Materials & Techniques: wove paper / Date: 1860 - YCBA Collections Search Search Results

1. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Chelsea Bridge with Men in a Barge

Creator:: Walter Greaves, 1846–1930
Date:: 1860
Materials & Techniques:: Graphite, pen and black ink on smooth, thick, beige card
Dimensions:: Sheet: 5 3/8 × 9 1/2 inches (13.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Dover from Shakespeare's Cliff

Creator:: Print made by William Chapman, 1817–1879
Date:: 1860
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 16 1/2 inches (36.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Off Hastings

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/4 inches (26 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

7. The Mill Pond, Evelyn Woods

Creator:: George Vicat Cole, 1833–1893
Date:: 1860
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 7/8 × 21 7/8 inches (40.3 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

8. Near Goudhurst, Kent

Creator:: Attributed to J. Pearson, active 1860
Date:: 1860
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 14 1/8 inches (23.5 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. View near Auckland: Maori Warrior and Women

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: 1860
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. View near Auckland: Three Maoris and a Dog

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: 1860
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 12 1/2 inches (27 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 3/16 x 12 1/2 inches (43.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

12. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1860
Materials & Techniques:: Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Ponte Lucano and the Tomb of Plautii, Tivoli

Creator:: Robert MacPherson, 1814–1872
Date:: 1860s
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 8 15/16 × 13 7/8 inches (22.7 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

14. General View of the Forum of Trajan

Creator:: Robert MacPherson, 1814–1872
Date:: 1860s
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 9 1/4 × 16 1/4 inches (23.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery

15. The Three Columns at the Foot of the Capitol, Formerly Styled the Temple of Jupiter Tonons, and the Arch of Septimus Severus

Creator:: Robert MacPherson, 1814–1872
Date:: 1860s
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 16 3/16 × 12 1/2 inches (41.1 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

16. Grand Canal, Venice (#19)

Creator:: Robert MacPherson, 1814–1872
Date:: 1860s
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 10 3/16 × 13 9/16 inches (25.9 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

17. Fancy, Cupid and Pleasure

Creator:: Simeon Solomon, 1840–1905
Date:: undated
Materials & Techniques:: Red chalk on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 16 3/4 × 23 7/8 inches (42.5 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

18. Twilight

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

19. From London Bridge

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Westminster

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 6 7/8 inches (12.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Lion Brewery on the Thames, 1860

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 × 6 13/16 inches (12.7 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. On the Thames

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

24. The Black Bridge

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

25. Stonemasons, County Durham, England with Memorial Cross Erected in Burnmoor Church

Creator:: unknown artist
Date:: before 1868
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 11 1/8 inches (36.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

26. View on the Trent, Nottingham Castle in the Distance

Creator:: George Bankart, died 1903
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

27. Loch Earu

Creator:: Rev. N. B. Drummond, active 1860s
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Mount: 12 × 14 1/2 inches (30.5 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

28. Tree Study

Creator:: F. Beazley, active 1865–1871
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

29. On the Severn

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 7 7/8 inches (22.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

30. View on the Lochlong with Gate

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 × 10 1/2 inches (23.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

31. Waterfall

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 9 1/2 inches (29.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

32. The Temple of Aphaia at Aegina: Wall Section

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 11/16 × 4 5/8 inches (19.5 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Loch Ranza

Creator:: Thomas Annan, 1829–1887
Date:: early 1860s
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

34. Rushford Mill

Creator:: Francis Bedford, 1816–1894
Date:: ca. 1865
Materials & Techniques:: Carbon print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

35. Trees in the Snow

Creator:: A. Booty Esq., active 1867
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

36. St. Peters Church, Clearwell, England

Creator:: H. T. Bowers, active 19th century
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 11 3/8 inches (36.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

37. Kenilworth Castle

Creator:: Attributed to Francis Bedford, 1816–1894
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

38. View in Betchworth Park, Surrey

Creator:: Alfred Rosling, 1802–ca. 1880
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

39. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

40. Cedar, At Warwick

Creator:: Francis Bedford, 1816–1894
Date:: 1860s
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

41. The Death of Chatterton

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1860
Materials & Techniques:: Mezzotint and stipple engraving on thick, moderately textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 26 3/4 × 39 3/8 inches (67.9 × 100 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Purchased with a gift from Bart and Nini Tiernan

42. The Temple of Aphaia at Aegina: Two Elevations

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Graphite, pen and gray ink and brown wash within single black ink border on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/4 x 18 3/4 inches (33.7 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Plant Study

Creator:: Robert Burrows, 1810–1883
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/4 × 6 1/8 inches (10.8 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

44. On the Teith, near Collander

Creator:: W. Church Esq., active 1862–1867
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

45. Aquatic Landscape; Men with Boats and Fishtraps

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

46. Rustic Steps and Bridge in Landscape

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 6 1/4 inches (20.6 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

47. River Scene with Cliff, Man in Boat

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 9 3/8 inches (29.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

48. Bend in the Dargle

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 3/8 × 11 3/8 inches (23.8 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

