Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
511
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
512
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
513
William Blake, 1757–1827
Landscape with Spire
ca. 1801
514
William Blake, 1757–1827
A Woody Landscape
ca. 1801
515
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
516
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
517
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
518
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
519
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
520
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
521
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
522
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
523
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
524
William Blake, 1757–1827
A Visionary Head
1819 to 1820
525
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
526
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
527
John Greig, active 1803–1853
Herstmonceux Castle, Sussex
1815
528
Anthony Salvin, 1799–1881
Design for Kelham Hall, Nottinghamshire: Entrance Elevation
undated
529
George Cruikshank, 1792–1878
Pocket Sketchbook
undated
530
Anthony Salvin, 1799–1881
Design for Kelham Hall, Nottinghamshire: Garden Elevation
undated
531
unknown artist
Plan of ground floor of Herstmonceux Castle
undated
532
James Pollard, 1792–1867
The Greengrocer
ca. 1819
533
James Pollard, 1792–1867
The Poultry Market
undated
534
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
535
George Johann Scharf, 1788–1860
Reigate Heath
1837
536
Daniel Wilson, 1816–1892
The Chapel, Dirleton Castle, Scotland
1846
537
unknown artist
Battersea Bridge
undated
538
David Cox Jr., 1809–1885
Welsh Mountain Stream
ca. 1850
539
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
540
John James Chalon, 1778–1854
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
undated
541
Cornelius Varley, 1781–1873
Remains of Purton Hall, Staffordshire
1820
542
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
543
Sir David Wilkie, 1785–1841
Garden of Gethsemane
1841
544
James Hakewill, 1778–1843
Haughton Court, Hanover, Jamaica
between 1820 and 1821
545
attributed to Thomas Shotter Boys, 1803–1874
Le Château de Blois
undated
546
Cornelius Varley, 1781–1873
Muckross Abbey, Killarney
1808
547
William James Muller, 1812–1845
A Doorway in the Acropolis, Athens
1838
548
William James Muller, 1812–1845
The Bridge at Llangollen
undated
549
John Varley, 1778–1842
The Thames Near the Penitentiary, Millbank, London
1816
550
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape Composition
1801
551
Richard Parkes Bonington, 1802–1828
Palais de Justice, Rouen
undated
552
Thomas Shotter Boys, 1803–1874
View at Swiss Cottage, London
1836
553
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
554
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
555
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
556
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
557
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
558
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
559
Michel Jean Cazabon, 1813–1888
The Road to the Pitch Lake
1857
560
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
561
Myles Birket Foster, 1825–1899
Lago Maggior, Italy
undated
562
George Richmond, 1809–1896
Portrait of Samuel Palmer, February 5, 1828
1828
563
William Westall, 1781–1850
Whampoa and the Canton River
1845
564
unknown artist
Interior of Milan Cathedral
undated
565
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
566
follower of Thomas Shotter Boys, 1803–1874
Mantes
undated
567
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
568
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
569
Thomas Shotter Boys, 1803–1874
Versailles
between 1831 and 1837
570
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
571
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
572
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
573
Thomas Bradshaw, Born 1767
From the Beach near Fort Blanc, Oct. 4, 1819
1819
574
Thomas Shotter Boys, 1803–1874
A Christening
undated
575
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
576
John Thomas Smith, 1766–1833
The Reconcilation
1817
577
Robert Brandard, 1805–1862
Coast Scene with Figures
undated
578
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
579
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
580
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
581
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
582
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
583
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
584
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
585
George Richmond, 1809–1896
John Linnell
1828
586
George Richmond, 1809–1896
Samuel Palmer
1828
587
Cornelius Varley, 1781–1873
John Flaxman whilst Lecturing at the Royal Academy
after 1800
588
William Bell Scott, 1811–1890
The New Moon
1863
589
Cornelius Varley, 1781–1873
Melcomb Bingham Church - Dorset
1840
590
Sir David Wilkie, 1785–1841
Study for "The Penny Wedding"
ca. 1818
591
Sir David Wilkie, 1785–1841
Tree Study
1810
592
Sir David Wilkie, 1785–1841
Fife
undated
593
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
594
George Richmond, 1809–1896
Study of Trees, etc., in a Meadow
1866
595
John Leech, 1817–1864
Caricature of the County Hampshire
undated
596
William Callow, 1812–1908
The Rialto
1846
597
unknown artist
River Landscape with Men Fishing and Cattle
undated
598
unknown artist
Seascape with Fishing Boats
undated
599
Samuel De Wilde, 1748–1832
Mr. Mathews as Matthew Daw in the School for Friends