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Materials & Techniques gray wash

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Work Type watercolor

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Height [cm] 33

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Willem van de Velde the Younger An English Man of War, Starboard Quarter View: Possibly the Victory
Willem van de Velde the Younger, 1633–1707
An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
Willem van de Velde the Younger An English Man-of-War, Port View from the Stern
Willem van de Velde the Younger, 1633–1707
An English Man-of-War, Port View from the Stern
ca. 1675
John James Barralet Ledbury Church and Village, Herefordshire
John James Barralet, 1747–1815
Ledbury Church and Village, Herefordshire
undated
unknown artist Rouen: A Map of the City and Surrounding Areas
unknown artist
Rouen: A Map of the City and Surrounding Areas
undated
James Wyatt Cobham Hall, Kent: Chimney Piece Intended for the Great Hall at Cobham
James Wyatt, 1746–1813
Cobham Hall, Kent: Chimney Piece Intended for the Great Hall at Cobham
ca. 1790
Lewis Vaslet The Spoiled Child, Scene VI
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
James Miller A Christening at the Vatican with Swiss Papal Guard, etc.
Attributed to James Miller, active 1773–1814
A Christening at the Vatican with Swiss Papal Guard, etc
undated
Rev. William Gilpin Mountain Landscape
Rev. William Gilpin, 1724–1804
Mountain Landscape
between 1762 and 1783
Rev. William Gilpin River Landscape with Castles
Rev. William Gilpin, 1724–1804
River Landscape with Castles
between 1762 and 1783
Sawrey Gilpin Boats at Sea
Sawrey Gilpin, 1733–1807
Boats at Sea
undated
unknown artist Vale of Newlands, Cumberland
unknown artist
Vale of Newlands, Cumberland
undated
John Webber Hob Thursts Houses, Monsoldale, Derbyshire
John Webber, 1752–1793
Hob Thursts Houses, Monsoldale, Derbyshire
1789
James Bruce No. 2 Elevation of the Front of the first temple fronting the sea
James Bruce, 1730–1794
No. 2 Elevation of the Front of the first temple fronting the sea
undated
John Nash Design for Knepp Castle, Sussex: Perspective
John Nash, 1752–1835
Design for Knepp Castle, Sussex: Perspective
undated
unknown artist Whitehall Palace, London: Section of Proposed Design
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
Thomas Sunderland Landscape at Ambleside
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
William Payne Sheet of Figure Sketches
William Payne, active 1850s
Sheet of Figure Sketches
undated
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
Amos Green Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun
Amos Green, 1735–1807
Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun
between 1796 and 1808
Benjamin West A Scene from Roman History
circle of Benjamin West, 1738–1820
A Scene from Roman History
undated
John Ruskin The Rocky Bank of a River
John Ruskin, 1819–1900
The Rocky Bank of a River
ca. 1853
Alfred Stevens Design for a Coat of Arms
Alfred Stevens, 1817–1875
Design for a Coat of Arms
undated
Rev. William Gilpin Knaresborough Castle, Yorkshire
Rev. William Gilpin, 1724–1804
Knaresborough Castle, Yorkshire
undated
Hendrik Frans de Cort Ruined Farm near Coombe at Gittisham in Devonshire, Three Miles from Honiton, Devon
Hendrik Frans de Cort, 1742–1810
Ruined Farm near Coombe at Gittisham in Devonshire, Three Miles from Honiton, Devon
1794
Edward Edwards Barn Elmes
Edward Edwards, 1738–1806
Barn Elmes
1793
John Robert Cozens Between Chamonix and Martigny
John Robert Cozens, 1752–1797
Between Chamonix and Martigny
1776
James Wyatt Cobham Hall, Kent: Section of a Hallway
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790