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Materials & Techniques graphite

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms religious and mythological subject

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Search Results

Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
John Flaxman Get Thee Behind Me, Satan
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
On view at YUAG
William Hogarth George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
William Hogarth George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake The Serpent who Girds the Earth (Design 77)
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake "Midst the tide, Two angel forms were seen to glide..." (Design 7)
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
early 1770s
George Romney Achilles Wounded
George Romney, 1734–1802
Achilles Wounded
undated
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
late 1770s to early 1780s
Sir Robert Smirke the younger Cave of Trophonius
Sir Robert Smirke the younger, 1781–1867
Cave of Trophonius
1802-1804
Daniel Lysons Brass Chrism of Constance Bownell and her Baby from Heston Church
Attributed to Daniel Lysons, 1762–1834
Brass Chrism of Constance Bownell and her Baby from Heston Church
1796-1811
William Pars Sketch of Centaurs and Lapiths From a Frieze
William Pars, 1742–1782
Sketch of Centaurs and Lapiths From a Frieze
undated
Thomas Stothard Study for Telemachus
Thomas Stothard, 1755–1834
Study for Telemachus
undated
Thomas Shotter Boys A Christening
Thomas Shotter Boys, 1803–1874
A Christening
undated
Edward Francis Burney Allegory of Sea Trades
Edward Francis Burney, 1760–1848
Allegory of Sea Trades
undated
Edward Francis Burney Allegory of Steam
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
Sir James Thornhill Apollo and the Muses
Sir James Thornhill, 1675–1734
Apollo and the Muses
undated
Henry Tresham A Peasant of Mount Erix
Henry Tresham, 1751–1814
A Peasant of Mount Erix
between 1783 and 1789
Anthony Walker Britannia in Distress
Anthony Walker, 1726–1765
Britannia in Distress
1756
William Taverner Diana
William Taverner, 1703–1772
Diana
undated
Benjamin West The Three Marys
Benjamin West, 1738–1820
The Three Marys
1783
unknown artist God Creating the Universe
unknown artist
God Creating the Universe
ca. 1800
Sir James Thornhill Neptune
Sir James Thornhill, 1675–1734
Neptune
undated
Mauritius Lowe The Artist Assaulted by Time, Ignorance and Envy
Mauritius Lowe, 1746–1793
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
Mauritius Lowe An Allegory on the Plight of the Artist
Mauritius Lowe, 1746–1793
An Allegory on the Plight of the Artist
between 1772 and 1790
Mrs. P. D. H. Page Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
Mrs. P. D. H. Page, 20th century
Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
undated
Mrs. P. D. H. Page Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
Mrs. P. D. H. Page, 20th century
Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
undated
Mrs. P. D. H. Page Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
Mrs. P. D. H. Page, 20th century
Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
undated
William James Muller The Church of the Holy Sepulchre
William James Muller, 1812–1845
The Church of the Holy Sepulchre
between 1838 and 1840
John Martin The Rising of the Waters
Attributed to John Martin, 1789–1854
The Rising of the Waters
undated
John Martin Lot Fleeing Sodom
Attributed to John Martin, 1789–1854
Lot Fleeing Sodom
undated
John Martin Cain and Abel
Attributed to John Martin, 1789–1854
Cain and Abel
undated
John Martin Shadrach, Meshack and Abed-Nego before Nebuchadnezzar
Attributed to John Martin, 1789–1854
Shadrach, Meshack and Abed-Nego before Nebuchadnezzar
undated
John Martin The Death of Ananias
Attributed to John Martin, 1789–1854
The Death of Ananias
undated
John Martin Daniel in the Den of Lions
Attributed to John Martin, 1789–1854
Daniel in the Den of Lions
undated
John Martin The Ravens Feeding Elijah
Attributed to John Martin, 1789–1854
The Ravens Feeding Elijah
undated
John Martin Christ Preaching to the Elders in the Temple
Attributed to John Martin, 1789–1854
Christ Preaching to the Elders in the Temple
undated
John Martin The Conversion of Saul
Attributed to John Martin, 1789–1854
The Conversion of Saul
undated
John Martin An Elderly Man Petitioning Christ
Attributed to John Martin, 1789–1854
An Elderly Man Petitioning Christ
undated
John Martin Christ with Three Figures
Attributed to John Martin, 1789–1854
Christ with Three Figures
undated
John Martin Feeding the Five Thousand
Attributed to John Martin, 1789–1854
Feeding the Five Thousand
undated
John Martin Christ Healing the Palsied Man
Attributed to John Martin, 1789–1854
Christ Healing the Palsied Man
undated
John Martin Christ Healing a Blind Man
Attributed to John Martin, 1789–1854
Christ Healing a Blind Man
undated
Master of the Giants Apollo and Daphne
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
John Martin The Pool of Bethesda
Attributed to John Martin, 1789–1854
The Pool of Bethesda
undated
unknown artist Angel
unknown artist
Angel
undated
Thomas Stothard Relief Design for a Silver Salt Cellar
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
Sir James Thornhill Design for a Ceiling
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
Sir James Thornhill A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
Sir James Thornhill The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
Hamlet Winstanley The Adoration
Hamlet Winstanley, 1698–1756
The Adoration
1723
Sir James Thornhill A Design for a Ceiling
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
John Flaxman But Deliver Us From Evil
John Flaxman, 1755–1826
But Deliver Us From Evil
1805
John Martin The Stoning of Saint Stephen
Attributed to John Martin, 1789–1854
The Stoning of Saint Stephen
undated
John Martin The Baptism of Christ
Attributed to John Martin, 1789–1854
The Baptism of Christ
undated
John Martin The Release of Saint Peter from Prison
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
John Martin Christ Stilling the Tempest
Attributed to John Martin, 1789–1854
Christ Stilling the Tempest
undated