Creator Gender: male / Period: 19th century / Height [cm]: 33 - YCBA Collections Search Search Results

1. The Avon Gorge

Creator:: Francis Danby, 1793–1861
Date:: between 1816 and 1818
Materials & Techniques:: Oil on panel
Dimensions:: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Harwich: The Low Lighthouse and Beacon Hill

Creator:: John Constable, 1776–1837
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 20 inches (33 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Lane near Dedham

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/4 inches (33.3 x 42.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Dedham Vale

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/8 inches (33.3 x 41.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Hampstead Heath Looking Towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Indian Landscape with Temple

Creator:: George Chinnery, 1774–1852
Date:: ca. 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 8 1/16 × 9 1/2 inches (20.5 × 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Ailsa Craig

Creator:: William Bell Scott, 1811–1890
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 12 13/16 x 19 1/4 inches (32.5 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Rocky Hillside

Creator:: Frederick W. Watts, 1800–1862
Date:: ca. 1830
Materials & Techniques:: Oil on millboard
Dimensions:: 9 5/8 × 14 inches (24.4 × 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Port on a Stormy Day

Creator:: George Chambers, 1803–1840
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 18 inches (33 x 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Cottage by a country lane

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: ca. 1820
Materials & Techniques:: Oil on panel
Dimensions:: 12 7/8 × 10 1/8 inches (32.7 × 25.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Horses Grazing: Mares and Foals in a Field

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 17 inches (33 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 17 inches (33 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Portrait of Nicola Luciani

Creator:: Henry Scott Tuke, 1858–1929
Date:: between 1913 and 1914
Materials & Techniques:: Oil on panel
Dimensions:: 13 x 9 1/2 inches (33 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:: Not on view

14. William Collins, R.A.

Creator:: John Linnell, 1792–1882
Date:: 1831
Materials & Techniques:: Oil on panel
Dimensions:: 13 x 10 1/4 inches (33 x 26 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Tintern Abbey at Sunset

Creator:: Samuel Palmer, 1805–1881
Date:: 1861
Materials & Techniques:: Watercolor, gouache and varnish over graphite with scratching out on heavy card
Dimensions:: Sheet: 13 1/8 x 27 3/4 inches (33.3 x 70.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1813 to 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; modern impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 16 5/8 inches (33.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Landscape at Ambleside

Creator:: Thomas Sunderland, 1744–1828
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and brown ink, blue wash, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 17 13/16in. (33 x 45.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Page of Sketches of Cavaliers, Horse's Head, and Plumes

Creator:: Thomas Henry Nicholson, Died 1870
Date:: ca. 1839
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 18 5/8 inches (32.7 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Temple of Edfou, Upper Egypt

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/8 x 19 7/8 inches (32.7 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Glencoe: A Shepherd Boy Crossing a Burn

Creator:: Walter Goodall, 1830–1889
Date:: 1857
Materials & Techniques:: Watercolor over graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 19 3/8 inches (33.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Quarries near Ironbridge (Earthworks, Cambridge Terrace)

Creator:: John Linnell, 1792–1882
Date:: ca. 1816
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 19 1/2 inches (33.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Old Farm Buildings

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 16 5/8 inches (33 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Luxor, Paris, December 1833

Creator:: William Callow, 1812–1908
Date:: 1833
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 9 5/16 inches (32.7 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, gouache and watercolor on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 7 3/8 inches (32.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Vale of Newlands, Cumberland

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 15/16 × 40 7/16 inches (32.9 × 102.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Crater of Vesuvius

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 21 1/8 inches (33.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Mount Soratte from Civita Castellana

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 21 1/8 inches (32.7 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Self Portrait

Creator:: Augustus Edwin John, 1878–1961
Date:: ca. 1897
Materials & Techniques:: Red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 9 7/8 inches (33 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Brighton

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving with chine collé; intermediate engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 19 5/8 inches (33.3 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 19 1/2 inches (32.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Land Discovered by Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 7 5/8 inches (33.3 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Mount Edgecomb, Devonshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Raby Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 19 7/8 inches (33.3 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Wilton House

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1825
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 19 1/8 inches (33 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Aske Hall

Creator:: Print made by John Scott, 1774–1828
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 × 19 7/16 inches (33.2 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. High Force or Fall of Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/16 × 18 3/4 inches (33.2 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 13 1/8 × 6 1/2 inches (33.3 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black and blue ink, pen and graphite with watercolor and gouache, verso: yellow gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 12 7/8 × 5 3/4 inches (32.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: John James Chalon, 1778–1854
Date:: undated
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 13/16 × 16 1/8 inches (32.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855

Creator:: William Simpson, 1823–1899
Date:: 1855
Materials & Techniques:: Watercolor and gouache over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 x 20 5/8 inches (33 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Spoiled Child, Scene VI

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Garden of Gethsemane

Creator:: Sir David Wilkie, 1785–1841
Date:: 1841
Materials & Techniques:: Black chalk, white chalk, and red chalk over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 x 19 5/16 inches (33 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Interior Colosseum, Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Sorrento

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1818
Materials & Techniques:: Graphite and brown wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 8 11/16 inches (33.3 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and black ink, black wash, gray wash, white gouache, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 16 3/4 inches (33 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Conway (Castle, North Wales)

