"And none but Bromian can hear my lamentations..." (Plate 6)
1793
6
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
7
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
8
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
9
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
10
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
11
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
12
unknown artist
Heveningham Hall, Suffolk
between 1782 and 1790
13
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
14
William Kent, ca.1686–1748
Townsend's Building at Rousham, Oxfordshire: Elevation and Plan
ca. 1738
15
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
16
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
17
Nicholas Pocock, 1740–1821
View from Ashton Meadows, Bristol
1791
18
Thomas Patch, 1725–1782
Valentino, Servitore de Piazza
1769
19
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
20
John Piper, 1903–1992
Selborne Church
1961
21
Capt. Francis Grose, 1731–1791
A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire
undated
22
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
23
Sir Frank Short, 1857–1945
Victory Returning from Trafalgar
undated
24
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
25
Sir Robert Smirke the younger, 1781–1867
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
26
Sir Robert Smirke the younger, 1781–1867
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
1802-1804
27
John Piper, 1903–1992
Cottage at Deane, Hants
1938
28
John Robert Cozens, 1752–1797
Ascent to the Cascade of Terni
undated
29
John Robert Cozens, 1752–1797
Mola di Gaeta
undated
30
Robert Smirke, 1752–1845
Diana and Actaeon
undated
31
Robert Smirke, 1752–1845
Woman Sleeping in the Nude in a Wooded Landscape
undated
32
John Robert Cozens, 1752–1797
Isle of Nisida
undated
33
William Collins, 1788–1847
Dartmouth
undated
34
Attributed to Daniel Lysons, 1762–1834
Memorial to Sir Orlando Gee Knight from Isleworth Church
between 1796 and 1811
35
Thomas Hearne, 1744–1817
Haymaking
undated
36
Print made by Augustus Welby Northmore Pugin, 1812–1852
The Grange and St. Augustine's, Ramsgate, Kent
ca. 1848
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
38
unknown artist
Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
undated
39
George Augustus Sala, 1828–1895
Sketches: Nude Man, Standing Man, Two Profiles, and Box
1888
40
Attributed to Daniel Lysons, 1762–1834
Memorial to George and Elizabeth MacKenzie from Kensngton Church
between 1796 and 1811
41
James Gwin, 1700–1769
Troisieme Position du Salut
1763
42
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
43
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
44
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Sunias Minerva
1802-1804
45
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
46
Thomas Stowers, 1754–active 1814
Mill at Load Water
undated
47
James Bruce, 1730–1794
Jerboa
ca. 1768
48
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
49
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
50
Robert Dighton, 1752–1814
Bachelor's Hall
undated
51
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
52
Robert Smirke, 1752–1845
Bachanalia Scene
undated
53
Henry Swinburne, 1743–1803
View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
1764
54
John Robert Cozens, 1752–1797
Gaeta
undated
55
John Robert Cozens, 1752–1797
Florence
undated
56
John Robert Cozens, 1752–1797
Between Ambrogiana and La Lastra
undated
57
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
58
Willey Reveley, 1760–1799
Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall
ca. 1785
59
Thomas Malton, 1726–1801
Winchester Tower, Windsor Castle
undated
60
Francis Place, 1647–1728
Lambeth from York House
undated
61
Sir Richard Westmacott, 1775–1856
Interior of Lancaster House
undated
62
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
63
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
64
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
65
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
66
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
67
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
68
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
69
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
70
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
71
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
72
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
73
John Thomas Smith, 1766–1833
The Smock Exposed
1817
74
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
75
Samuel Prout, 1783–1852
Beach Scene
undated
76
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
77
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
78
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
79
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
80
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
81
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
82
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
83
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
84
Sir Augustus Wall Callcott, 1779–1844
Woman on a Horse with Two Standing Women Overlooking a Landscape
undated
85
Thomas Stothard, 1755–1834
Sketch of Classical Figures in Action
undated
86
George Lothian Hall, 1825–1888
The South Barracks, Gibraltar
1844
87
George Lothian Hall, 1825–1888
The Rock of Gibraltar from the Alameida at San Roque
1844
88
George Lothian Hall, 1825–1888
The 48th Regiment with Casemate, Gibraltar
1844
89
George Lothian Hall, 1825–1888
The King's Bastion, the Club House Hotel, Gibraltar
1844
90
Sir Stanley Spencer, 1891–1959
Deposition
1910
91
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
92
Samuel Howitt, 1756–1822
The Toll-house with a Coach Crossing the Bridge
undated
93
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
94
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
95
John Thomas Smith, 1766–1833
The Reconcilation
1817
96
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
97
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
98
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
99
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
100
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'