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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms women
Remove constraint Subject Terms: womenSearch Results
1
- Dartmoor: The Source of the Tamar and the Torridge
- ca. 1813
2
- Rome from Monte Mario
- ca. 1818
3
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
4
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
5
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
6
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
7
- "Enitharmon slept. ..." (Plate 10)
- 1794
8
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
9
- Plague (Plate 13)
- 1794
10
- "Shot from the heights of Enitharmon..." (Plate 17)
- 1794
11
- "The shrill winds wake!..." (Plate 6)
- 1794
12
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
13
- Famine (Plate 8)
- 1794
14
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
15
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
16
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
17
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
18
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
19
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
20
- 'O treacherous conscience!' (Page 27)
- ca. 1797
21
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
22
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
23
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
24
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
25
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
26
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
27
- The Little Black Boy (Plate 30)
- 1789
28
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
29
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
30
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
31
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
32
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
33
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
34
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
35
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
36
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
37
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
38
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
39
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
40
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
41
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
42
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
43
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
44
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
45
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
46
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
47
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
48
- The Divine Image (Plate 12)
- 1789
49
- Night (Plate 16)
- 1789
50
- The Ecchoing Green (Plate 10)
- 1789
51
- Infant Joy (Plate 14)
- 1789
52
- Songs of Innocence, Title Page (Plate 2)
- 1789
53
- Infant Joy (Plate 28)
- 1789
54
- My Pretty Rose Tree (Plate 47)
- 1794
55
- The Little Girl Lost (Plate 20)
- 1789
56
- Holy Thursday (Plate 38)
- 1794
57
- The Fly (Plate 48)
- 1794
58
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
59
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
60
- Night the First. On Life, Death and Immortality; Title Page
- 1797
61
- 'We censure nature for a span too short' (Page 23)
- 1797
62
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
63
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
64
- Night the Third. Narcissa; Title Page
- 1797
65
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
66
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
67
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
68
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
69
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
70
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
71
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
72
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
73
- 'Disease invades the chastest temperence' (Page 10)
- 1797
74
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
75
- 'The present moment terminates our sight' (Page 13)
- 1797
76
- 'The longest night though longer far, would fail' (Page 15)
- 1797
77
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
78
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
79
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
80
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
81
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
82
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
83
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
84
- A Widower and Children (Design 35)
- between 1797 and 1798
85
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
86
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
87
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
88
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
89
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
90
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
91
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
92
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
93
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
94
- The Little Boy Lost (Plate 20)
- 1789
95
- Songs of Innocence, Title Page (Plate 2)
- 1789
96
- Nurse's Song (Plate 22)
- 1789
97
- A Dream (Plate 4)
- 1789
98
- The Little Girl Found (Plate 6)
- 1789
99
- Laughing Song (Plate 28)
- 1789
100
- Frontispiece. Albion's Angel (Plate 1)
- 1793