Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
4
John Thomas Smith, 1766–1833
The Reconcilation
1817
5
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
6
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
7
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
8
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
9
Samuel Prout, 1783–1852
Beach Scene
undated
10
John Thomas Smith, 1766–1833
The Smock Exposed
1817
11
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
12
Paul Sandby, 1731–1809
Landscape with a Milk Maid and a Beau
undated
13
Charles Brooking, 1723–1759
Two Frigates before the Wind
undated
14
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
15
Benjamin Robert Haydon, 1786–1846
The Banishment of Aristides
undated
16
Thomas Hearne, 1744–1817
Farmhouse and Buildings by a Stream
undated
17
Claude de Jongh, ca. 1600–1663
A Tudor Manor House and Church
1625
18
Attributed to George Perfect Harding, 1780–1853
Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley
undated
19
James Lewis, 1751–1820
Design for a Country House
undated
20
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
21
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
22
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
23
Joseph Powell, 1780–1834
Fisherman's Quarters, Robin Hood's Bay
undated
24
Samuel Prout, 1783–1852
Church and Cottages
undated
25
Thomas Patch, 1725–1782
Valentino, Servitore de Piazza
1769
26
James Paine, 1717–1789
Design for a Temple on a Square Plan and with a Dome: Elevation
undated
27
Charles Gore, 1729–1807
View of Arundel
undated
28
unknown artist
Gondola and House: Venice
undated
29
Sir James Thornhill, 1675–1734
Design for a Lunette
undated
30
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
31
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
32
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
33
unknown artist
Copy of Man, 1549 (with Beham's monogram)
undated
34
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
35
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
36
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
37
Isaac Weld, 1774–1856
View on the Upper Lake (Ireland)
ca. 1806
38
Thomas Frederick Burney, op. 19th c
The Iron Bridge, Coalbrookdale
undated
39
Thomas Rowlandson, 1756–1827
Mrs. Abington
undated
40
unknown artist
Two Frigates
undated
41
Walter Richard Sickert, 1860–1942
Auberville
undated
42
Sir Robert Smirke the younger, 1781–1867
Part of the Molding at Temple of Minerva
1802-1804
43
Sir Robert Smirke the younger, 1781–1867
Under Moldings of the Cornice at the Temple of Minerva
1802-1804
44
Sir Robert Smirke the younger, 1781–1867
Sketch of the Flutings of the Ionic Columns in the Interior of the Propylaea
1802-1804
45
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
46
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
47
Sir Charles D'Oyly, 1781–1845
View of Part of Chowringhee - Calcutta
undated
48
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
49
attributed to Paul Sandby, 1731–1809
Two Boats at Anchor
undated
50
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
51
Joseph Cartwright, c.1789–1829
Side View of Single Brig and Bow of Another
undated
52
Joseph Powell, 1780–1834
Fishing Smacks
undated
53
Joseph Cartwright, c.1789–1829
Schooner, Corvette and Fishing Smack
undated
54
Joseph Cartwright, c.1789–1829
Side View of Corvette
undated
55
Thomas Rowlandson, 1756–1827
Landscape with a Hunting Party
undated
56
Thomas Rowlandson, 1756–1827
The Vinery
undated
57
John Minton, 1917–1957
Reading
undated
58
Giulio Aristide Sartorio, 1860–1932
Struggle Between Man and Horse
undated
59
Thomas Rowlandson, 1756–1827
A Man Driving a Team of Six Girls
between 1778 and 1780
60
Thomas Rowlandson, 1756–1827
Study of a Shouting Man
undated
61
Thomas Rowlandson, 1756–1827
A Sporting Cove
between 1815 and 1820
62
Thomas Rowlandson, 1756–1827
Portrait Study of John Philip Kemble
undated
63
William Roberts, 1895–1980
Eight Figures Walking
between 1912 and 1922
64
Thomas Girtin, 1775–1802
Country House
ca. 1797
65
Thomas Rowlandson, 1756–1827
Loading a Cart for Market
undated
66
George Cruikshank, 1792–1878
Sketch for the Scene of a Battle
undated
67
Thomas Stothard, 1755–1834
Sir Roger de Coverly
undated
68
Thomas Rowlandson, 1756–1827
Settling a Love Quarrell
undated
69
Attributed to Batty Langley, 1696–1751
Moody Hall: Floor Plan of the First Design
undated
70
Sir Jeffry Wyatville, 1766–1840
Design for the Hermitage, Virginia Water
undated
71
Sir Jeffry Wyatville, 1766–1840
Design for Rustic Bridge below the Cascade, Virginia Water
1828
72
Thomas Rowlandson, 1756–1827
Customs House at Boulogne
1790s
73
Capt. Francis Grose, 1731–1791
South West View of Norwich Castle October 20, 1775
1775
74
Thomas Daniell, 1749–1840
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
1796
75
unknown artist
Tattersall's Training School
1771
76
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
77
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
78
Peter DeWint, 1784–1849
A Meet in the grounds of Raby Castle
undated
79
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
80
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
81
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
82
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
83
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
84
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
85
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
86
William Byron, fourth Baron Byron, 1669–1736
View of a Park with Deer
undated
87
Henry William Bunbury, 1750–1811
A Travelling Coach and Pair
undated
88
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
89
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
90
Charles Claude Pyne, 1802–1878
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
1872
91
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
92
Charles Samuel Keene, 1823–1891
An Indoor Military Riding School With an Instructor Teaching Recruits to Trot
undated
93
Thomas Rowlandson, 1756–1827
A Dutch Packet in a Rising Breeze
1791
94
Joseph Murray Ince, 1806–1859
The Horse Guards From the Bridge, St. James's Park
1833
95
Thomas Malton, 1726–1801
A View of the North Front of Chelsea Hospital
undated
96
Michael Angelo Hayes, 1811–1880
Two Shakos of the Dublin Militia: One Green, One Red