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Collection
Prints and Drawings
53
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
43
Hakewill, James, 1778–1843
10
Murray, John, founded 1768
8
Middiman, Samuel, ca. 1750–1831
7
Cooke, William Bernard, 1778–1855
5
Lupton, Thomas Goff, 1791–1873
5
Pye, John, 1782–1874
5
Allen, James C., active 1821–1831
4
Reynolds, Samuel William, 1773–1835
4
Cooke, George, 1781–1834
3
Smith, William R., active 1819–1851
3
Allom, Thomas, 1804–1872
2
Dawe, Henry E., 1790–1848
2
Garling, Henry, 1789–1870
2
Havell, Robert, 1769–1832
2
Say, William, 1768–1834
2
Unknown artist
2
Basire, James, 1769–1822
1
Byrne, John, 1786–1847
1
Chevalier, Guillaume Sulpice, 1804–1866
1
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Date
1830
129
1808
108
1859
101
1834
97
1818
88
1814
70
1836
68
1816
65
1835
65
1811
60
1850
59
1827
57
1803
55
1820
54
1819
[remove]
53
1812
50
1807
48
1896
45
1813
44
1826
42
1825
41
1802
39
1821
39
1822
37
1832
32
1800
31
1824
30
1810
29
1809
25
1806
24
1864
24
1855
23
1891
23
1900
23
1833
22
1839
22
1863
22
1801
21
1842
21
1887
21
1817
20
1823
20
1829
20
1893
20
1838
18
1857
18
1828
17
1860
17
1865
17
1897
17
1804
16
1815
16
1877
16
1837
15
1889
15
1875
14
1881
14
1894
14
1831
13
1841
13
1892
13
1851
12
1858
12
1879
12
1880
12
1888
12
1890
12
1840
10
1844
10
1852
10
1882
10
1805
9
1845
9
1870
9
1895
9
1898
9
1899
9
1856
8
1871
8
1885
8
1861
7
1884
7
1846
6
1854
6
1866
6
1868
6
1883
6
1886
6
1853
5
1862
5
1878
5
1848
4
1869
4
1873
4
1876
4
1849
3
1872
3
1799
2
1874
2
0
1
On-site Access
Accessible by appointment in the Study Room
53
Image Use
Free to Use
51
Under Certain Circumstances
2
Image Available
Available
53
Classification
Prints
52
Drawings & Watercolors
1
Creator Gender
male
53
unknown
2
Collective Title
Liber Studiorum
16
A Picturesque Tour of Italy
10
Cooke's Views in Sussex
5
Holloway's Continuation of England and Wales
4
Whitaker's History of Richmondshire
4
Provincial Antiquities and Picturesque Scenery of Scotland
2
"Vetusta Monumenta", Society of Antiquaries of London, 1747-1906
1
Surtees' History of Durham
1
Period
19th century
[remove]
53
Materials & Techniques
etching (printing process)
[remove]
53
wove paper
32
laid paper
20
brown ink
17
line engraving
16
mezzotint
16
chine collé
12
engraving (printing process)
9
aquatint
2
colored ink
2
watercolor
2
black ink
1
graphite
1
hand coloring
1
letterpress printing
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
58
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
10
to
56
Work Type
intaglio print
52
drawing
1
watercolor
1
Genre
landscape
37
architectural subject
19
genre subject
10
religious and mythological subject
6
cityscape
5
marine art
5
animal art
4
literary theme
2
figure study
1
still life
1
Subject Terms
architectural subject
11
landscape (representation)
11
men
10
women
8
genre subject
7
river
7
church
6
castle
5
children
5
religious and mythological subject
5
city
4
cityscape
4
hill
4
landscape
4
marine art
4
trees
4
walking
4
clouds
3
road
3
tree
3
more
Subject Terms
»
Associated Places
United Kingdom
14
England
12
Europe
11
Italy
6
Suffolk
3
Terni
3
Umbria
3
Albani, Colli
2
All Saints Church Ruins
2
Bridge of Augustus
2
Church of Santa Maria della Cima
2
Church of St. Mary the Virgin
2
Dunwich
2
Durham
2
Genzano di Roma
2
Greta
2
Guildford
2
Lazio
2
Lincolnshire
2
Narni
2
more
Associated Places
»
Associated People
Aesacus
2
Hesperie
2
Christ
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Wilkie, Sir David (1785–1841), painter of genre, historical subjects, and portraits
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
4
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Enlightened Princesses - Caroline, Augusta, Charlotte, and the Shaping of the Modern World (Yale Center for British Art, 2017-02-02 - 2017-04-30)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
53
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Materials & Techniques
etching (printing process)
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Date
1819
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19th century
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1
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
2
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
6
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
7
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
8
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
9
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
10
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
11
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
12
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
13
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
14
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
15
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
16
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
17
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
18
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
19
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1819
20
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1819
21
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1819
22
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
23
Print made by John Landseer, 1769–1852
Cascade of Terni
1819
24
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1819
25
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1819
26
Etched by Samuel Middiman, ca. 1750–1831
La Riccia
1819
27
Print made by Samuel Middiman, ca. 1750–1831
Junction of the Greta and Tees at Rokeby
1819
28
Print made by James C. Allen, active 1821–1831
Dunwich
1819-1826
29
John Cousen, 1804–1880
Manse and Church of Cults, the Birthplace of Wilkie
undated
30
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
31
Print made by George Cooke, 1781–1834
Crichton Castle
1819
32
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
33
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1819
34
Print made by James C. Allen, active 1821–1831
Harborough Sands
1819-1826
35
Print made by James C. Allen, active 1821–1831
Harborough Sands
1819-1826
36
Print made by James C. Allen, active 1821–1831
Dunwich
1819-1826
37
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
38
Thomas Higham, 1796–1844
Benacre Hall, Suffolk
1819
39
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
40
Print made by Samuel Rawle, 1771–1860
Gibside, County of Durham
1819
41
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1819
42
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1819
43
Print made by George Cooke, 1781–1834
Naples, from the Mole
1819
44
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1819
45
Engraved by Henry Le Keux, 1787–1868
High Street, Edinburgh
1819
46
Print made by William Bernard Cooke, 1778–1855
Views in Sussex, Publisher's Printed Wrapper
1819
47
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
48
Etched by Samuel Middiman, ca. 1750–1831
La Riccia
1819
49
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
50
Print made by unknown artist
Boston Church and Grand Sluice, Lincolnshire
undated
51
James Pollard, 1792–1867
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
52
Print made by George Cruikshank, 1792–1878
Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!
1819
53
Print made by Robert Havell, 1769–1832
View of the Front of the New Public Buildings, Guildford
1819