Creator:: Isaac Weld, 1774–1856
Date:: 1809
Materials & Techniques:: Watercolor, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/16 × 16 9/16 inches (33.2 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Pursuit of Pleasure

Creator:: Joseph Noel Paton, 1821–1901
Date:: 1848
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, beige wove paper mounted on thick, smooth, beige card
Dimensions:: Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786

Creator:: Robert Dighton, 1752–1814
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 x 10 1/8 inches (32.7 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

Creator:: George Hunt, active 1820–1840
Date:: 1836
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 12 7/8 x 21 7/8in. (32.7 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Miss Murray

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1839
Materials & Techniques:: Mezzotint (proof) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 inches (41.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Mrs. Pope as Juliet

Creator:: Print made by William Ward, 1766–1826
Date:: ca. 1804
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. High Street, Edinburgh

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1819
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 3/8 inches (32.7 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1822
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 × 19 5/8 inches (33 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Borthwick Castle

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1819
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 20 1/8 inches (33.3 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. New Abbey, near Dumfries

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 8 1/2 inches (33 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Dunbar

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 18 7/8 inches (33.3 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 × 15 1/4 inches (33 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving, with graphite; touched early engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving, with graphite and white chalk; early touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Children Crying Forfeits

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1826
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/16 × 9 5/16 inches (33.2 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Opposition Coaches at Speed

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/16 x 17 3/4in. (33.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/4in. (33.3 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Freetown, Sierra Leone

Creator:: Auguste François Laby, 1784–1860
Date:: ca. 1850
Materials & Techniques:: Colored lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 29 3/4 inches (33.3 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Rue du Gros Horloge

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Aloys Senefelder

Creator:: Godefroy Engelmann, 1788–1839
Date:: 1819
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper, laid on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 15 3/4 x 11 11/16 inches (40 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Prince Amgiad and Prince Assad

Creator:: Print made by Abraham Raimbach, 1784–1868
Date:: 1802
Materials & Techniques:: Etching and line engraving with chine collé on wove paper
Dimensions:: Image: 5 x 3 3/4in. (12.7 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Dr. Johnson

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1835
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 x 9 1/2in. (33 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

93. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

94. Portrait of Benjamin West, P.R.A.

Creator:: John Jackson, 1778–1831
Date:: 1814
Materials & Techniques:: Graphite, watercolor, white chalk, and red pencil on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 9 1/2 inches (32.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Designs for a Baptismal Font and a Tabernacle

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 x 11 3/4 inches (33 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Twenty Designs for Gothic Friezes

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1830
Materials & Techniques:: Graphite and pen and blue ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 8 3/4 inches (33.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scratching out; touched engraver's proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 × 17 1/8 inches (33 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. [Shooting] The Pointer

Creator:: Print by John Scott, 1774–1828
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 16in. (32.7 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Levens, Westmoreland, The Small Drawing Room

Creator:: Joseph Nash, 1808–1878
Date:: 1873
Materials & Techniques:: Watercolor, gouache, and pen, with black, ink, brown ink and red ink, with traces of graphite on thick, moderately textured, beige wove paper
Dimensions:: Mount: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Period 19th century

Height [cm] 33

Search Results

1. The Avon Gorge

2. Harwich: The Low Lighthouse and Beacon Hill

3. Lane near Dedham

4. Dedham Vale

5. Hampstead Heath Looking Towards Harrow

6. Indian Landscape with Temple

7. Ailsa Craig

8. Rocky Hillside

9. Port on a Stormy Day

10. Cottage by a country lane

11. Horses Grazing: Mares and Foals in a Field

12. Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow

13. Portrait of Nicola Luciani

14. William Collins, R.A.

15. Tintern Abbey at Sunset

16. The Vine

17. Glaucus and Scylla

18. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

19. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

20. The Reconcilation

21. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

22. Hogarth Sitting to Roubiliac for His Bust

23. Landscape at Ambleside

24. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

25. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

26. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

27. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

28. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

29. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

30. The Eleventh Hour

31. Hogarth Drawing Sarah Malcolm

32. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

33. The Smock Exposed

34. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

35. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

36. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

37. Hogarth Declaring His Love to Miss Thornhill

38. Page of Sketches of Cavaliers, Horse's Head, and Plumes

39. Temple of Edfou, Upper Egypt

40. Glencoe: A Shepherd Boy Crossing a Burn

41. Quarries near Ironbridge (Earthworks, Cambridge Terrace)

42. Old Farm Buildings

43. The Luxor, Paris, December 1833

44. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

45. The Manse, Cults, Fife: The Artist's Old Home

46. The Manse, Cults, Fife: The Artist's Old Home

47. The Manse, Cults, Fife: The Artist's Old Home

48. Vale of Newlands, Cumberland

49. Crater of Vesuvius

50. Mount Soratte from Civita Castellana

51. Self Portrait

52. Brighton

53. Richmond Castle and Town

54. Land Discovered by Columbus

55. Mount Edgecomb, Devonshire

56. Raby Castle, County of Durham

57. Wilton House

58. Aske Hall

59. High Force or Fall of Tees

60. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

61. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

62. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

63. Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855

64. The Spoiled Child, Scene VI

65. Garden of Gethsemane

66. Interior Colosseum, Rome

67. Sorrento

68. On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance

69. Conway (Castle, North Wales)

70. The Pursuit of Pleasure

71. Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786

72. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

73. "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...