
- 1789
67
- Nurse's Song (Plate 22)
- 1789
68
- Spring (Plate 26)
- 1789
69
- The Divine Image (Plate 12)
- 1789
70
- A Cradle Song (Plate 18)
- 1789
71
- Songs of Innocence, Title Page (Plate 2)
- 1789
72
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
73
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
74
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
75
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
76
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
77
- Praying Child and Howling Dog (Plate 24)
- 1794
78
- The Little Black Boy (Plate 30)
- 1789
79
- Spring, from Songs of Innocence
- ca. 1795
80
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
81
- Pity
- ca. 1795
82
- Birth of Man
- undated
83
- Title page for "The Guardian"
- undated
84
- Mr. Garrick in "The Farmer's Return"
- 1766
85
- The Battle of the Cataplasm
- between 1773 and 1817
86
- Scene Illustration: Milton's 'L'Allegro'
- between 1860 and 1885
87
- Falstaff at Herne's Oak
- 1821
88
- Richard III: Act IV, Scene III, Tower of London
- 1795
89
- Shakespeare Sacrificed; or, The Offering to Avarice
- 1789
90
- The Meeting of a Family in Heaven
- 1808, published 1813
91
- Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
- 1797
92
- The Descent of Man into the Vale of Death
- 1808, published 1813
93
- The School-Boy
- 1824
94
- The Infant
- 1824
95
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
96
- Greatheart's Battle with Grim
- undated
97
- Study for Burying the Royal Children
- ca. 1790
98
- Apotheosis of Shakespeare's Characters
- 1871
99
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
100
- Mrs. Yates in the Character of Medea
- after 1771