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Collection
Prints and Drawings
73
Creator
Blair, Robert, 1699–1746
27
Schiavonetti, Luigi, 1765–1810
27
Blake, William, 1757–1827
26
Turner, Charles, 1774–1857
25
Turner, J. M. W. (Joseph Mallord William), 1775–1851
24
Cadell, Thomas, 1773–1836
14
Dance, George, 1741–1825
8
Daniell, William, 1769–1837
8
Cromek, Robert Hartley, 1770–1812
5
Hoppner, John, 1758–1810
3
Phillips, Thomas, 1770–1845
3
Constable, John, 1776–1837
2
Meyer, Henry Hoppner, ca. 1782–1847
2
Barney, William Whiston, active 1805–1817
1
Beechey, William, Sir, 1753–1839
1
Cardon, Anthony, 1772–1813
1
Edwards, Edward, 1738–1806
1
Francia, François Louis Thomas, 1772–1839
1
Gainsborough, Thomas, 1727–1788
1
Harlow, George Henry, 1787–1819
1
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Creator
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Date
1745
459
1782
241
1790
233
1775
229
1767
227
1770
212
1773
209
1748
206
1785
198
1764
197
1752
191
1791
186
1630
178
1772
175
1768
173
1780
166
1700
161
0
155
1784
142
1738
139
1755
138
1765
131
1758
120
1763
118
1771
116
1789
115
1778
109
1786
106
1783
103
1717
101
1760
101
1776
101
1740
99
1749
96
1777
92
1779
91
1762
90
1788
88
1793
87
1795
85
1792
83
1674
82
1769
79
1802
79
1800
76
1808
[remove]
73
1804
70
1750
68
1667
67
1746
66
1787
66
1754
65
1705
62
1751
59
1781
59
1675
57
1715
55
1889
55
1756
54
1888
54
1742
50
1807
49
1921
49
1690
48
1753
48
1799
48
1774
47
1736
45
1816
45
1732
44
1757
44
1877
44
1925
44
1735
43
1739
43
1761
43
1680
42
1747
42
1730
41
1741
41
1806
41
1729
39
1766
39
1719
36
1563
35
1737
35
1819
35
1810
34
1744
33
1794
33
1796
33
1805
32
1818
32
1893
32
1801
31
1568
30
1803
30
1809
30
1916
30
1923
30
On-site Access
Accessible in the Study Room
69
On view
4
Image Use
Free to Use
73
Image Available
Available
43
Unavailable
30
Classification
Prints
60
Drawings & Watercolors
13
Creator Gender
male
73
Collective Title
The Grave, A Poem, by Robert Blair
27
Liber Studiorum
24
Iconographie Anglaise par Reynolds et Autres
4
The Egremont Sea-piece
1
Period
19th century
72
18th century-19th century
1
Materials & Techniques
laid paper
[remove]
73
etching (printing process)
52
mezzotint
30
brown ink
24
graphite
12
red chalk
8
wove paper
5
watercolor
3
black ink
1
letterpress printing
1
line engraving
1
scratching out
1
stipple engraving
1
white gouache
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
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74
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
63
Work Type
intaglio print
60
drawing
13
watercolor
4
frontispiece
1
Genre
religious and mythological subject
29
literary theme
28
landscape
16
portrait
16
architectural subject
15
genre subject
5
marine art
4
figure study
2
military art
2
Subject Terms
man
30
religious and mythological subject
28
The Grave (1743) by Robert Blair (1699-1746)
26
literary theme
26
death
19
portrait
16
woman
14
landscape
13
flames
12
nude
12
soul
12
barefoot
10
coat
10
grave
10
artist
9
flying
9
collar
8
corpse
8
light
8
profile (figure)
8
more
Subject Terms
»
Associated Places
England
3
United Kingdom
3
Europe
2
Lake Thun
2
Switzerland
2
Byland
1
Byland Abbey
1
Dedham Vale
1
Egypt
1
Essex
1
Langham
1
Mousehold Heath
1
Norfolk
1
Norwich
1
Yorkshire
1
Associated People
Blake, William (1757–1827), engraver, artist, and poet
2
Banks, Sir Joseph, baronet (1743–1820), naturalist and patron of science
1
Banks, Thomas (1735–1805), sculptor
1
Catton, Charles, the younger (1756–1819), landscape painter and book illustrator
1
Cupid
1
Farington, Joseph (1747–1821), landscape painter and diarist
1
Hearne, Thomas (1744–1817), watercolour painter and topographical draughtsman
1
Richards, John Inigo (1730/31?–1810), landscape and scene-painter
1
Russell, John (1745–1806), portrait painter and astronomer
1
Stephens, Catherine [Kitty; married name Catherine Capel-Coningsby, countess of Essex] (1794–1882), singer and actress
1
Wheatley, Francis (1747–1801), painter
1
Exhibition History
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
3
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
3
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
3
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Fashionable Portraits in Europe (Cornell Fine Arts Museum, 2015-08-15 - 2016-01-03)
1
Louis Francia (Musée des Beaux Arts et de la Dentelle, 1988-10-15 - 1989-01-10)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
1
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
67
Yale Center for British Art, Paul Mellon Fund
4
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art; Yale University Art Gallery Collection
