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Materials & Techniques graphite

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1797

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William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake The Serpent who Girds the Earth (Design 77)
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake "Up stairs in a whirlwind rattle..." (Design 29)
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake "Midst the tide, Two angel forms were seen to glide..." (Design 7)
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake A Circular Dance (Design 23)
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake A Standard Bearer Fainting in the Routed Battle (Design 87)
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
William Havell River Scene with Boy and Sheep
William Havell, 1782–1857
River Scene with Boy and Sheep
undated
Frederick Nash Apsley House and Piccadilly ... from Hyde Park Corner
Frederick Nash, 1782–1856
Apsley House and Piccadilly ... from Hyde Park Corner
undated
Thomas Uwins The Death of - set by William Etty R.A.
Attributed to Thomas Uwins, 1782–1857
The Death of - set by William Etty R.A
undated
Sir John Soane Hinton St. George, Somerset: View of the Saloon
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
John Sell Cotman The Norfolk Broads
John Sell Cotman, 1782–1842
The Norfolk Broads
undated
John Sell Cotman Castle in a Landscape
John Sell Cotman, 1782–1842
Castle in a Landscape
undated
Lewis Vaslet The Spoiled Child, Scene V
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
William Havell View of Totnes, Devon
William Havell, 1782–1857
View of Totnes, Devon
undated
John Sell Cotman A Group of Trees by a Fence
John Sell Cotman, 1782–1842
A Group of Trees by a Fence
undated
George Robert Lewis Haymakers in a Field
George Robert Lewis, 1782–1871
Haymakers in a Field
undated
Lewis Vaslet The Spoiled Child, Scene I
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
Thomas Uwins A Village Fair
Thomas Uwins, 1782–1857
A Village Fair
undated
Frederick Nash The Seine with Notre Dame
Frederick Nash, 1782–1856
The Seine with Notre Dame
undated
Frederick Nash Ambulatory, Westminster Abbey
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
James Baynes Rocks with Central Cavern Among Trees
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
Paul Sandby The Entrance to Chepstow Castle
Paul Sandby, 1731–1809
The Entrance to Chepstow Castle
ca. 1802
Cornelius Varley A Horse pulling a Drag
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
Thomas Uwins Farm House Kitchen at Brackham in Surrey
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
Paul Sandby Munn View of Side Farm, Patterdale
Paul Sandby Munn, 1773–1845
View of Side Farm, Patterdale
ca. 1802
Michael "Angelo" Rooker Clare Castle, Suffolk
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
James Ward Mrs. Morland's Portrait
James Ward, 1769–1859
Mrs. Morland's Portrait
ca. 1802
Thomas Sunderland Bridge over the Severn at Newtown, Looking up the River
Thomas Sunderland, 1744–1828
Bridge over the Severn at Newtown, Looking up the River
1797
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
Lewis Vaslet The Spoiled Child, Scene IV
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
Lewis Vaslet The Spoiled Child, Scene VI
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
Francis Towne Vauxhall Stairs, from Millbank, July 5, 1797
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
John Ferneley A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
John Sell Cotman Doorway and Window of a Church
attributed to John Sell Cotman, 1782–1842
Doorway and Window of a Church
undated
John Sell Cotman Horse Loaded with Artist’s Paraphernalia
John Sell Cotman, 1782–1842
Horse Loaded with Artist’s Paraphernalia
undated
John Sell Cotman Two Old Horses Standing in a Field
John Sell Cotman, 1782–1842
Two Old Horses Standing in a Field
undated
John Ferneley The Duke of Cumberland Riding With Mr. de Burgh's Hunt
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
John Warwick Smith Craig y Ladron - The Thieves Precipice
John Warwick Smith, 1749–1831
Craig y Ladron - The Thieves Precipice
1797
Claud Cleghorn Design for Ardgowan House, Scotland: Attic Floor Plan
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Attic Floor Plan
1797
Robert Cleveley The Battle of Cape St. Vincent
Robert Cleveley, 1747–1809
The Battle of Cape St. Vincent
1797
John Sell Cotman A Starved Greyhound
John Sell Cotman, 1782–1842
A Starved Greyhound
undated
John Sell Cotman South Side of Catfield Church, Norfolk
follower of John Sell Cotman, 1782–1842
South Side of Catfield Church, Norfolk
undated
George Dance A Dandy Quizzing a Mule's Head seen over a Stable Door
George Dance, 1741–1825
A Dandy Quizzing a Mule's Head seen over a Stable Door
after 1797
Samuel Daniell Head of a Khosa Chief
Samuel Daniell, 1775–1811
Head of a Khosa Chief
ca. 1802
Samuel Daniell Studies of Young Pallah Deer Resting
Samuel Daniell, 1775–1811
Studies of Young Pallah Deer Resting
ca. 1802
Samuel Daniell Study for Two Standing Pallah Deer
Samuel Daniell, 1775–1811
Study for Two Standing Pallah Deer
ca. 1802
Samuel Daniell Tswana Man Holding and Ostrich Feather Fan in a Landscape
Samuel Daniell, 1775–1811
Tswana Man Holding and Ostrich Feather Fan in a Landscape
ca. 1802