Creator Gender: male / Collection: Prints and Drawings / Creator: Smith, John Thomas, 1766–1833

1. Sir Thomas Pasley

Creator:: Anna Maria Smith Edmonton, 1766–1833
Date:: 1796
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

2. Captain Rigby

Creator:: John Thomas Smith, 1766–1833
Date:: c.1695
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 5/8in. (25.1 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

3. Near Chelsea Bridge

Creator:: John Thomas Smith, 1766–1833
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 x 5 1/8in. (12.7 x 13cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Near Ranelagh, Chelsea

Creator:: John Thomas Smith, 1766–1833
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 1/2 x 4 3/4in. (11.4 x 12.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The S.W. View of Little Dean's Yard

Creator:: unknown artist
Date:: 1808
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

6. Near Edmonton, Middlesex, Outer Suburb - North

Creator:: John Thomas Smith, 1766–1833
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Near Mr. Teshmaker's Edmonton, Outer Suburb - North

Creator:: John Thomas Smith, 1766–1833
Date:: 1795
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. In Bury Street, Edmonton, Outer Suburb - North

Creator:: John Thomas Smith, 1766–1833
Date:: 1797
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. In Green Street, Enfield Highway, Outer Suburb North

Creator:: John Thomas Smith, 1766–1833
Date:: 1797
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Marybone Manor House in the Time of Queen Elizabeth

Creator:: John Thomas Smith, 1766–1833
Date:: 1807
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A South View of Westminster from Mill-bank; where the King's Scholars-pond Sewer empties itself into the Thames

Creator:: Thomas Hall, active early 19th century
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Portrait of Harwood (who shot at George III) at Bethlehem Hospital

Creator:: John Thomas Smith, 1766–1833
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Residence of George Stevens, F.R.S.

Creator:: John Thomas Smith, 1766–1833
Date:: 1836
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Sacred Architecture: the South Entrance of Dukes Place

Creator:: John Thomas Smith, 1766–1833
Date:: 1814
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 13 x 10 7/16in. (33 x 26.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion

Creator:: John Thomas Smith, 1766–1833
Date:: 1812
Materials & Techniques:: Etching on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 5/8 × 9 3/8 inches (29.5 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The South Entrance of Duke's Place

Creator:: John Thomas Smith, 1766–1833
Date:: 1814
Materials & Techniques:: Hand colored etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 1/4 × 11 inches (33.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Buildings on the Eastern Side of New Palace Yard

Creator:: William Dorset Fellows, 1807–1878
Date:: 1808
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. South West View of the Tower, now the Parliament Office

Creator:: John Thomas Smith, 1766–1833
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Northwest View of the Tower now the Parliament Office

Creator:: John Thomas Smith, 1766–1833
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Views of the East Side of the House of Lords etc.

Creator:: John Thomas Smith, 1766–1833
Date:: 1807
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. South East View of the Princes Chamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1809
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Foundation Plan of the Ancient Palace of Westminster

Creator:: John Thomas Smith, 1766–1833
Date:: 1807
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Doorway in one of the Cellars Under the Old House of Lords

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Armorial Bearings from St. Stephen's Chapel

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Inside of the Painted Chamber as it was in the Year 1800

Creator:: John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Specimens of Painting from St. Stephens Chapel

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Old Palace Yard from the South

Creator:: John Thomas Smith, 1766–1833
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. View of New Palace Yard and Speaker's Court

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Water-Front of the Buildings on the Eastern Side of New Palace Yard

Creator:: unknown artist
Date:: 1808
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Part of the East Side of the House of Lords

Creator:: unknown artist
Date:: 1807
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Armorial Bearings from St. Stephen's Chapel

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Doorway in one of the Cellars Under the Old House of Lords

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Northeast and East Views of the Old Houses of Parliament

Creator:: John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Part of the Old Palace of Whitehall from the Water

Creator:: John Thomas Smith, 1766–1833
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Cotton Garden, Westminster

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. View of the old House of Lords, the Prince's Chamber and the Bishop's robing-room...

Creator:: John Thomas Smith, 1766–1833
Date:: 1809
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Interior of Sir Paul Pindar's, Bishopsgate

Creator:: John Thomas Smith, 1766–1833
Date:: 1810
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/4 x 12in. (37.5 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Leadenhall Chapel

Creator:: John Thomas Smith, 1766–1833
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 7/8 x 9 1/2in. (30.2 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Residence of George Stevens, F.R.S. and Copy of a Letter of his dated 1774

Creator:: Charles John Smith, 1803–1838
Materials & Techniques:: Engraving and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Near Jack Straw's Castle, Hampstead Heath

Creator:: John Thomas Smith, 1766–1833
Date:: 1797
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. In Green Street, Enfield Highway, Outer Suburb North

Creator:: John Thomas Smith, 1766–1833
Date:: 1797
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Northeast View of the Back of the Original Altar of St. Barts the Great

Creator:: John Thomas Smith, 1766–1833
Date:: 1811
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 9in. (28.6 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street

Creator:: John Thomas Smith, 1766–1833
Date:: 1791
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. S.E. View of the Porch of an Old House in Hanover Court near Grub Street

Creator:: John Thomas Smith, 1766–1833
Date:: 1809
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Ceiling of the Star Chamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1805
Dimensions:: Sheet: 6 1/8 x 8 11/16in. (15.6 x 22cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

47. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed

Creator:: John Thomas Smith, 1766–1833
Date:: 1806
Dimensions:: Sheet: 9 1/8 x 6 7/8in. (23.1 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

55. Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed

Creator:: John Thomas Smith, 1766–1833
Date:: 1806
Dimensions:: Sheet: 9 1/8 x 6 7/8in. (23.1 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

56. Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side

Creator:: John Thomas Smith, 1766–1833
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 3 1/8 inches (9.2 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Vale of Health - Hampstead

Creator:: John Thomas Smith, 1766–1833
Date:: 1830
Materials & Techniques:: Watercolor, graphite, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Geometrical View of St. Stephen's Chapel, as it appeared before the alterations in 1806 and after Mr. Sandby's view, which was taken about 1755

Creator:: John Thomas Smith, 1766–1833
Date:: 1807
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

59. Views of the Four sides of a cellar under the Old House of Lords. East end of the Princes Chamber, South side of the Princes Chamber.

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Dimensions:: Sheet: 12 7/16 x 10in. (31.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

60. Specimens of Sculpture from St. Stephen's Chapel - Plate I

Creator:: John Thomas Smith, 1766–1833
Date:: 1804
Dimensions:: Sheet: 11 7/16 x 9 11/16in. (29.1 x 24.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

61. J.M.W. Turner in Print Room of British Museum

Creator:: John Thomas Smith, 1766–1833
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Man Beside a Stile

Creator:: John Thomas Smith, 1766–1833
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, gray wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 9 1/2 inches (22.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Family Cooking Under A Tree

Creator:: John Thomas Smith, 1766–1833
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 7 3/8 inches (27.6 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection