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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms book
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1
- Landscape near Clifton
- 1822 to 1823
- Not on view
2
- St. Paul before Agrippa
- ca. 1710
- Not on view
3
- The Lady Betty Germain Bedroom at Knole, Kent
- 1845
- Not on view
4
- Portrait of a Boy
- ca. 1790
- Not on view
5
- An Unknown Man Seated at a Table
- between 1744 and 1746
- Not on view
6
- John Varley
- 1820
- Not on view
7
- A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
- ca. 1795
- Not on view
8
- John Eardley Wilmot
- 1812
- Not on view
9
- Woman Reading by a Paper-Bell Shade
- 1766
- Not on view
10
- A Couple, Traditionally Identified as Mr. and Mrs. Hill
- between 1750 and 1751
- Not on view
11
- The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
- 1849
- Not on view
12
- Portrait of a Woman
- ca. 1750
- Not on view
13
- Mrs. Stevens
- ca. 1795
- Not on view
14
- The Gore Family with George, third Earl Cowper
- ca. 1775
- Not on view
15
- Elizabeth Erskine, (née Pierrepont), Countess of Kellie
- ca. 1619
- Not on view
16
- A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
- late 18th century?
- Not on view
17
- Study for a Group Portrait
- between 1729 and 1730
- Not on view
18
- An Unknown Woman with a Book
- ca. 1735
- Not on view
19
- An Unknown Man
- 1746
- Not on view
20
- Schoolgirls
- 1880
- Not on view
21
- George and Margaret Rogers
- between 1748 and 1750
- Not on view
22
- Conversation Piece
- 1761
- Not on view
23
- The Harlowe Family, from Samuel Richardson's "Clarissa"
- between 1745 and 1747
- Not on view
24
- An Unknown Man in a Library
- between 1740 and 1741
- Not on view
25
- An Unknown Man
- ca. 1780
- Not on view
26
- A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
- 1749
- Not on view
27
- Christening of the Heir
- ca. 1799
- Not on view
28
- George Robertson
- 1776
- Not on view
29
- Mary Adam
- 1754
- Not on view
30
- The Sleeping Shepherd
- 1857
31
- The Sleeping Shepherd
- 1857
32
- Songs of Innocence, Title Page (Plate 2)
- 1789
33
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
34
- "Of the Mundane Shell which froze..." (Plate 64)
- 1804 to 1820
35
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
36
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
37
- "In living creations appear'd..." (Plate 8)
- 1794
38
- Title Page, The First Book of Urizen (Plate 1)
- 1794
39
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
40
- "In living creations appear'd..." (Plate 6)
- 1794
41
- The Lamb (Plate 18)
- 1789
42
- Title Page, The First Book of Urizen (Plate 1)
- 1794
43
- Infant Joy (Plate 28)
- 1789
44
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
45
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
46
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
47
- The Author Writing (Design 105)
- between 1797 and 1798
48
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
49
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
50
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
51
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
52
- 'The longest night though longer far, would fail' (Page 15)
- 1797
53
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
54
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
55
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
56
- The Lamb (Plate 8)
- 1789
57
- Songs of Innocence, Title Page (Plate 2)
- 1789
58
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
59
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
60
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
61
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
62
- Moses Receiving the Law
- ca. 1780
63
- Thomas Hayley the Disciple of John Flaxman, from a Medallion
- 1800
64
- Two Little Girls
- ca. 1810
65
- Sophy Steadman Reading
- ca. 1830
66
- Maria Cosway
- 1785
67
- Miss Anna Crouch
- 1788
68
- Ticket: Walker's Lectures
- 1794
69
- Mrs. Fitzherbert
- 1792
70
- Johannes Potter, Archiepiscopus Cantuariensis
- 1741
71
- Aubertus Miræus
- ca. 1635
72
- Repose in Egypt
- ca. 1776
73
- Repose in Egypt
- ca. 1776
74
- Carolus Scribanius
- ca. 1635
75
- Pomare, Queen of Tahiti
- 1845
76
- Thomas Ashton D.D
- 1756
77
- Pilgrims Paying Their Devotion in St. Peters at Rome
- between 1773 and 1775
78
- Sunday Morning, A Cottage Family Going to Church
- 1795
79
- The Damnation of Obadiah
- 1773
80
- The Damnation of Obadiah
- between 1773 and 1817
81
- George Pritchard, Her Britannic Majesty's Consul
- 1845
82
- Elderly Couple on a Park Bench, with Two Men Beyond
- undated
83
- Girl Reading a Picture Book
- undated
84
- Benjamin West, Esq., President of the Royal Academy of London
- 1818
85
- Earl and Countess of Pembroke and Son
- 1773
86
- Rev. Dr. Thomas Percy, Dean of Carlisle
- 1775
87
- Henry Bunbury Esqr
- ca. 1769
88
- Reverend Zachariah Mudge, Prebend of Exeter
- 1769
89
- Dr. Thomas Sherlock, Lord Bishop of London
- 1757
90
- Madona Col Bambino
- 1791
91
- The Death of the Good Old Man
- 1808, published 1813
92
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
93
- The Chamber Idyll
- 1831
94
- James Beattie, LL.D
- 1805
95
- Richard Beadon, Bishop of Bath & Wells
- undated
96
- The Discovery
- 1788
97
- La Conversation
- 1826
98
- The Misses Van and Lady Salisbury
- 1791
99
- A Lady Reading
- ca. 1835
100
- A Child Seated
- undated