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Collection
Prints and Drawings
34
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
20
Lupton, Thomas Goff, 1791–1873
5
Reynolds, Samuel William, 1773–1835
5
Cooke, William Bernard, 1778–1855
3
Say, William, 1768–1834
3
Dawe, Henry E., 1790–1848
2
Harlow, George Henry, 1787–1819
2
Reynolds, Joshua, Sir, 1723–1792
2
Turner, Charles, 1774–1857
2
Allason, Thomas, 1790–1852
1
Beaumont, George Howland, Sir, 1753–1827
1
Cooke, George, 1781–1834
1
Engelmann, Godefroy, 1788–1839
1
Gillray, James, 1756–1815
1
Harding, James Duffield, 1798–1863
1
Jacob, Nicholas Henry, 1781–1871
1
Middiman, Samuel, ca. 1750–1831
1
Pye, John, 1782–1874
1
Raimbach, Abraham, 1784–1868
1
Rodwell, & Martin, active 1819–1835
1
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1745
455
1749
351
1782
239
1767
223
1748
205
1773
199
1775
199
1764
194
1752
191
0
189
1791
186
1790
183
1630
178
1785
175
1772
172
1768
156
1784
139
1738
138
1755
135
1780
124
1758
120
1789
113
1763
112
1771
108
1778
105
1786
103
1765
102
1717
101
1770
95
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93
1788
89
1740
88
1777
88
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86
1762
83
1674
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1760
82
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82
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79
1802
79
1808
73
1795
71
1804
70
1787
68
1667
67
1754
65
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64
1750
63
1769
63
1793
62
1705
61
1751
58
1675
56
1700
56
1715
55
1781
55
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55
1888
54
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50
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48
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47
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45
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45
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44
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44
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44
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1757
43
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40
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40
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40
1806
40
1729
39
1761
39
1747
38
1719
36
1766
36
1563
35
1736
34
1810
34
1819
[remove]
34
1744
33
1796
33
1737
32
1794
32
1805
32
1818
32
1568
30
1893
30
1916
30
1699
29
1728
29
1801
29
1859
29
1915
29
1923
29
1927
29
On-site Access
Accessible by appointment in the Study Room
34
Image Use
Free to Use
34
Image Available
Available
34
Classification
Prints
29
Drawings & Watercolors
5
Creator Gender
male
[remove]
34
Collective Title
Liber Studiorum
14
Cooke's Views in Sussex
3
Whitaker's History of Richmondshire
2
Period
19th century
34
Materials & Techniques
laid paper
[remove]
34
mezzotint
21
etching (printing process)
20
brown ink
16
graphite
5
line engraving
5
watercolor
4
chine collé
2
gouache
2
pen
2
wove paper
2
Engraving
1
black chalk
1
black ink
1
gray wash
1
hand coloring
1
lithography
1
red ink
1
Height [cm]
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66
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77
Work Type
intaglio print
28
drawing
4
watercolor
4
planographic print
1
Genre
landscape
22
architectural subject
8
portrait
5
genre subject
4
religious and mythological subject
4
cityscape
2
animal art
1
literary theme
1
Subject Terms
landscape
4
religious and mythological subject
4
cityscape
3
arch
2
landscape (representation)
2
man
2
men
2
portrait
2
river
2
rivers
2
sunlight
2
tree
2
trees
2
water well
2
woman
2
women
2
Aesacus is changed into a diving bird while pursuing the nymph Hesperia (or Asterope), who is bitten by a snake
1
Bible
1
Christ explaining his doctrine to women and children
1
Classical Mythology and Ancient History
1
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Subject Terms
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Associated Places
England
3
United Kingdom
3
Durham
2
Greta
2
Rokeby
2
Tees
2
Asia
1
Campagna
1
Hampshire
1
Israel
1
Lyons
1
Rhône
1
Samaria
1
Southampton
1
Associated People
Aesacus
1
Christ
1
Harcourt, Mary (née Danby), Countess of Harcourt (1749 or 1750—1833)
1
Hercules
1
Hesperie
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Senefelder, Johann Alois (1771–1834), actor, playwright, and inventor of lithography
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
29
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art; Yale University Art Gallery Collection
2
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Materials & Techniques
laid paper
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male
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Date
1819
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1
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
2
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
6
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
7
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
8
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
9
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
10
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
11
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
12
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
13
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
14
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
15
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
16
Sir George Howland Beaumont seventh Baronet, 1753–1827
Valley of Gothe
1819
17
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1819
18
Albert Fleetwood Varley, 1804–1876
Swan Lake, Craven Hill, Bayswater
undated
19
Print made by Abraham Wivell, 1786–1899
James Northcote
1819
20
Print made by William James Ward, ca. 1800–1840
The Infant Hercules
1819
21
Print made by Samuel William Reynolds, 1773–1835
Mary Countess Harcourt
ca. 1824
22
Abraham Raimbach, 1784–1868
The Cut Finger
1819
23
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1819
24
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1819
25
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
26
Print made by Samuel Middiman, ca. 1750–1831
Junction of the Greta and Tees at Rokeby
1819
27
Godefroy Engelmann, 1788–1839
Aloys Senefelder
1819
28
George Shepheard, ca. 1770–1842
Winkle Street, Southampton
1819
29
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
30
Isaac Weld, 1774–1856
Vesuvius in Eruption
1819
31
Print made by William Say, 1768–1834
Frances Countess of Wicklow
1819
32
Charles Turner, 1774–1857
James Gillray
1819
33
Print made by Charles Turner, 1774–1857
James Montgomery Esquire
1819
34
Print made by George Cooke, 1781–1834
Picturesque Views of the Antiquities of Pola in Istria, Posterior View of the Two Temples
1819