Materials & Techniques: wove paper / On-site Access: Accessible by appointment in the Study Room / Subject Terms: book

1. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Sibyl

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 5 3/8 inches (14.6 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. Infant Joy (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Songs of Innocence, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Lamb (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "In living creations appear'd..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. VI. "The desires & perceptions of man untaught..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "Therefore God becomes as we are..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Lamb (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "Of the Mundane Shell which froze..." (Plate 64)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Thomas Hayley, the Disciple of John Flaxman, from a Medallion

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 × 6 1/8 inches (22.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles J. Rosenbloom, B.A. 1920

20. Elizabeth. "Girt with many a Baron bold..." (Design 63)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "In living creations appear'd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Author Writing (Design 105)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "Up stairs in a whirlwind rattle..." (Design 29)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "Bath who is Legions..." (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Songs of Innocence, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "Albions Angel rose upon the Stone of Night..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Mourner at the Tomb (Design 103)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "And purple tyrants vainly groan..." (Design 37)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Thomas Alphonso Hayley, Half-Length Drawing

Creator:: attributed to William Blake, 1757–1827
Date:: ca. 1800
Materials & Techniques:: Graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Rosenbloom

36. Annuciation

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 × 3 3/4 inches (14.1 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Pomare, Queen of Tahiti

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:: Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. La Conversation

Creator:: Print made by Rose Joseph Lemercier, 1803–1887
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. George Pritchard, Her Britannic Majesty's Consul

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Damnation of Obadiah

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Sunday Morning, A Cottage Family Going to Church

Creator:: William Nutter, 1754–1802
Date:: 1795
Materials & Techniques:: Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Original Frontispiece for 'Book of Ballads' (Bon Gaultier)

Creator:: Alfred Henry Forrester, 1804–1872
Date:: ca. 1845
Materials & Techniques:: Pen and black ink, watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 5 3/8 inches (18.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Romance

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1922
Materials & Techniques:: Etching with gouache and graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 x 11 inches (38 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. The Visionary

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 9/16 x 11 1/8 inches (42 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Connubial Happiness

Creator:: Print made by E. J. Dumée, active 1790
Date:: 1786
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/16 × 17 1/2 inches (56 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Two Little Girls

Creator:: John Glover, 1767–1849
Date:: ca. 1810
Materials & Techniques:: Gray wash with pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 6 1/2 inches (22.9 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. 'The Gamester,' Act V, Scene IV

Creator:: James Fittler, 1758–1835
Date:: 1792
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

48. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Lady Reading

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1835
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 1/2 x 8 inches (29.2 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Allegory of Painting and Literature

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 7 inches (21 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

51. Studies of a Seated Draped Figure with a Book

Creator:: George Frederic Watts, 1817–1904
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, smooth, blue wove paper
Dimensions:: Sheet: 13 9/16 × 8 1/16 inches (34.4 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Mary Elizabeth, Countess Grey, with Her Two Children

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 13 3/4 inches (43.5 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Discovery

Creator:: Print made by E. J. Dumée, active 1790
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 11 3/16 inches (39 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Richard Beadon, Bishop of Bath & Wells

Creator:: George Siegmund Facius, 1750–1804
Date:: undated
Materials & Techniques:: Stipple engravaing on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 12 1/16 inches (41.9 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Maria Cosway

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 5 7/8 inches (23.1 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Mrs. Lenox

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 7/16 inches (19 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. And Ah! Let Pity Turn Her Dewy Eyes...

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Study

Creator:: Print made by John Chalon, 1738 – 1795
Date:: 1789-1790
Materials & Techniques:: Etching and pen and ink wash on medium, smooth, beige wove paper
Dimensions:: Sheet: 4 15/16 × 4 5/16 inches (12.6 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. David Cox

Creator:: Print made by Samuel Bellin, 1799–1894
Date:: undated
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 20 1/2 x 16 9/16 inches (52 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Sir Nathaniel Bacon

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: 1793
Materials & Techniques:: Etching and stipple engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/8 x 9 5/8 inches (30.8 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Sir Nathaniel Bacon

