Materials & Techniques: brown ink / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1817

Samuel Howitt, 1756–1822

Honey-Badger

1817

Samuel Howitt, 1756–1822

North American Lynx

ca. 1817

William Henry Hunt, 1790–1864

Interior of the Belfry, Bushey Church

ca. 1822

Alexander Monro, 1802–1844

Buildings Belonging to Magdalen Hall, Oxford

undated

Capt. Thomas Hastings, 1778–1854

Near Gravesend from the High Road

1817

Thomas Shotter Boys, 1803–1874

Regent Street, Looking Toward Piccadilly From Waterloo Place

undated

Isaac Weld, 1774–1856

After Pinnelli - Group of Peasants Outside a Church

1817

Isaac Weld, 1774–1856

"After Pinnelli" (Group of Peasants Outside a House)

1817

Richard Parkes Bonington, 1802–1828

Study of a Woman with her Head on her Hand

undated

John Chessell Buckler, 1793–1894

South East View of the Church and Palace at Croydon, Surrey

1817

William Henry Hunt, 1790–1864

Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

ca. 1822

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817