Materials & Techniques: wove paper / Period: 19th century / Subject Terms: moon

1. Oberon and Titania

Creator:: Francis Danby, 1793–1861
Date:: 1837
Materials & Techniques:: Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. A Pastoral Scene

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Brown wash on wove paper
Dimensions:: Sheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 9 inches (15.3 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/16 x 8 1/2 inches (25.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

12. The Crescent Moon

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and sepia ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 x 4 1/2 inches (18.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A Moonlit Scene with a Winding River

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Black and brown wash, gouache, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:: Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 inches (21 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Sliema

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 13/16 inches (14.3 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

21. Karnak, 9:30 pm, 22 January 1867 (212)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/16 x 6 3/4 inches (8.7 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Near Belbeis

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 x 8 1/2 inches (7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. El Areesh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/16 x 6 5/16 inches (10.3 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. El Areesh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 1 3/4 x 4 1/2 inches (4.4 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. El Areesh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/16 x 4 11/16 inches (5.2 x 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. "I want! I want!" (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "One hair nor particle of dust..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "And One stood forth from the Divine Family..." (Plate 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Jerusalem, Tailpiece (Plate 100)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "From every-one of the Four Regions..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "But when they saw Albion fall'n..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "What have I said? What have I done?..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "Rose up against me thundering..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. "Became a Space & an Allegory..." (Plate 85)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Illustrations of Imitation of Eclogue I, Page 16

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Illustrations of Imitation of Eclogue I, Page 15

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. "Jehovah stood among the Druids..." (Plate 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "Then all the Males conjoined into One Male..." (Plate 69)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "Awake! Awake Jerusalem..." (Plate 97)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "To The Accuser who is The God of This World..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Lea Marshes

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 15/16 × 4 1/4 inches (7.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Tynemouth Pier - Lighting the Lamps at Sundown

Creator:: Alfred William Hunt, 1830–1896
Date:: 1868
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Hamlet

Creator:: Print made by Charles Ansell, ca.1752–active 1790
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Creator:: Print made by James H. Baker, born 1829
Date:: between 1839 and 1849
Materials & Techniques:: Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 3/8 inches (28.2 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Moonlight

Creator:: Print made by Thomas Creswick, 1811–1869
Date:: 1839
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Blacksmith's Shop

Creator:: Print made by Thomas Creswick, 1811–1869
Date:: 1838
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. An Elopement by Moonlight

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: 1834
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 11/16 × 14 7/16 inches (24.6 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Valley of the Shadow of Death

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The London-Dumphries Royal Mail

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: between 1830 and 1840
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, graphite, gouache, and gum arabic on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 11 5/16 × 16 1/4 inches (28.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving; 1st state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, aquatint and color woodcut on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/16 × 7 13/16 inches (25.6 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ideal Pastoral Life

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Mount: 16 5/16 x 12 7/16 inches (41.5 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Ideal Pastoral Life

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 5 9/16 inches (12.3 x 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Villa Madama, Moonlight

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 1/8 inches (38.4 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Job and His Family

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Job and His Wife Restored to Prosperity

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The New Moon

Creator:: William Bell Scott, 1811–1890
Date:: 1863
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 9 13/16 inches (12.3 × 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Moonlit Scene of Castle and Ships

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, with pen and black ink, brown ink, graphite, gouache and gum arabic on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/8 × 5 13/16 inches (11.1 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Villa Madama, Moonlight

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Villa Madama, Moonlight

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Shepherd and Shepherdess by Moonlight

Creator:: Welby Sherman, active 1827
Date:: undated
Materials & Techniques:: Pen and ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/2 × 4 3/4 inches (6.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Loch Coruisk, Isle of Skye, Dawn

Creator:: George Fennell Robson, 1788–1833
Date:: between 1826 and 1832
Materials & Techniques:: Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Moonlit Landscape with a Ruined Castle

Creator:: John Martin, 1789–1854
Date:: between 1820 and 1830
Materials & Techniques:: Gray wash, brown wash, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Moonlit Coastal Scene

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on medium, smooth, gray wove paper
Dimensions:: Sheet: 3 7/16 × 4 3/4 inches (8.7 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Nocturnal View of Mountainous Landscape with River

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash, sponging and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 5 5/8 inches (16.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Spoiled Child, Scene IV

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Moonlit Lake

Creator:: attributed to Samuel Jackson, 1794–1869
Date:: undated
Materials & Techniques:: Brown wash and graphite, with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1827
Materials & Techniques:: Mezzotint, published state on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Etching and line engraving; 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Battersea Bridge