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: 1762
Materials & Techniques:: Etching and stipple engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 9 inches (30.3 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Title Page from The Weekend Book

Creator:: Edward Bawden, 1903–1989
Date:: 1938
Materials & Techniques:: Pen and black ink, graphite, and collage on medium, slightly textured, white wove paper
Dimensions:: Sheet: 11 1/2 × 9 1/8 inches (29.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Cardinal Bentivoglio

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, beige wove paper mounted to moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 5/8 × 8 inches (27 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

67. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

Creator:: Print made by W. Pyott, active late 18th century
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Elderly Couple on a Park Bench, with Two Men Beyond

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 6 1/4 x 8 1/16 inches (15.9 x 20.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Girl Reading a Picture Book

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19.1 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. By the Sea

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 6 5/8 inches (12.5 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Humphry Repton, Esq.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Stipple engraving, etching, and line engraving on moderately thick, slightly textured, cream wove paper; page in book
Dimensions:: Sheet: 6 9/16 × 3 3/4 inches (16.6 × 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Creator:: Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Paul Sandby

Creator:: Print made by Richard Dagley, ca. 1765–1841
Date:: 1831
Materials & Techniques:: Stipple engraving and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 7/8 inches (16.2 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Enoch Seeman

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Angelica Kauffman

Creator:: Print made by Pierre Audouin, 1768–1822
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 6 5/16 inches (24.4 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Olivia and Maria

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Brown ink with brown wash, gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 4 3/16 x 3 3/8 inches (10.7 x 8.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Dr. Syntax Soliloquising

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1812 and 1820
Materials & Techniques:: Watercolor, pen and gray ink, and graphite; verso: graphite, traced and incised for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 8 inches (12.4 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Man with a Book and Sword Standing on a Snake

Creator:: Jessica Dismorr, 1885–1939
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on medium cream slightly textured wove paper
Dimensions:: Sheet: 2 15/16 × 1 11/16 inches (7.5 × 4.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

79. Benedetta Ramus

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 x 6 1/2 inches (24.8 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

80. Sir William Jones

Creator:: Print made by John Cochran, active 1825–1854
Date:: ca. 1832
Materials & Techniques:: Etching, line engraving, and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 7 inches (26.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

81. Sam Haskins

Creator:: Bill Jay, 1940–2009
Date:: 2004
Materials & Techniques:: Digital Ink jet print on medium, smooth, white wove paper
Dimensions:: Sheet: 8 1/2 × 11 inches (21.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

82. The Council Chamber

Creator:: After Edward Burne-Jones, 1833–1898
Date:: 1892
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 33 1/4 inches (42.5 × 84.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

83. David Hockney

Creator:: Michael Childers, born 1944
Date:: 1978
Materials & Techniques:: Inkjet print on medium, smooth, white wove paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the artist

84. A Clerk, Malabar Caste

Creator:: Unknown artist (Company style)
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 7 7/8 inches (24.8 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

85. Study for ‘Atlas Procession'

Creator:: Print made by William Kentridge, born 1955
Date:: 2000
Materials & Techniques:: Etching with sugarlift, aquatint, drypoint, and engraving, with added watercolor on Stielers Hand-Atlas page mounted on Vélin d'Arches Blanc 280 gsm white wove paper
Dimensions:: Frame: 23 × 19 3/4 × 1 3/4 inches (58.4 × 50.2 × 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Arlene Warmbrunn Saxonhouse, Yale PhD, Political Science, 1972; and Gary Saxonhouse, Yale BA 1964, Yale PhD, Economics, 1971; and their family

86. John Lyon

Creator:: George Chinnery, 1774–1852
Date:: 1812
Materials & Techniques:: Gouache, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Frame: 8 x 6 7/8 x 5/8 inches (20.3 x 17.5 x 1.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Portrait of Maria Elizabeth Dadd, the Artist's Sister

Creator:: Richard Dadd, 1817–1886
Date:: 1839
Materials & Techniques:: Watercolor with gouache over graphite on moderately thick, slightly textured, blue-green wove paper
Dimensions:: Sheet: 6 5/8 × 5 5/8 inches (16.8 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Going to School

