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Collection
Prints and Drawings
37
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
35
Hakewill, James, 1778–1843
8
Middiman, Samuel, ca. 1750–1831
7
Murray, John, founded 1768
7
Lupton, Thomas Goff, 1791–1873
5
Pye, John, 1782–1874
5
Cooke, William Bernard, 1778–1855
4
Reynolds, Samuel William, 1773–1835
4
Allen, James C., active 1821–1831
3
Smith, William R., active 1819–1851
3
Dawe, Henry E., 1790–1848
2
Say, William, 1768–1834
2
Allom, Thomas, 1804–1872
1
Cooke, George, 1781–1834
1
Cousen, John, 1804–1880
1
Davies, S. T., active ca. 1835
1
Kennedy, D.
1
Landseer, John, 1769–1852
1
Rawle, Samuel, 1771–1860
1
Vertue, George, 1684–1756
1
Date
1834
69
1818
64
1859
54
1830
52
1816
49
1836
45
1814
43
1811
39
1819
[remove]
37
1812
36
1835
34
1820
28
1821
28
1850
27
1827
26
1822
25
1813
24
1864
21
1832
19
1776
17
1808
17
1824
17
1897
17
1915
17
1860
16
1896
16
1792
15
1825
14
1807
13
1817
13
1823
13
1842
13
1865
13
1913
13
1925
13
1926
13
1887
12
1916
12
1917
12
1927
12
1775
11
1851
11
1875
11
1881
11
1905
11
1920
11
1800
10
1826
10
1828
10
1833
10
1857
10
1863
10
1880
10
1911
10
1922
10
1928
10
1773
9
1838
9
1877
9
1890
9
1902
9
1907
9
1912
9
1914
9
1803
8
1809
8
1837
8
1841
8
1891
8
1921
8
1931
8
1810
7
1829
7
1840
7
1879
7
1908
7
1910
7
1918
7
1923
7
1929
7
1930
7
1932
7
1737
6
1844
6
1852
6
1858
6
1861
6
1935
6
1779
5
1794
5
1802
5
1839
5
1845
5
1854
5
1856
5
1868
5
1883
5
1884
5
1888
5
1892
5
On-site Access
Accessible by appointment in the Study Room
37
Image Use
Free to Use
36
Under Certain Circumstances
1
Image Available
Available
37
Classification
Prints
37
Creator Gender
male
37
Collective Title
Liber Studiorum
13
A Picturesque Tour of Italy
8
Cooke's Views in Sussex
4
Whitaker's History of Richmondshire
4
Holloway's Continuation of England and Wales
3
Provincial Antiquities and Picturesque Scenery of Scotland
1
Surtees' History of Durham
1
Period
19th century
37
Materials & Techniques
etching (printing process)
[remove]
37
laid paper
19
wove paper
17
brown ink
14
line engraving
14
mezzotint
14
chine collé
8
engraving (printing process)
6
graphite
1
Height [cm]
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10
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38
Width [cm]
Width [cm] range begin
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Current results range from
10
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56
Work Type
intaglio print
37
Genre
landscape
[remove]
37
architectural subject
11
genre subject
5
animal art
4
cityscape
3
marine art
3
religious and mythological subject
3
literary theme
1
Subject Terms
landscape (representation)
11
architectural subject
6
river
6
church
5
castle
4
hill
4
landscape
4
cityscape
3
men
3
religious and mythological subject
3
road
3
trees
3
bridge
2
city
2
genre subject
2
lake
2
marine art
2
palace
2
path
2
rivers
2
more
Subject Terms
»
Associated Places
United Kingdom
9
England
7
Europe
7
Italy
5
Terni
3
Umbria
3
Albani, Colli
2
All Saints Church Ruins
2
Bridge of Augustus
2
Church of Santa Maria della Cima
2
Church of St. Mary the Virgin
2
Dunwich
2
Durham
2
Genzano di Roma
2
Greta
2
Lazio
2
Narni
2
Nemi, Lago di
2
North Sea
2
North Yorkshire
2
more
Associated Places
»
Associated People
Aesacus
1
Christ
1
Hesperie
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Wilkie, Sir David (1785–1841), painter of genre, historical subjects, and portraits
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
37
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Materials & Techniques
etching (printing process)
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Date
1819
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Genre
landscape
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1
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
2
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
6
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
7
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
8
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
9
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
10
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
11
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
12
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
13
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
14
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
15
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
16
Etched by Samuel Middiman, ca. 1750–1831
La Riccia
1819
17
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
18
Etched by Samuel Middiman, ca. 1750–1831
La Riccia
1819
19
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1819
20
Print made by Samuel Rawle, 1771–1860
Gibside, County of Durham
1819
21
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
22
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1819
23
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1819
24
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
25
Print made by James C. Allen, active 1821–1831
Harborough Sands
1819-1826
26
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1819
27
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
28
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1819
29
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1819
30
Print made by George Cooke, 1781–1834
Crichton Castle
1819
31
Print made by James C. Allen, active 1821–1831
Dunwich
1819-1826
32
Print made by James C. Allen, active 1821–1831
Dunwich
1819-1826
33
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
34
Print made by John Landseer, 1769–1852
Cascade of Terni
1819
35
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1819
36
Print made by Samuel Middiman, ca. 1750–1831
Junction of the Greta and Tees at Rokeby
1819
37
John Cousen, 1804–1880
Manse and Church of Cults, the Birthplace of Wilkie
undated