Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
105
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
106
Richard Parkes Bonington, 1802–1828
A Seascape
undated
107
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
108
John Thomas Smith, 1766–1833
The Smock Exposed
1817
109
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
110
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
111
Cornelius Varley, 1781–1873
Landscape with Castle
undated
112
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
113
John Varley, 1778–1842
Trees Overhanging a River
undated
114
John Varley, 1778–1842
The Fisherman
undated
115
James Ward, 1769–1859
Sky Study
undated
116
James Ward, 1769–1859
An Outhouse Wall
undated
117
Benjamin West, 1738–1820
Page Boy Asleep
undated
118
Sir James Thornhill, 1675–1734
Sheet of Classical Figure Studies
undated
119
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
120
William Blake Richmond, 1842–1921
Portrait of a Gentleman
undated
121
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
122
Thomas Carwitham, active 1723
Figure studies
1723
123
Attributed to William Ward, 1766–1826
View of the Britannia
undated
124
William Burgess, 1749–1812
Interior of a Stable, with Tow Horses Feeding
undated
125
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
126
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
127
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759
128
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
129
Michel Jean Cazabon, 1813–1888
St. James Barracks
1851
130
Michel Jean Cazabon, 1813–1888
Maraccas Waterfall
1851
131
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
132
Paul Sandby, 1731–1809
Portrait of a Lady at a Drawing Table
undated
133
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
134
Paul Sandby, 1731–1809
The Misses Sandby of Norwich
undated
135
John Varley, 1778–1842
A Romantic Landscape
undated
136
James Ward, 1769–1859
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825
137
Joseph Wilton, 1722–1803
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
Between 1747 and 1755
138
unknown artist
Design for Wall Paper
ca. 1760
139
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
140
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
141
Thomas Uwins, 1782–1857
John Britton, F.S.A
ca. 1820
142
Sir James Thornhill, 1675–1734
The House of Commons
after 1731
143
Sir James Thornhill, 1675–1734
A Scene at Windsor
undated
144
Sir James Thornhill, 1675–1734
A Niche for Mr. Portman's House at Sherborne
ca. 1720
145
John Vanderbank, 1694–1739
Preparatory Study for the decoration "Equestrian Portrait of George I"
undated
146
Coplestone Warre Bampfylde, 1719–1791
Crowcombe Court: a gentleman with his dog walking by the river
ca. 1775
147
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
148
George Barret Jr., 1767–1842
Boulner, East Yarmouth
undated
149
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
150
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
151
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
152
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
153
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
154
John Thomas Smith, 1766–1833
The Reconcilation
1817
155
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
156
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
157
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
158
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
159
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
160
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
161
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
162
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
163
John Vanderbank, 1694–1739
Portrait of a Young Lady as a Shepherdress
undated
164
unknown artist
Crossing the Bridge
early 19th century
165
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
166
unknown artist
The Virtuous Family
ca. 1790
167
Sir David Wilkie, 1785–1841
Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"