Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1819

Etched by Joseph Mallord William Turner, 1775–1851

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851

East Gate, Winchelsea, Sussex

1819

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851

The Alcove, Isleworth

1819

Print made by Joseph Mallord William Turner, 1775–1851

Interior of a Church

1819

Etched by Joseph Mallord William Turner, 1775–1851

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851

Isis

1819

Etched by Joseph Mallord William Turner, 1775–1851

Isis

1819

Etched by Joseph Mallord William Turner, 1775–1851

East Gate, Winchelsea, Sussex

1819

Etched by Joseph Mallord William Turner, 1775–1851

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Print made by Joseph Mallord William Turner, 1775–1851

Interior of a Church

1819

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Print made by William Bernard Cooke, 1778–1855

Views in Sussex, Publisher's Printed Wrapper

1819

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1819

Print made by George Cooke, 1781–1834

Naples, from the Mole

1819

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by Samuel Rawle, 1771–1860

Gibside, County of Durham

1819

Etched by Samuel Middiman, ca. 1750–1831

La Riccia

1819

Print made by James C. Allen, active 1821–1831

Dunwich

1819-1826

Print made by James C. Allen, active 1821–1831

Dunwich

1819-1826

Print made by William Bernard Cooke, 1778–1855

Vale of Heathfield, Sussex

1819

Print made by unknown artist

Boston Church and Grand Sluice, Lincolnshire

undated

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Etched by Samuel Middiman, ca. 1750–1831

La Riccia

1819

Print made by Samuel Middiman, ca. 1750–1831

Junction of the Greta and Tees at Rokeby

1819

Print made by George Cooke, 1781–1834

Crichton Castle

1819

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1819

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

James Pollard, 1792–1867

Cottager's Hospitality to Travellers of The Coach Broke Down

1819

Print made by Robert Havell, 1769–1832

View of the Old Corn Market and Tuns Inn, Guildford

1819

John Cousen, 1804–1880

Manse and Church of Cults, the Birthplace of Wilkie

undated

Print made by George Cruikshank, 1792–1878

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by Robert Havell, 1769–1832

View of the Front of the New Public Buildings, Guildford

1819

Thomas Higham, 1796–1844

Benacre Hall, Suffolk

1819

Print made by S. T. Davies, active ca. 1835

Lincoln from the River Witham

undated

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1819

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The Spot where Harold Fell

1819

Print made by William Bernard Cooke, 1778–1855

The Vale of Ashburnham

1819

Print made by John Landseer, 1769–1852

Cascade of Terni

1819

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1819

Print made by John Byrne, 1786–1847

Tomb of Cecilia Metella

1819

Print made by James C. Allen, active 1821–1831

Harborough Sands

1819-1826

Print made by James C. Allen, active 1821–1831

Harborough Sands

1819-1826

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1819

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1819

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