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Collection
Prints and Drawings
28
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
20
Lupton, Thomas Goff, 1791–1873
5
Reynolds, Samuel William, 1773–1835
5
Cooke, William Bernard, 1778–1855
3
Say, William, 1768–1834
3
Dawe, Henry E., 1790–1848
2
Harlow, George Henry, 1787–1819
2
Reynolds, Joshua, Sir, 1723–1792
2
Turner, Charles, 1774–1857
2
Allason, Thomas, 1790–1852
1
Cooke, George, 1781–1834
1
Gillray, James, 1756–1815
1
Middiman, Samuel, ca. 1750–1831
1
Pye, John, 1782–1874
1
Raimbach, Abraham, 1784–1868
1
Rodwell, & Martin, active 1819–1835
1
Smith, John Rubens, 1775–1849
1
Ward, William James, ca. 1800–1840
1
Wilkie, David, Sir, 1785–1841
1
Wivell, Abraham, 1786–1899
1
Date
1782
193
1630
176
1674
78
1667
66
1776
65
1779
63
1789
60
1808
60
1755
58
1780
58
1773
55
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54
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53
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52
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1738
51
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37
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37
1719
36
1807
36
1563
35
1790
32
1690
31
1568
30
1760
30
1774
30
1740
29
1742
29
1751
29
1739
28
1767
28
1787
28
1819
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28
1927
28
1859
27
1915
27
1764
26
1916
26
1757
25
1762
25
1768
25
1887
25
1923
25
1737
24
1913
24
1559
23
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23
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1864
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1796
20
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19
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19
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19
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19
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19
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18
1679
17
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17
1744
17
1758
17
1766
17
1830
17
1912
17
1920
17
1950
17
1803
16
1806
16
On-site Access
Accessible by appointment in the Study Room
28
Image Use
Free to Use
28
Image Available
Available
28
Classification
Prints
28
Creator Gender
male
28
Collective Title
Liber Studiorum
14
Cooke's Views in Sussex
3
Whitaker's History of Richmondshire
2
Period
19th century
28
Materials & Techniques
laid paper
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28
mezzotint
21
etching (printing process)
20
brown ink
15
line engraving
5
chine collé
2
Engraving
1
graphite
1
hand coloring
1
Height [cm]
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66
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77
Work Type
intaglio print
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28
Genre
landscape
19
architectural subject
7
genre subject
4
portrait
4
religious and mythological subject
4
animal art
1
literary theme
1
Subject Terms
religious and mythological subject
4
landscape
2
landscape (representation)
2
rivers
2
sunlight
2
tree
2
water well
2
woman
2
Aesacus is changed into a diving bird while pursuing the nymph Hesperia (or Asterope), who is bitten by a snake
1
Bible
1
Christ explaining his doctrine to women and children
1
Classical Mythology and Ancient History
1
Hercules strangles two serpents in his cradle
1
Metamorphoses
1
New Testament
1
arch
1
archways
1
building
1
bush
1
city
1
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Subject Terms
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Associated Places
Durham
2
England
2
Greta
2
Rokeby
2
Tees
2
United Kingdom
2
Asia
1
Israel
1
Samaria
1
Associated People
Aesacus
1
Christ
1
Harcourt, Mary (née Danby), Countess of Harcourt (1749 or 1750—1833)
1
Hercules
1
Hesperie
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
23
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art; Yale University Art Gallery Collection
2
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Materials & Techniques
laid paper
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Date
1819
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Work Type
intaglio print
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1
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
2
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
6
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
7
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
8
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
9
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
10
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
11
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
12
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
13
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
14
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
15
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
16
Abraham Raimbach, 1784–1868
The Cut Finger
1819
17
Print made by William James Ward, ca. 1800–1840
The Infant Hercules
1819
18
Print made by Samuel William Reynolds, 1773–1835
Mary Countess Harcourt
ca. 1824
19
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1819
20
Print made by Abraham Wivell, 1786–1899
James Northcote
1819
21
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1819
22
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
23
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1819
24
Print made by Samuel Middiman, ca. 1750–1831
Junction of the Greta and Tees at Rokeby
1819
25
Print made by William Say, 1768–1834
Frances Countess of Wicklow
1819
26
Charles Turner, 1774–1857
James Gillray
1819
27
Print made by George Cooke, 1781–1834
Picturesque Views of the Antiquities of Pola in Istria, Posterior View of the Two Temples
1819
28
Print made by Charles Turner, 1774–1857
James Montgomery Esquire
1819