<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques graphite

Remove constraint Materials & Techniques: graphite

Search Results

William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake A Circular Dance (Design 23)
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "Midst the tide, Two angel forms were seen to glide..." (Design 7)
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake A Standard Bearer Fainting in the Routed Battle (Design 87)
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Serpent who Girds the Earth (Design 77)
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake Albion Compelling the Four Zoas to Their Proper Tasks
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
William Blake A Visionary Head
William Blake, 1757–1827
A Visionary Head
1819 to 1820
William Blake Five Visionary Heads of Women
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
William Blake Socrates, a Visionary Head
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake Thomas Alphonso Hayley, Half-Length Drawing
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake Landscape with Spire
William Blake, 1757–1827
Landscape with Spire
ca. 1801
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake Copy of the Laocoön, for Rees's Cyclopædia
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
William Simpson Dust Storm Coming On, near Jeypore, Rajpootana
William Simpson, 1823–1899
Dust Storm Coming On, near Jeypore, Rajpootana
1863
James Ward Study for the View of Cambridge from Castle Hill
James Ward, 1769–1859
Study for the View of Cambridge from Castle Hill
undated
Thomas Bradshaw Album of Landscape and Figure Studies: Sketch of Trees and Rocks
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Trees and Rocks
1811 to 1813
Thomas Bradshaw Album of Landscape and Figure Studies: Study of Trees and Shrubs
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Study of Trees and Shrubs
Thomas Bradshaw Album of Landscape and Figure Studies: Sketch of Two Cows
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Two Cows
Thomas Bradshaw Album of Landscape and Figure Studies: Rural Scene with Houses and a Hunter and His Dog
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Rural Scene with Houses and a Hunter and His Dog
Thomas Bradshaw Album of Landscape and Figure Studies: Rural Landscape with a Bridge
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Rural Landscape with a Bridge
Thomas Bradshaw Album of Landscapes and Figure Studies: Two Cows Resting
Thomas Bradshaw, Born 1767
Album of Landscapes and Figure Studies: Two Cows Resting
Thomas Bradshaw Album of Landscape and Figure Studies: Rural Scene with Church
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Rural Scene with Church
Peter La Cave Rustic Scene: man fishing, left; cottage with water-mill and horses right
Peter La Cave, active 1769–1810
Rustic Scene: man fishing, left; cottage with water-mill and horses right
undated
Thomas Hearne The Back of a Farm House
Thomas Hearne, 1744–1817
The Back of a Farm House
undated
William Simpson The Ganges
William Simpson, 1823–1899
The Ganges
1863
Paul Sandby Munn Landscape at Beddgelert, North Wales
Paul Sandby Munn, 1773–1845
Landscape at Beddgelert, North Wales
1832
Joseph Powell Dunster Castle, Somerset
Joseph Powell, 1780–1834
Dunster Castle, Somerset
undated
Alfred William Rich St. John's College, Oxford
Alfred William Rich, 1856–1921
St. John's College, Oxford
undated
John Henry Campbell Landscape with a Distant View of London
John Henry Campbell, 1757–1829
Landscape with a Distant View of London
undated
Michael "Angelo" Rooker Clare Castle, Suffolk
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
John Inigo Richards Maxstoke Priory, Warwickshire
John Inigo Richards, 1730/31?–1810
Maxstoke Priory, Warwickshire
undated
Michael "Angelo" Rooker Illustration to Beaumont and Fletcher
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
Michel Jean Cazabon Custom House and St. Vincent's Wharf
Michel Jean Cazabon, 1813–1888
Custom House and St. Vincent's Wharf
1851
Thomas Bradshaw Album of Landscape and Figure Studies: Sketches of a Man's face (illegible jottings in brown ink, crossed out)
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketches of a Man's face (illegible jottings in brown ink, crossed out)
Samuel Prout The Colosseum, Rome
Samuel Prout, 1783–1852
The Colosseum, Rome
undated
Michael "Angelo" Rooker Caister Castle, Norfolk
Michael "Angelo" Rooker, 1746–1801
Caister Castle, Norfolk
undated
Paul Sandby Italianate Landscape with Travelers, No. 1
Paul Sandby, 1731–1809
Italianate Landscape with Travelers, No. 1
ca. 1765
Michel Jean Cazabon St. James Barracks
Michel Jean Cazabon, 1813–1888
St. James Barracks
1851
Michel Jean Cazabon The Cottage, Mount Tamana
Michel Jean Cazabon, 1813–1888
The Cottage, Mount Tamana
1851
Michel Jean Cazabon Cascade at St. Anns
Michel Jean Cazabon, 1813–1888
Cascade at St. Anns
1851
Michel Jean Cazabon Village of Arima and Mount Tamana
Michel Jean Cazabon, 1813–1888
Village of Arima and Mount Tamana
1851
Michel Jean Cazabon North Coast of Trinidad, from the North Post
Michel Jean Cazabon, 1813–1888
North Coast of Trinidad, from the North Post
1851
Michel Jean Cazabon Cedar Point, Mount Tamana
Michel Jean Cazabon, 1813–1888
Cedar Point, Mount Tamana
1851
Michel Jean Cazabon San Fernando, and Naparima Hill
Michel Jean Cazabon, 1813–1888
San Fernando, and Naparima Hill
1851
Michel Jean Cazabon Maraccas Waterfall
Michel Jean Cazabon, 1813–1888
Maraccas Waterfall
1851
William Frome Smallwood Ghent: Street with Figures, Leading Up to the Cathedral
William Frome Smallwood, 1806–1834
Ghent: Street with Figures, Leading Up to the Cathedral
1832
Thomas Sunderland Landscape at Ambleside
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
George Shepheard The Village of Aldbury, Hertfordshire
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
John Varley Merida, Spain
John Varley, 1778–1842
Merida, Spain
undated