<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

Date 1817

Remove constraint Date: 1817

Image Available Available

Remove constraint Image Available: Available

Search Results

Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
Thomas Shotter Boys Queen Anne Boleyn's Room, Windsor Castle
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
Richard Parkes Bonington Untitled (one of three)
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
Samuel Howitt Polecat
Samuel Howitt, 1756–1822
Polecat
ca. 1817
John Linnell Tythrop
John Linnell, 1792–1882
Tythrop
1817
Isaac Weld 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
Isaac Weld Grisons/ Looking to Glarnisch (Switzerland) Mountains
Isaac Weld, 1774–1856
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
Richard Parkes Bonington Untitled (one of three)
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
John Frederick Tayler Hunting Scene: The Meet
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
John Buckler FSA North Front of Belton house Lincolnshire
John Buckler FSA, 1770–1851
North Front of Belton house Lincolnshire
1817
John Buckler FSA Flower Garden at Belton, Lincolnshire
John Buckler FSA, 1770–1851
Flower Garden at Belton, Lincolnshire
1817
John Buckler FSA Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart.
John Buckler FSA, 1770–1851
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
1817
John Buckler FSA South West View of Burleigh House
John Buckler FSA, 1770–1851
South West View of Burleigh House
1817
John Buckler FSA North West view of Burleigh House The Seat of the Marquis of Exeter
John Buckler FSA, 1770–1851
North West view of Burleigh House The Seat of the Marquis of Exeter
1817
John Buckler FSA South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
John Buckler FSA, 1770–1851
South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
1817
John Buckler FSA Samlesbury hall; Lancashire
John Buckler FSA, 1770–1851
Samlesbury hall; Lancashire
1817
John Buckler FSA North West View of Harlaxton Manor House, Lincolnshire
John Buckler FSA, 1770–1851
North West View of Harlaxton Manor House, Lincolnshire
1817
John Buckler FSA North East View of Harlaxton Manor House, Lincolnshire
John Buckler FSA, 1770–1851
North East View of Harlaxton Manor House, Lincolnshire
1817
John Buckler FSA Interior View of the Hall at Rushton
John Buckler FSA, 1770–1851
Interior View of the Hall at Rushton
1817
John Buckler FSA The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
John Buckler FSA, 1770–1851
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
1817
John Thomas Smith Original Drawings Illustrating the Life of Hogarth by J. T. Smith
John Thomas Smith, 1766–1833
Original Drawings Illustrating the Life of Hogarth by J. T. Smith
1817
Thomas Shotter Boys Courtyard of an Inn on the Thames
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated