Materials & Techniques: etching (printing process) / Height [cm]: 29 / Topic subjectplace ss: United Kingdom

Print made by John Boydell, 1720–1804

The Wreck of the Nuestra Senora de los Remedios

1753

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Print made by Robert Dighton, 1752–1814

Hamlet in Scotland

1794

Print made by John Bluck, active 1791–1831

Water Engine, Cold-Bath-Field's Prison

1808

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by John Horsburgh, 1791–1869

Whitstable, Kent

1814 to 1826

Print made by William Miller, 1796–1882

Stirling

1836

Print made by William Miller, 1796–1882

Dunstaffnage

1836

Print made by William Miller, 1796–1882

Plymouth Dock from Mount Edgecumbe

1820

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorsetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorsetshire

1813

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1815

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1815

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by William Radclyffe, 1780–1855

Deal, Kent

1826

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Print made by Robert Havell, 1769–1832

View of the Front of the New Public Buildings, Guildford

1819

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Robert Spence, 1871–1964

George Fox in the Garden of Dr. Craddock at Coventry

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox Walks Through Whitehall

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox Preaching at Carlisle

between 1897 and 1912

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

Print made by Robert Kearsley Dawson, 1798–1861

Map of Worcestershire Showing Western and Eastern Divisions

undated

Charles Grignion, 1717–1810

A View of the Bridge at Walton-on-Thames in Surrey

1752

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

Print made by Benjamin Baker, 1766–1841

Plan of the West India Docks

1802

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Sir Francis Seymour Haden, 1818–1910

On the Thames

1859

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Robert Havell, 1769–1832

Crofton

1813

Print made by Sir David Young Cameron, 1865–1945

Dunvalanree

1910

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Hedley Fitton, 1859–1929

St. Andrew's Castle in the Kingdom of Fife

undated

Print made by John Fullwood, 1854–1931

Laleham Meadows near Littleton

undated

Sir William Russell Flint, 1880–1969

Her New Heir, Stokesay

1930

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Stanford, the Seat of Sir Edward Winnington, Baronet

undated

Joseph Gray, 1890–1962

Scottish Landscape

1928

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Materials & Techniques etching (printing process)

Height [cm] 29

Topic subjectplace ss United Kingdom

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Materials & Techniques etching (printing process)

Height [cm] 29

Topic subjectplace ss United Kingdom

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