1
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1
John Constable, 1776–1837
Male Nude
1808
2
John Constable, 1776–1837
Dedham Vale from Langham
ca. 1813
3
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
4
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
5
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
On view
6
Etched by Joseph Mallord William Turner, 1775–1851
Dunstanborough Castle
1808
On view
7
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
8
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
On view
9
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
10
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
11
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
12
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
On view
13
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
14
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
15
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
16
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
17
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
18
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
19
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
20
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
21
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
22
Etched by Joseph Mallord William Turner, 1775–1851
Dunstanborough Castle
1808
23
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
24
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
25
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
26
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
27
John Varley, 1778–1842
Byland Abbey, Yorkshire
1808
28
Charles Turner, 1774–1857
Dugald Stewart Esq
1808
29
William Skelton, 1763–1848
The Honourable Henry, Lord Mulgrave, 1st Earl of Mulgrave
1808
30
Print made by William Whiston Barney, active 1805–1817
Her Grace the Duchess of Devonshire
1808
31
William Say, 1768–1834
Sir George Howland Beaumont, 7th Baronet
1808
32
Francis Nicholson, 1753–1844
River Scene
1808
33
Print made by William Ward, 1766–1826
The Sleeping Nymph
1808
34
Print made by Anthony Cardon, 1772–1813
E. Edwards, Associate and Teacher of Perspective in the Royal Academy
1808
35
William Daniell, 1769–1837
Charles Catton, R. A
between 1808 and 1814
36
William Daniell, 1769–1837
John Russell
between 1808 and 1814
37
William Daniell, 1769–1837
John Inigo Richards
between 1808 and 1814
38
François Louis Thomas Francia, 1772–1839
Mousehold Heath, Norwich
1808
39
William Daniell, 1769–1837
Joseph Farington
between 1808 and 1814
40
William Daniell, 1769–1837
Francis Wheatley
between 1808 and 1814
41
William Daniell, 1769–1837
Thomas Banks, the Sculptor
between 1808 and 1814
42
William Daniell, 1769–1837
Sir Joseph Banks
between 1808 and 1814
43
William Daniell, 1769–1837
Thomas Hearne
between 1808 and 1814
44
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
45
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
46
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
47
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
48
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
49
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
50
Henry Hoppner Meyer, ca. 1782–1847
The Right Honourable Robert Banks Jenkinson, 2nd Earl of Liverpool
1808
51
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
52
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
53
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
54
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
55
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
56
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
57
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
58
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
59
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
60
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
61
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
62
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
63
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
64
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
65
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
66
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
67
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
68
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
69
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
70
Print made by Henry Hoppner Meyer, ca. 1782–1847
Miss Kitty Stephens
ca. 1813
71
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
72
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
73
Print made by Niccoló Schiavonetti, 1771–1813
Nicholas Berghem
1808