Creator:: John Augustus Atkinson, 1775–1831
Date:: between 1801 and 1810
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 6 1/8 inches (19.1 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Juvenile Members of the Yacht Club

Creator:: Richard Dadd, 1817–1886
Date:: 1853
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

Creator:: Published by Arnold Fawcus, 1917–1979
Date:: 1972
Materials & Techniques:: Collotype with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 6 1/4 inches (14 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Photographer's Burden

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

92. The Lady Sarah Spencer, Althorp

Creator:: George Barker, active mid-19th century
Date:: 1856
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 3/8 × 4 1/4 inches (13.7 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

93. Portrait of Master Cornelius Stovey, at Doncaster

Creator:: John Raphael Smith, 1752–1812
Date:: 1810
Materials & Techniques:: Pastel on medium, moderately textured, beige wove paper, mounted on canvas
Dimensions:: Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. The Sleeping Shepherd

2. The Sleeping Shepherd

3. Sibyl

4. Infant Joy (Plate 28)

5. Songs of Innocence, Title Page (Plate 2)

6. The Lamb (Plate 18)

7. 'What, though my soul fantastick measures trod' (Page 4)

8. Title Page, The First Book of Urizen (Plate 1)

9. "In living creations appear'd..." (Plate 6)

10. Title Page, The First Book of Urizen (Plate 1)

11. 'What, though my soul fantastick measures trod' (Page 4)

12. 'Till at Death's toll, whose restless iron tongue' (Page 7)

13. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

14. VI. "The desires & perceptions of man untaught..." (Plate 8)

15. "Therefore God becomes as we are..." (Plate 9)

16. The Lamb (Plate 8)

17. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

18. "Of the Mundane Shell which froze..." (Plate 64)

19. Thomas Hayley, the Disciple of John Flaxman, from a Medallion

20. Elizabeth. "Girt with many a Baron bold..." (Design 63)

21. "In living creations appear'd..." (Plate 8)

22. 'O treacherous conscience! while she seems to sleep" (Page 27)

23. 'The longest night though longer far, would fail' (Page 15)

24. The Author Writing (Design 105)

25. "Up stairs in a whirlwind rattle..." (Design 29)

26. Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

27. "Bath who is Legions..." (Plate 41)

28. Songs of Innocence, Title Page (Plate 2)

29. "Albions Angel rose upon the Stone of Night..." (Plate 12)

30. The Mourner at the Tomb (Design 103)

31. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

32. "And purple tyrants vainly groan..." (Design 37)

33. Thomas Hayley the Disciple of John Flaxman, from a Medallion

34. 'The longest night though longer far, would fail' (Page 15)

35. Thomas Alphonso Hayley, Half-Length Drawing

36. Annuciation

37. Pomare, Queen of Tahiti

38. La Conversation

39. George Pritchard, Her Britannic Majesty's Consul

40. The Damnation of Obadiah

41. Sunday Morning, A Cottage Family Going to Church

42. Original Frontispiece for 'Book of Ballads' (Bon Gaultier)

43. Romance

44. The Visionary

45. Connubial Happiness

46. Two Little Girls

47. 'The Gamester,' Act V, Scene IV

48. The Death of the Good Old Man

49. A Lady Reading

50. Allegory of Painting and Literature

51. Studies of a Seated Draped Figure with a Book

52. Mary Elizabeth, Countess Grey, with Her Two Children

53. She Never Told Her Love, But Sat Like Patience on a Monument

54. The Discovery

55. Richard Beadon, Bishop of Bath & Wells

56. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

57. Maria Cosway

58. Mrs. Lenox

59. And Ah! Let Pity Turn Her Dewy Eyes...

60. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

61. Study

62. David Cox

63. Sir Nathaniel Bacon

64. Sir Nathaniel Bacon

65. Title Page from The Weekend Book

66. Cardinal Bentivoglio

67. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

68. Elderly Couple on a Park Bench, with Two Men Beyond

69. Girl Reading a Picture Book

70. By the Sea

71. Humphry Repton, Esq.

72. Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

73. Paul Sandby