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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
38
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
17
Lupton, Thomas Goff, 1791–1873
5
Wilkins, William, 1778–1839
5
Allom, Thomas, 1804–1872
4
Reynolds, Samuel William, 1773–1835
4
Weld, Isaac, 1774–1856
4
Dawe, Henry E., 1790–1848
2
Say, William, 1768–1834
2
Atkinson, John Augustus, 1775–approximately 1833
1
Brown, Mather, 1761–1831
1
DAVIS, John Scarlett, 1804–1845
1
Fielding, Anthony Vandyke Copley, 1787–1855
1
Harding, James Duffield, 1798–1863
1
Heriot, George, 1766–1844
1
Jackson, Samuel, 1794–1869
1
Telford, Thomas, 1757–1834
1
Date
1867
290
1771
205
1772
152
1800
142
1749
133
1773
133
1832
110
1745
96
1804
93
1758
76
1846
71
1775
66
1787
64
1802
63
1812
63
1784
56
1738
52
1785
51
1790
51
1817
51
1748
46
1700
45
1841
45
1813
43
1818
43
1896
43
1786
42
1811
42
1768
40
1789
40
1825
40
1770
39
1820
39
1827
39
1819
[remove]
38
1826
38
1816
36
1717
35
1834
32
1795
31
1810
31
1807
30
1808
30
1765
29
1821
29
1814
28
1815
28
1762
27
1777
27
1836
27
1805
26
1848
26
1755
25
1830
25
1835
25
1837
25
1780
24
1791
22
1793
22
1801
22
1809
22
1792
21
1799
21
1833
21
1797
20
1690
19
1760
19
1847
19
1796
18
1798
18
1828
18
1839
18
1740
17
1779
17
1781
17
1794
17
1851
17
0
16
1752
16
1823
16
1806
15
1822
15
1838
15
1782
14
1783
14
1855
14
1875
14
1761
13
1774
13
1829
13
1712
12
1723
12
1747
12
1843
12
1866
12
1759
11
1766
11
1803
11
1840
11
1849
11
On-site Access
Accessible by appointment in the Study Room
38
Image Use
Free to Use
38
Image Available
Available
38
Classification
Prints
17
Drawings & Watercolors
15
Drawing & Watercolors-Architectural
6
Creator Gender
male
38
Collective Title
Liber Studiorum
16
Period
19th century
37
18th century-19th century
1
Materials & Techniques
brown ink
[remove]
38
wove paper
21
graphite
19
etching (printing process)
17
laid paper
16
mezzotint
16
watercolor
11
pen
9
brown wash
8
black ink
6
white gouache
4
gray wash
2
gouache
1
gray ink
1
gum arabic
1
red chalk
1
red ink
1
scraping
1
scratching out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
12
to
38
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
19
to
55
Work Type
drawing
20
intaglio print
17
watercolor
13
Genre
architectural subject
20
landscape
16
genre subject
10
religious and mythological subject
4
cityscape
3
figure study
2
literary theme
2
historical subject
1
marine art
1
portrait
1
Subject Terms
architectural subject
10
genre subject
6
men
5
cityscape
4
trees
4
Grand Tour
3
children
3
figures
3
food
3
landscape
3
religious and mythological subject
3
tree
3
women
3
boat
2
bridge (built work)
2
building
2
figure study
2
horses (animals)
2
man
2
nymph
2
more
Subject Terms
»
Associated Places
Asia
3
China
3
England
2
Europe
2
United Kingdom
2
Beijing
1
Bologna
1
Bristol
1
Campagna
1
Israel
1
Italy
1
Leatherhead
1
Lyons
1
Naples
1
Rhône
1
Rome
1
Samaria
1
Surrey
1
Associated People
Aesacus
2
Hesperie
2
Christ
1
Davis, John Scarlett (1804–1845), painter
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
John Scarlett Davis - The Interior of the British Institution Gallery (Yale Center for British Art, 1984-02-28 - 1984-04-22)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
1
Seeing Double : Portraits, Copies and Exhibitions in 1820s London (Yale Center for British Art, 2010-06-24 - 2010-09-19)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
38
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Materials & Techniques
brown ink
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Date
1819
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1
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
2
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
6
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
7
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
8
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
9
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
10
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
11
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
12
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
13
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
14
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
15
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
16
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
17
Etched by Joseph Mallord William Turner, 1775–1851
Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
1819
18
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
19
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: North Elevation
1819
20
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: Ground Plan
1819
21
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: East Elevation
1819
22
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: South Elevation
1819
23
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: West Elevation
1819
24
Mather Brown, 1761–1831
Workmen at Refreshment (Banditti?)
1819
25
Isaac Weld, 1774–1856
Castello Malespina Appennines
1819
26
Isaac Weld, 1774–1856
Giving Notice of Arrival of a Bit of Wine... Naples
1819
27
Isaac Weld, 1774–1856
An Execution, Rome
1819
28
Isaac Weld, 1774–1856
The Wine Tasting
1819
29
Studio of Thomas Telford, 1757–1834
Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry
1819
30
George Heriot, 1766–1844
View of a Bridge
1819
31
Samuel Jackson, 1794–1869
St. Michael's Hill, Bristol
ca. 1824
32
Thomas Allom, 1804–1872
Thorncroft, near Leatherhead
undated
33
Thomas Allom, 1804–1872
Dinner Party at a Mandarin's House
undated
34
John Augustus Atkinson, 1775–1831
Bologna, View in the Strada Maggiore
1819
35
Thomas Allom, 1804–1872
Pavilion and Gardens of a Mandarin near Peking
undated
36
Thomas Allom, 1804–1872
The House of a Chinese Merchant near Canton
undated
37
John Scarlett Davis, 1804–1845
Self Portrait (?)
ca. 1824
38
Anthony Vandyke Copley Fielding, 1787–1855
Coast Scene with a Beached Boat
between 1819 and 1822