49. Ruined Abbey

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 9 1/2 inches (29.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

50. Long Ships Lighthouse off the Land’s End, Cornwall

Creator:: William May, active 19th century
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 inches (28.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

51. Study of a Tree Overgrown with Ivy

Creator:: Attributed to James Mudd, 1821–ca. 1906
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 11 1/2 inches (36.8 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

52. Mt. Pleasant Fields, Hornsey

Creator:: George Shadbolt, 1830–1901
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

53. The Foot-Bridge

Creator:: Alfred Rosling, 1802–ca. 1880
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 6 1/2 inches (20.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

54. Stubbes, Essex

Creator:: George Shadbolt, 1830–1901
Date:: 1860
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

55. View of Oakfield, Hornsey

Creator:: George Shadbolt, 1830–1901
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 × 8 1/4 inches (17.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

56. Loch Mouraig

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

57. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

58. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

59. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Oakley Hall

Creator:: Henry Edridge, 1769–1821
Date:: 1860
Materials & Techniques:: Graphite and gray wash on thick, rough, cream wove paper
Dimensions:: Sheet: 6 1/4 × 9 7/8 inches (15.9 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor over graphite with scraping out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, rough, wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Eastward Ho!

Creator:: Print made by William Turner Davey, 1818–ca. 1884
Date:: 1860
Materials & Techniques:: Mezzotint and stipple engraving with hand coloring in watercolor on thick, smooth, beige wove paper
Dimensions:: Sheet: 30 3/4 × 23 1/2 inches (78.1 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Paul Walter

65. Still-Life with Casket and Coral

Creator:: Roger Fenton, 1819–1869
Date:: 1860 to 1861
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 11 3/8 inches (28.6 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

66. The Temple of Aphaia at Aegina: Front Elevation

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Proof engraving on textured, thick, white wove paper
Dimensions:: Sheet: 13 1/16 × 13 1/2 inches (33.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Line engraving with graphite on smooth, thick, cream wove paper
Dimensions:: Sheet: 7 1/16 × 11 3/4 inches (17.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Album of cartes-de-visite, cabinet cards, and other photographs.

Creator:: Malan, A. H. (Alfred Henry)
Date:: circa 1870
Physical Description:: 1 volume (132 photographs) ; album 30 x 23 cm
Collection:: Rare Books and Manuscripts

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Materials & Techniques wove paper

Date 1860

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1. The Morning of Life

2. The Morning of Life

3. Chelsea Bridge with Men in a Barge

4. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

5. Dover from Shakespeare's Cliff

6. Off Hastings

7. The Mill Pond, Evelyn Woods

8. Near Goudhurst, Kent

9. View near Auckland: Maori Warrior and Women

10. View near Auckland: Three Maoris and a Dog

11. Kensington Gardens, no. 2 (large plate)

12. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

13. Ponte Lucano and the Tomb of Plautii, Tivoli

14. General View of the Forum of Trajan

15. The Three Columns at the Foot of the Capitol, Formerly Styled the Temple of Jupiter Tonons, and the Arch of Septimus Severus

16. Grand Canal, Venice (#19)

17. Fancy, Cupid and Pleasure

18. Twilight

19. From London Bridge

20. Westminster

21. The Lion Brewery on the Thames, 1860

22. On the Thames

23. Study of the Royal Stag

24. The Black Bridge

25. Stonemasons, County Durham, England with Memorial Cross Erected in Burnmoor Church

26. View on the Trent, Nottingham Castle in the Distance

27. Loch Earu

28. Tree Study

29. On the Severn

30. View on the Lochlong with Gate

31. Waterfall

32. The Temple of Aphaia at Aegina: Wall Section

33. Loch Ranza

34. Rushford Mill

35. Trees in the Snow

36. St. Peters Church, Clearwell, England

37. Kenilworth Castle

38. View in Betchworth Park, Surrey

39. Study of the Royal Stag

40. Cedar, At Warwick

41. The Death of Chatterton

42. The Temple of Aphaia at Aegina: Two Elevations

43. Plant Study

44. On the Teith, near Collander

45. Aquatic Landscape; Men with Boats and Fishtraps

46. Rustic Steps and Bridge in Landscape

47. River Scene with Cliff, Man in Boat

48. Bend in the Dargle

49. Ruined Abbey

50. Long Ships Lighthouse off the Land’s End, Cornwall

51. Study of a Tree Overgrown with Ivy

52. Mt. Pleasant Fields, Hornsey

53. The Foot-Bridge

54. Stubbes, Essex

55. View of Oakfield, Hornsey

56. Loch Mouraig

57. Study of the Royal Stag

58. Study of the Royal Stag

59. The Temple of Aphaia at Aegina: Sections

60. Oakley Hall

61. The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens

62. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

63. The Morning of Life

64. Eastward Ho!

65. Still-Life with Casket and Coral

66. The Temple of Aphaia at Aegina: Front Elevation

67. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

68. Album of cartes-de-visite, cabinet cards, and other photographs.