Materials & Techniques: black ink / On-site Access: Accessible by appointment in the Study Room / Date: 1817

Joseph Mallord William Turner, 1775–1851

Andernach

1817

Samuel Howitt, 1756–1822

Polecat

ca. 1817

John Linnell, 1792–1882

Tythrop

1817

Print made by Richard Parkes Bonington, 1802–1828

Untitled (one of three)

undated

Isaac Weld, 1774–1856

1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

1817

Isaac Weld, 1774–1856

Grisons/ Looking to Glarnisch (Switzerland) Mountains

1817

Print made by Richard Parkes Bonington, 1802–1828

Untitled (one of three)

undated

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

Thomas Shotter Boys, 1803–1874

Queen Anne Boleyn's Room, Windsor Castle

undated

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith, 1766–1833

The Eleventh Hour

1817

John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

John Thomas Smith, 1766–1833

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

1817

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817