Materials & Techniques: brown wash / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 20

Wenceslaus Hollar, 1607–1677

A View from Peterborough Tower at Tangier

1669

Sir George Hayter, 1792–1871

Portrait Study of Martha, Lady Hayter

1863

John Kendall, 1766–1829

Sarcophagus in a Church

May 10, 1806

William Knight, active 1807–1845

Chiddingstone Place, View from the Lake

ca. 1850s

John Martin, 1789–1854

Travelers on a Road above a River

1821

Paul Sandby, 1731–1809

London Cries: Small Coal or Brushes

ca. 1759

Paul Sandby, 1731–1809

London Cries: Throws for a Ha'penny Have You a Ha'penny

undated

Paul Sandby, 1731–1809

London Cries: All Fire and No Smoke

ca. 1759

Paul Sandby, 1731–1809

London Cries: A Man Swaggering

undated

Paul Sandby, 1731–1809

London Cries: A Man with a Bottle

ca. 1759

Sir Robert Smirke the younger, 1781–1867

Front of La Maddalena Church, Venice

1802-1804

Sir Robert Smirke the younger, 1781–1867

Sketches of Buildings in Vicenza

1802-1804

Sir Robert Smirke the younger, 1781–1867

Powder Tower, One of the Original City Gates into the City of Prague

1802-1804

Henry Dawe, 1790–1848

The Life of a Nobleman: Scene the Sixth - The Usurer

undated

Henry Dawe, 1790–1848

The Life of a Nobleman: Scene the Eighth - The Duel

undated

Henry Dawe, 1790–1848

The Life of a Nobleman: Scene the Ninth - The Sick Room

undated

William John Chamberlayne, 1821–1910

Joshua Delivering Gibeon

undated

Henry Dawe, 1790–1848

The Life of a Nobleman: Scene the Fourth - The Betting Booth

undated

Henry Dawe, 1790–1848

The Life of a Nobleman: Scene the Fifth - The Gambling House

undated

John Martin, 1789–1854

Archers Stalking a Stag

1821

Sir Robert Smirke the younger, 1781–1867

Palazzo Thiene Bonin Longare

1802-1804

Sir Robert Smirke the younger, 1781–1867

Monument in the Basilica of Saint Anthony of Padua

1802-1804

Isaac Weld, 1774–1856

"After Pinnelli" (Group of Peasants Outside a House)

1817

James Paine, 1717–1789

Design for a Temple on a Square Plan and with a Dome: Elevation

undated

Sir James Thornhill, 1675–1734

Design for a Lunette

undated

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

Samuel Prout, 1783–1852

Church and Cottages

undated

unknown artist

The Long Minuet as Danced at Bath

after 1787

Mary Harcourt, 1750–1833

Tournon Opposite to Teint on the Rhone

ca. 1780

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817