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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 33
Remove constraint Height [cm]: 33Search Results
1
- Landscape with Gorge and Cattle
- undated
2
- An English Man of War, Starboard Quarter View: Possibly the Victory
- ca. 1675
3
- An English Man-of-War, Port View from the Stern
- ca. 1675
4
- Ledbury Church and Village, Herefordshire
- undated
5
- Kirkeoch, Nun Mill
- undated
6
- North Nunton; South Nunton
- undated
7
- Whinny Liggate; Balgredan
- undated
8
- A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
- 1759
9
- Cobham Hall, Kent: Chimney Piece Intended for the Great Hall at Cobham
- ca. 1790
10
- The Spoiled Child, Scene VI
- ca. 1802
11
- A Christening at the Vatican with Swiss Papal Guard, etc
- undated
12
- Vale of Newlands, Cumberland
- undated
13
- Copy of a Study for a Ceiling Decoration
- undated
14
- Hob Thursts Houses, Monsoldale, Derbyshire
- 1789
15
- No. 2 Elevation of the Front of the first temple fronting the sea
- undated
16
- On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance
- ca. 1817
17
- Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs
- undated
18
- Design for Knepp Castle, Sussex: Perspective
- undated
19
- Whitehall Palace, London: Section of Proposed Design
- between 1710 and 1740
20
- Landscape at Ambleside
- ca. 1800
21
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
22
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
23
- The Smock Exposed
- 1817
24
- The Reconcilation
- 1817
25
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
26
- Hogarth Drawing Sarah Malcolm
- 1817
27
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
28
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
29
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
30
- Sheet of Figure Sketches
- undated
31
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
32
- Hogarth Declaring His Love to Miss Thornhill
- 1817
33
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
34
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
35
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
36
- Hogarth Sitting to Roubiliac for His Bust
- 1817
37
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
38
- The Eleventh Hour
- 1817
39
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
40
- Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun
- between 1796 and 1808
41
- Oakhampton Castle
- 1772
42
- Design for a Coat of Arms
- undated
43
- Knaresborough Castle, Yorkshire
- undated
44
- Ruined Farm near Coombe at Gittisham in Devonshire, Three Miles from Honiton, Devon
- 1794
45
- Barn Elmes
- 1793
46
- Longleat from Park Hill
- undated
47
- Between Chamonix and Martigny
- 1776
48
- Cobham Hall, Kent: Section of a Hallway
- ca. 1790