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1868
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 12 1/4in. (24.9 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

79. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

80. Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

Creator:: Print made by Henry J. Townsend, 1810–1890
Date:: 1853
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Whistler in his studio on the rue Notre-Dame-des-Champs, Paris

Creator:: Paul François Arnold Cardon, called "Dornac", 1859–1941
Date:: 1893
Materials & Techniques:: Albumen print on thin, smooth, white wove paper
Dimensions:: Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

82. The Waggoner's Rest

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1805
Materials & Techniques:: Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Summer Landscape

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 6 3/4 inches (12.4 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Moonlight on the River near Bruges

Creator:: Attributed to John Berney Crome, 1794–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 × 13 1/8 inches (22.9 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Macbeth and the Witch

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Lunar Planisphere, Flat Light

Creator:: Print made by John Russell, 1745–1806
Date:: 1805
Materials & Techniques:: Stipple and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 18 3/4 inches (50.2 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Lunar Planisphere, Hypothetical Oblique Light

Creator:: Print made by John Russell, 1745–1806
Date:: 1806
Materials & Techniques:: Stipple and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 16 3/8 inches (43.2 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Hamlet and the Ghost

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. The Passing of 1880

Creator:: Thomas Danby, 1818–1886
Date:: ca. 1880
Materials & Techniques:: Watercolor with gouache and scraping out on thick, rough, cream wove paper
Dimensions:: Sheet: 12 3/8 x 19in. (31.4 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Moon Rose O’er the City

Creator:: John Montgomery Charles Grove, 1847–1920
Date:: ca. 1898
Materials & Techniques:: Platinum print on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 4 3/4 inches (16.5 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

91. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

94. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques wove paper

Period 19th century

Subject Terms moon

Search Results

1. Oberon and Titania

2. A Pastoral Scene

3. The Rising Moon

4. The Weary Ploughman

5. The Rising Moon

6. Christmas

7. The Rising Moon

8. The Bellman

9. The Rising Moon

10. The Rising Moon

11. The Rising Moon

12. The Crescent Moon

13. A Moonlit Scene with a Winding River

14. Cornfield and Church by Moonlight

15. The Weary Ploughman

16. The Weary Ploughman

17. Rispah: 2nd Book of Samuel, Chap. 21

18. Rispah: 2nd Book of Samuel, Chap. 21

19. Rispah: 2nd Book of Samuel, Chap. 21

20. Sliema

21. Karnak, 9:30 pm, 22 January 1867 (212)

22. Near Belbeis

23. El Areesh

24. El Areesh

25. El Areesh

26. "I want! I want!" (Plate 11)

27. "One hair nor particle of dust..." (Plate 14)

28. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

29. "And One stood forth from the Divine Family..." (Plate 37)

30. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

31. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

32. "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

33. Jerusalem, Tailpiece (Plate 100)

34. "From every-one of the Four Regions..." (Plate 18)

35. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

36. "But when they saw Albion fall'n..." (Plate 20)

37. "What have I said? What have I done?..." (Plate 24)

38. "Rose up against me thundering..." (Plate 8)

39. "Became a Space & an Allegory..." (Plate 85)

40. Illustrations of Imitation of Eclogue I, Page 16

41. Illustrations of Imitation of Eclogue I, Page 15

42. "Jehovah stood among the Druids..." (Plate 63)

43. "Then all the Males conjoined into One Male..." (Plate 69)

44. "Awake! Awake Jerusalem..." (Plate 97)

45. "To The Accuser who is The God of This World..." (Plate 19)

46. Lea Marshes

47. Tynemouth Pier - Lighting the Lamps at Sundown

48. The Rescue of Lot

49. Hamlet

50. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

51. Moonlight

52. The Blacksmith's Shop

53. An Elopement by Moonlight

54. The Valley of the Shadow of Death

55. The London-Dumphries Royal Mail

56. St. Herbert's Chapel

57. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

58. Ideal Pastoral Life

59. Ideal Pastoral Life

60. Villa Madama, Moonlight

61. Job and His Family

62. Job and His Wife Restored to Prosperity

63. The New Moon

64. Moonlit Scene of Castle and Ships

65. Villa Madama, Moonlight

66. Villa Madama, Moonlight

67. Shepherd and Shepherdess by Moonlight

68. Loch Coruisk, Isle of Skye, Dawn

69. Moonlit Landscape with a Ruined Castle

70. Moonlit Coastal Scene

71. Nocturnal View of Mountainous Landscape with River

72. The Spoiled Child, Scene IV

73. The Moonlit Lake