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Collection
Prints and Drawings
132
Creator
Blake, William, 1757–1827
58
Gray, Thomas, 1716–1771
58
Cotman, John Sell, 1782–1842
24
Vaslet, Lewis, 1742–1808
6
Daniell, Samuel, 1775–1811
5
Rowlandson, Thomas, 1756–1827
5
Cleghorn, Claud, active 1797–1800
3
Girtin, Thomas, 1775–1802
3
Nash, Frederick, 1782–1856
3
Uwins, Thomas, 1782–1857
3
Ferneley, John E., 1782–1860
2
Havell, William, 1782–1857
2
Baynes, James, 1766–1837
1
CAIRNCROSS, Hugh, died 1808
1
Cleveley, Robert, 1747–1809
1
Corbould, Richard, 1757–1831
1
Cosway, Richard, 1742–1821
1
Dance, George, 1741–1825
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
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Creator
»
Date
1791
816
1800
479
1745
439
1802
421
1771
361
1796
350
1772
279
1795
221
1832
209
1784
208
1790
208
1826
204
1748
191
1752
186
1768
176
1767
175
1792
162
1785
155
1799
148
1793
142
1797
[remove]
132
1804
132
1818
131
1870
130
1827
124
1820
116
1775
115
1877
115
1787
99
1825
98
1700
92
1758
89
1807
89
1817
89
1780
88
1830
88
1839
88
1854
84
1763
83
1805
82
1855
82
1786
76
1803
76
1815
76
1813
75
1798
73
1801
73
1868
73
1841
72
1811
70
1777
68
1835
68
1834
67
1782
66
1778
65
1869
65
1717
64
1808
63
0
62
1812
62
1783
61
1794
61
1819
60
1833
60
1765
58
1781
58
1789
58
1836
58
1705
56
1814
55
1810
54
1740
53
1828
53
1829
53
1770
51
1821
50
1823
50
1755
49
1889
49
1888
47
1764
45
1806
45
1809
44
1840
43
1774
41
1861
41
1788
39
1845
39
1715
38
1837
38
1761
36
1822
36
1831
35
1759
33
1756
32
1838
31
1816
30
1851
30
1776
29
1844
29
On-site Access
Accessible by appointment in the Study Room
132
Image Use
Free to Use
132
Image Available
Available
131
Unavailable
1
Classification
Drawings & Watercolors
123
Drawing & Watercolors-Architectural
9
Creator Gender
male
132
Collective Title
The Poems of Thomas Gray
58
The Spoiled Child
6
Plans for Ardgowan House
1
Period
18th century
76
18th century-19th century
39
19th century
16
Materials & Techniques
graphite
[remove]
132
wove paper
117
watercolor
102
black ink
80
pen
18
gray wash
16
brown ink
14
laid paper
12
gouache
8
gray ink
5
brown wash
4
gum arabic
2
scratching out
2
wash
2
black chalk
1
blue wash
1
board
1
ink
1
oil paint
1
pens
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
9
to
56
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
82
Work Type
drawing
131
watercolor
101
Genre
literary theme
58
religious and mythological subject
39
architectural subject
26
landscape
22
genre subject
17
animal art
6
marine art
6
cityscape
5
historical subject
4
figure study
3
sporting art
3
portrait
2
military art
1
still life
1
Subject Terms
literary theme
58
text
58
men
51
religious and mythological subject
40
women
37
trees
35
man
32
architectural subject
25
landscape
19
genre subject
16
woman
15
armor
14
water
14
sky
13
church
11
horse (animal)
11
angel
10
beard
10
boy
10
children
10
more
Subject Terms
»
Associated Places
United Kingdom
33
Europe
22
England
20
Cymru
5
Norfolk
5
Wales
5
London
4
Scotland
4
Greater London
3
Isle of Wight
3
Africa
2
Barmouth
2
Cader Idris
2
Devon
2
Eton College
2
France
2
Gwynedd
2
Yorkshire
2
Berkshire
1
Caernarfon
1
more
Associated Places
»
Associated People
Cupid
1
Eve
1
Morland, Anne (Nancy; c.1765–1804)
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
11
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
6
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
6
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
5
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
3
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
2
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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132
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Materials & Techniques
graphite
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1797
Remove constraint Date: 1797
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1
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
2
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
3
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
4
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
5
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
6
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
7
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
8
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
9
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
10
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
11
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
12
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
13
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
14
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
15
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
16
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
17
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
18
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
19
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
20
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
21
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
22
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
23
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
24
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
25
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
26
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
27
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
28
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
29
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
30
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
31
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
32
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
33
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
34
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
35
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
36
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
37
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
38
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
39
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
40
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
41
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
42
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
43
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
44
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
45
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
46
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
47
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
48
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
49
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
50
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
51
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
52
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
53
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
54
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
55
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
56
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
57
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
58
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
59
William Havell, 1782–1857
River Scene with Boy and Sheep
undated
60
Frederick Nash, 1782–1856
Apsley House and Piccadilly ... from Hyde Park Corner
undated
61
Attributed to Thomas Uwins, 1782–1857
The Death of - set by William Etty R.A
undated
62
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
63
John Sell Cotman, 1782–1842
The Norfolk Broads
undated
64
John Sell Cotman, 1782–1842
Castle in a Landscape
undated
65
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
66
William Havell, 1782–1857
View of Totnes, Devon
undated
67
John Sell Cotman, 1782–1842
A Group of Trees by a Fence
undated
68
George Robert Lewis, 1782–1871
Haymakers in a Field
undated
69
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
70
Thomas Uwins, 1782–1857
A Village Fair
undated
71
Frederick Nash, 1782–1856
The Seine with Notre Dame
undated
72
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
73
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
74
Paul Sandby, 1731–1809
The Entrance to Chepstow Castle
ca. 1802
75
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
76
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
77
Paul Sandby Munn, 1773–1845
View of Side Farm, Patterdale
ca. 1802
78
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
79
James Ward, 1769–1859
Mrs. Morland's Portrait
ca. 1802
80
Thomas Sunderland, 1744–1828
Bridge over the Severn at Newtown, Looking up the River
1797
81
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
82
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
83
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
84
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
85
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
86
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
87
attributed to John Sell Cotman, 1782–1842
Doorway and Window of a Church
undated
88
John Sell Cotman, 1782–1842
Horse Loaded with Artist’s Paraphernalia
undated
89
John Sell Cotman, 1782–1842
Two Old Horses Standing in a Field
undated
90
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
91
John Warwick Smith, 1749–1831
Craig y Ladron - The Thieves Precipice
1797
92
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Attic Floor Plan
1797
93
Robert Cleveley, 1747–1809
The Battle of Cape St. Vincent
1797
94
John Sell Cotman, 1782–1842
A Starved Greyhound
undated
95
follower of John Sell Cotman, 1782–1842
South Side of Catfield Church, Norfolk
undated
96
George Dance, 1741–1825
A Dandy Quizzing a Mule's Head seen over a Stable Door
after 1797
97
Samuel Daniell, 1775–1811
Head of a Khosa Chief
ca. 1802
98
Samuel Daniell, 1775–1811
Studies of Young Pallah Deer Resting
ca. 1802
99
Samuel Daniell, 1775–1811
Study for Two Standing Pallah Deer
ca. 1802
100
Samuel Daniell, 1775–1811
Tswana Man Holding and Ostrich Feather Fan in a Landscape
ca. 1802
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