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Materials & Techniques wove paper

Creator Gender male

Subject Terms women

Robert Polhill Bevan A London Church

Print made by Robert Polhill Bevan, 1865–1925

A London Church

1924

William Hogarth Grotesque Female Head

attributed to William Hogarth, 1697–1764

Grotesque Female Head

undated

Joseph Mallord William Turner Apuleia in Search of Apuleius

Print made by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Deluge

Print made by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Joseph Mallord William Turner Rome from Monte Mario

Joseph Mallord William Turner, 1775–1851

Rome from Monte Mario

ca. 1818

Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge

Joseph Mallord William Turner, 1775–1851

Dartmoor: The Source of the Tamar and the Torridge

ca. 1813

On view

Edward Lear Opposite Beni Hassan

Edward Lear, 1812–1888

Opposite Beni Hassan

1867

Edward Lear Howatke

Edward Lear, 1812–1888

Howatke

1867

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

William Blake, 1757–1827

"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

between 1797 and 1798

William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

William Blake, 1757–1827

"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

between 1797 and 1798

William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)

William Blake, 1757–1827

"A brace of warriors... rustling in their silks and tissues..."(Design 27)

between 1797 and 1798

William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

William Blake, 1757–1827

"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

between 1797 and 1798

William Blake Ode on the Spring; Title Page

William Blake, 1757–1827

Ode on the Spring; Title Page

between 1797 and 1798

William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

William Blake, 1757–1827

"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

between 1797 and 1798

William Blake The Progress of Poesy, A Pindaric Ode; Title Page

William Blake, 1757–1827

The Progress of Poesy, A Pindaric Ode; Title Page

between 1797 and 1798

William Blake The Bard Weaving Edwards Fate (Design 55)

William Blake, 1757–1827

The Bard Weaving Edwards Fate (Design 55)

between 1797 and 1798

William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)

William Blake, 1757–1827

Elizabeth. "Girt with many a Baron bold..." (Design 63)

between 1797 and 1798

William Blake Night (Plate 16)

Print made by William Blake, 1757–1827

Night (Plate 16)

1789

William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"

Print made by William Blake, 1757–1827

The Argument. "Man has no notion of moral fitness..." (Plate 2"

ca. 1788

William Blake The Divine Image (Plate 12)

Print made by William Blake, 1757–1827

The Divine Image (Plate 12)

1789

William Blake Nurse's Song (Plate 22)

Print made by William Blake, 1757–1827

Nurse's Song (Plate 22)

1789

William Blake Laughing Song (Plate 28)

Print made by William Blake, 1757–1827

Laughing Song (Plate 28)

1789

William Blake A Dream (Plate 4)

Print made by William Blake, 1757–1827

A Dream (Plate 4)

1789

William Blake The Little Girl Found (Plate 6)

Print made by William Blake, 1757–1827

The Little Girl Found (Plate 6)

1789

William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)

Print made by William Blake, 1757–1827

"What time the thirteen Governors that England sent convene..." (Plate 15)

1793

William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

1793

William Blake America, A Prophecy; Title Page (Plate 2)

Print made by William Blake, 1757–1827

America, A Prophecy; Title Page (Plate 2)

1793

William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Print made by William Blake, 1757–1827

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

1793

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "His western heaven with rocky clouds..." (Plate 31)

Print made by William Blake, 1757–1827

"His western heaven with rocky clouds..." (Plate 31)

1804 to 1820

William Blake "Leaning against the pillars..." (Plate 32)

Print made by William Blake, 1757–1827

"Leaning against the pillars..." (Plate 32)

1804 to 1820

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

Print made by William Blake, 1757–1827

"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "Encompass'd by the frozen Net..." (Plate 80)

Print made by William Blake, 1757–1827

"Encompass'd by the frozen Net..." (Plate 80)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

William Blake, 1757–1827

"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

between 1797 and 1798

William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

William Blake "To chase the rolling circle's speed..." (Design 17)

William Blake, 1757–1827

"To chase the rolling circle's speed..." (Design 17)

between 1797 and 1798

William Blake "Up stairs in a whirlwind rattle..." (Design 29)

William Blake, 1757–1827

"Up stairs in a whirlwind rattle..." (Design 29)

between 1797 and 1798

William Blake "At the chapel-door stand sentry... (Design 31)

William Blake, 1757–1827

"At the chapel-door stand sentry... (Design 31)

between 1797 and 1798

William Blake "And purple tyrants vainly groan..." (Design 37)

William Blake, 1757–1827

"And purple tyrants vainly groan..." (Design 37)

between 1797 and 1798

William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

William Blake, 1757–1827

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

between 1797 and 1798

William Blake "Cytherea's Day..." (Design 45)

William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798

William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)

William Blake, 1757–1827

"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)

between 1797 and 1798

William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)

William Blake, 1757–1827

"O'er thy country hangs The scourge of Heav'n..." (Design 59)

between 1797 and 1798

William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

William Blake, 1757–1827

"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

between 1797 and 1798

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake The Ecchoing Green (Plate 8)

Print made by William Blake, 1757–1827

The Ecchoing Green (Plate 8)

1789

William Blake A Cradle Song (Plate 26)

Print made by William Blake, 1757–1827

A Cradle Song (Plate 26)

1789