George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
4
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
5
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
6
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
7
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
8
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
9
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
10
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
11
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
12
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
13
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
14
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
15
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
16
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
17
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
18
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
19
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
20
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
21
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
22
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
23
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
24
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
25
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
26
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
27
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
28
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
29
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
30
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
31
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
32
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
33
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
34
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
35
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
36
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
37
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
38
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
39
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
40
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
41
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
42
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
43
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
44
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
45
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
46
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
47
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
48
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
49
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
50
George Romney, 1734–1802
The Bath of Bath-sheba
early 1770s
51
George Romney, 1734–1802
Achilles Wounded
undated
52
George Romney, 1734–1802
Mythological Group of Women and Children
late 1770s to early 1780s
53
Sir Robert Smirke the younger, 1781–1867
Cave of Trophonius
1802-1804
54
Attributed to Daniel Lysons, 1762–1834
Brass Chrism of Constance Bownell and her Baby from Heston Church
1796-1811
55
William Pars, 1742–1782
Sketch of Centaurs and Lapiths From a Frieze
undated
56
Thomas Stothard, 1755–1834
Study for Telemachus
undated
57
Thomas Shotter Boys, 1803–1874
A Christening
undated
58
Edward Francis Burney, 1760–1848
Allegory of Sea Trades
undated
59
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
60
Sir James Thornhill, 1675–1734
Apollo and the Muses
undated
61
Henry Tresham, 1751–1814
A Peasant of Mount Erix
between 1783 and 1789
62
Anthony Walker, 1726–1765
Britannia in Distress
1756
63
William Taverner, 1703–1772
Diana
undated
64
Benjamin West, 1738–1820
The Three Marys
1783
65
unknown artist
God Creating the Universe
ca. 1800
66
Sir James Thornhill, 1675–1734
Neptune
undated
67
Mauritius Lowe, 1746–1793
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
68
Mauritius Lowe, 1746–1793
An Allegory on the Plight of the Artist
between 1772 and 1790
69
Mrs. P. D. H. Page, 20th century
Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
undated
70
Mrs. P. D. H. Page, 20th century
Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
undated
71
Mrs. P. D. H. Page, 20th century
Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
undated
72
William James Muller, 1812–1845
The Church of the Holy Sepulchre
between 1838 and 1840
73
Attributed to John Martin, 1789–1854
The Rising of the Waters
undated
74
Attributed to John Martin, 1789–1854
Lot Fleeing Sodom
undated
75
Attributed to John Martin, 1789–1854
Cain and Abel
undated
76
Attributed to John Martin, 1789–1854
Shadrach, Meshack and Abed-Nego before Nebuchadnezzar
undated
77
Attributed to John Martin, 1789–1854
The Death of Ananias
undated
78
Attributed to John Martin, 1789–1854
Daniel in the Den of Lions
undated
79
Attributed to John Martin, 1789–1854
The Ravens Feeding Elijah
undated
80
Attributed to John Martin, 1789–1854
Christ Preaching to the Elders in the Temple
undated
81
Attributed to John Martin, 1789–1854
The Conversion of Saul
undated
82
Attributed to John Martin, 1789–1854
An Elderly Man Petitioning Christ
undated
83
Attributed to John Martin, 1789–1854
Christ with Three Figures
undated
84
Attributed to John Martin, 1789–1854
Feeding the Five Thousand
undated
85
Attributed to John Martin, 1789–1854
Christ Healing the Palsied Man
undated
86
Attributed to John Martin, 1789–1854
Christ Healing a Blind Man
undated
87
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
88
Attributed to John Martin, 1789–1854
The Pool of Bethesda
undated
89
unknown artist
Angel
undated
90
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
91
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
92
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
93
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors