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Materials & Techniques black ink

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Period 19th century

Remove constraint Period: 19th century

Width [cm] 25

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Robert Polhill Bevan A Harrow in the Orchard
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Near Daboad
Edward Lear, 1812–1888
Near Daboad
1867
unknown artist Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
unknown artist
Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
undated
Sir Robert Smirke the younger Architectural Drawing of the Temple of Sunias Minerva
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Sunias Minerva
1802-1804
Sir Robert Smirke the younger Temple Near the Site of Ancient Phigalia
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
Sir Robert Smirke the younger The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
Sir Robert Smirke the younger The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
Sir Robert Smirke the younger, 1781–1867
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
1802-1804
Sir Robert Smirke the younger The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
Sir Robert Smirke the younger, 1781–1867
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
George Augustus Sala Sketches: Nude Man, Standing Man, Two Profiles, and Box
George Augustus Sala, 1828–1895
Sketches: Nude Man, Standing Man, Two Profiles, and Box
1888
George Lothian Hall The South Barracks, Gibraltar
George Lothian Hall, 1825–1888
The South Barracks, Gibraltar
1844
Thomas Grieve Design for Love's Labour's Lost
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
Michel Jean Cazabon The Cottage, Residence of the Governor
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
Michel Jean Cazabon The Reservoir at Maraval
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
Michel Jean Cazabon View from Laventille Hill
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
Michel Jean Cazabon Corbeaux Town, Port of Spain
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
Michel Jean Cazabon Avenue and Entrance to St. James Barracks
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
Michel Jean Cazabon Los Gallos, Icacos Bay
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
Michel Jean Cazabon Residence at Orange Grove Estate, Tacarigua
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
William Collins Dartmouth
William Collins, 1788–1847
Dartmouth
undated
Augustus Welby Northmore Pugin The Grange and St. Augustine's, Ramsgate, Kent
Print made by Augustus Welby Northmore Pugin, 1812–1852
The Grange and St. Augustine's, Ramsgate, Kent
ca. 1848
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
Henry Morton Strand Gateway, Winchelsea
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
George Lothian Hall The Rock of Gibraltar from the Alameida at San Roque
George Lothian Hall, 1825–1888
The Rock of Gibraltar from the Alameida at San Roque
1844
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
George Lothian Hall The King's Bastion, the Club House Hotel, Gibraltar
George Lothian Hall, 1825–1888
The King's Bastion, the Club House Hotel, Gibraltar
1844
George Lothian Hall The 48th Regiment with Casemate, Gibraltar
George Lothian Hall, 1825–1888
The 48th Regiment with Casemate, Gibraltar
1844
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
Michel Jean Cazabon On the Cimaronero River
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
Michel Jean Cazabon Forest Scenery near Tamana
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
Michel Jean Cazabon The Bocas from the Old Fort, Macqueripe
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
Michel Jean Cazabon Cedros Bay
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
Michel Jean Cazabon St. James' Barracks from the Playground of the Model School
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
Michel Jean Cazabon The Pitch Lake
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
Michel Jean Cazabon Garden Estate, Arouca
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
John Doyle ('H.B.') The Centaur Nessus Carrying off Deianira
Print made by John Doyle ('H.B.'), 1797–1868
The Centaur Nessus Carrying off Deianira
1847
unknown artist One of Eleven Designs for Houses and Shops
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
unknown artist View of Ilfracombe, from Hilsborough
unknown artist
View of Ilfracombe, from Hilsborough
after 1814
Thomas Baker of Leamington A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
Attributed to Thomas Baker of Leamington, 1809–1864
A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
1848
unknown artist Mr. Lee's House After the Fire, House of Lords
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
George Chinnery Lady Louisa Duncombe on Horseback
George Chinnery, 1774–1852
Lady Louisa Duncombe on Horseback
ca. 1824
Michel Jean Cazabon Caledonia and Craig Islands
Michel Jean Cazabon, 1813–1888
Caledonia and Craig Islands
1857
Cornelius Varley A measured drawing of a skull
Cornelius Varley, 1781–1873
A measured drawing of a skull
1826
unknown artist Carriage Design: An Open Carriage, Hooper and Company, Coachbuilders
unknown artist
Carriage Design: An Open Carriage, Hooper and Company, Coachbuilders
undated
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
Thomas Sibson Cash-Payment
Thomas Sibson, 1817–1844
Cash-Payment
1844
unknown artist Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire
unknown artist
Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire
ca. 1835
Thomas Cundy Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans
1827