Materials & Techniques: pen / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 20

Samuel Palmer, 1805–1881

Cornfields with Barn, Shoreham

ca. 1829

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

Charles Brooking, 1723–1759

Two Frigates before the Wind

undated

Samuel Prout, 1783–1852

Beach Scene

undated

Paul Sandby, 1731–1809

London Cries: A Muffin Man

ca. 1759

Paul Sandby, 1731–1809

London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")

ca. 1759

Paul Sandby, 1731–1809

My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

ca. 1759

Paul Sandby, 1731–1809

London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

1760

Paul Sandby, 1731–1809

London Cries: "Do You Want any Spoons..."

ca. 1759

James Paine, 1717–1789

Design for a Temple on a Square Plan and with a Dome: Elevation

undated

unknown artist

Gondola and House: Venice

undated

Sir James Thornhill, 1675–1734

Design for a Lunette

undated

William Henry Pyne, 1769–1843

Old London, View from St. James Park Looking East

undated

Luigi Balugani, 1737–1770

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

ca. 1768

Luigi Balugani, 1737–1770

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

ca. 1768

Joseph Powell, 1780–1834

Fisherman's Quarters, Robin Hood's Bay

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Benjamin Robert Haydon, 1786–1846

The Banishment of Aristides

undated

Claude de Jongh, ca. 1600–1663

A Tudor Manor House and Church

1625

James Lewis, 1751–1820

Design for a Country House

undated

unknown artist

Copy of Man, 1549 (with Beham's monogram)

undated

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Paul Sandby, 1731–1809

Landscape with a Milk Maid and a Beau

undated

Samuel Prout, 1783–1852

Church and Cottages

undated

Michael Angelo Hayes, 1811–1880

Two Shakos of the Dublin Militia: One Green, One Red

undated

Thomas Malton, 1726–1801

A View of the North Front of Chelsea Hospital

undated

George Alken, 1794–active 1837

Foxhunting: Rider, Taking a Fence

undated

Joseph Murray Ince, 1806–1859

The Horse Guards From the Bridge, St. James's Park

1833

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

undated

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'

undated

Thomas Rowlandson, 1756–1827

The Stable of an Inn

ca. 1790

James Seymour, 1702–1752

Two Horses Racing, Jockeys Up: Railings in the Background

undated

Possibly James Seymour, 1702–1752

Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder

undated

Peter DeWint, 1784–1849

A Meet in the grounds of Raby Castle

undated

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

undated

unknown artist

Tattersall's Training School

1771

Henry William Bunbury, 1750–1811

A Travelling Coach and Pair

undated

William Byron, fourth Baron Byron, 1669–1736

View of a Park with Deer

undated

Thomas Rowlandson, 1756–1827

Breakfast before the Hunt

between 1785 and 1790

James Seymour, 1702–1752

Riders and Hounds in an Open Landscape

undated

Louis Philippe Boitard, active 1734–1760

The Earthquake Scare in Piccadilly

1750

Thomas Daniell, 1749–1840

Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

1796

unknown artist

Mr. Lee's House After the Fire, House of Lords

ca. 1835

Thomas Rowlandson, 1756–1827

The Vinery

undated

Thomas Rowlandson, 1756–1827

Portrait Study of John Philip Kemble

undated

Thomas Rowlandson, 1756–1827

A Sporting Cove

between 1815 and 1820

Thomas Rowlandson, 1756–1827

Settling a Love Quarrell

undated

Thomas Rowlandson, 1756–1827

The Maniac

1787

Charles Samuel Keene, 1823–1891

An Indoor Military Riding School With an Instructor Teaching Recruits to Trot

undated

Charles Claude Pyne, 1802–1878

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

1872

Thomas Rowlandson, 1756–1827

A Dutch Packet in a Rising Breeze

1791

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'

undated

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

undated

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'

undated

Thomas Rowlandson, 1756–1827

The Runaway Coach

ca. 1791

Benjamin Robert Haydon, 1786–1846

Figure Studies of the Virgin Mary

undated

Benjamin Robert Haydon, 1786–1846

Study of Women's Hairstyles

undated

Benjamin Robert Haydon, 1786–1846

Study For, Christ's Entry into Jerusalem

1810 to 1820

Benjamin Robert Haydon, 1786–1846

Studies of the Face of Jesus

undated

Benjamin Robert Haydon, 1786–1846

Untitled

undated

Print made by Augustus Welby Northmore Pugin, 1812–1852

Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects

undated

Print made by Augustus Welby Northmore Pugin, 1812–1852

Three Sketches of: a House, A Gothic Spires and Ornamentation

undated

Robert Smirke, 1752–1845

Scene of a Bacchanalia

undated

Henry Swinburne, 1743–1803

Rocky Landscape with Waterfalls and Goats

undated

Henry Swinburne, 1743–1803

Architectural Sketches of Sections in Alhambra of Granada

1775 to 1776

Henry Swinburne, 1743–1803

Column of the Court of Lions

1775 to 1776

Henry Swinburne, 1743–1803

Sketches for Capitals of Columns and Mosaic Squares at Alhambra

1775 to 1776

Augustus Welby Northmore Pugin, 1812–1852

Design for a Gothic Screen

undated

Augustus Welby Northmore Pugin, 1812–1852

Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation

undated

Thomas Patch, 1725–1782

Valentino, Servitore de Piazza

1769

Charles Gore, 1729–1807

View of Arundel

undated

Attributed to George Perfect Harding, 1780–1853

Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley

undated

Thomas Hearne, 1744–1817

Farmhouse and Buildings by a Stream

undated

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817